PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT
Vol 2 (2019): Seni, Teknologi, dan Masyarakat #4

Agustina Kusuma Dewi TRANSPOSISI KREATIF ‘GERAK’ DALAM FILM SEBAGAI IDENTITAS KULTURAL PADA ERA MULTILITERASI DIGITAL Studi Kasus Film ‘Setan Jawa’ Karya Garin Nugroho

Agustina Kusuma Dewi (Fakultas Seni Rupa dan Desain, Institut Teknologi Bandung)
Yasraf Amir Piliang (Fakultas Seni Rupa dan Desain, Institut Teknologi Bandung)
Irfansyah (Fakultas Seni Rupa dan Desain, Institut Teknologi Bandung)
Acep Iwan Saidi (Fakultas Seni Rupa dan Desain, Institut Teknologi Bandung)



Article Info

Publish Date
24 Jan 2020

Abstract

Technology change the way of thinking, how people access information also influence process to spread andshare information in various media, including film, an art that plays images and screen technology. In the film,‘movement’ is a changing position of an object. Accelerating technology constructed’movement’ becomes animportant keyword that needs to be presented in every communication channel. ‘Setan Jawa’ Film by GarinNugroho with Gamelan Orchestra composed by Rahayu Supanggah, was released in Indonesia in 2016 inJakarta and still scheduled to tour the world until 2020. Combines a variety of collaborative art, design andtechnology—‘Setan Jawa’ creating a multiliterated communication channel that has possibilities to become amedium society cultural education. In this film, ‘movement’ becomes a sign constructed by creative transpositionof narratives in various arts, including puppets. Using a case study approach and documentation analysis,referring to the results of Roger Long’s research (1979), this research aims to identify creative forms ofpuppet’s ‘movement’ transposition in the film ‘Setan Jawa’ as cultural identity, a finding that in the Industrial Era4.0; through multiliteration digital, process of cultural discourseto society could be done through a varietyvehicle of signs.

Copyrights © 2020






Journal Info

Abbrev

SemHas

Publisher

Subject

Arts Humanities

Description

Seni, teknologi, dan masyarakat dewasa ini telah menyatu dalam praktik penelitian dan pengabdian masyarakat di perguruan tinggi seni. Tidak ada lagi jarak antara praktik seni dan teknologi, terutama dengan masyarakat. Pemisaha antara disiplin sain dan teknologi dengan sosial, humaniora, dan seni ...