Atrat: Jurnal Seni Rupa
Vol 1, No 2 (2013): JERAT TRADISI DALAM KONTEMPORER

STRUKTUR DAN MAKNA MOTIF BATIK TAMAN ARUM SUNYARAGI

Ari Winarno (Sekolah Tinggi Seni Indonesia (STSI) Bandung)



Article Info

Publish Date
25 May 2013

Abstract

General conditions that prevail in place of society have a very strong influence to art that is produced and developed by the region of that particular society, this condition can be proven in Cirebon as a center of Islamic movement carried on as well as a place where cultures from different place meet. These circumstances provide the potential of cultural assimilation as seen on the shape of its batik ornament. The design of batik ornament in Cirebon has many different varieties, but in general it can be categorized into two different designs. The first on in batik Pesisiran, mostly used by common people using contrast colours in a variant design. The second one is batik Pedalaman, this batik is a creation of the Cirebon palace using the some colour appearance with Yogya’s as well as Solo’s batik. Taman Arum Sunyaragi ornament on Cirebon batik is a visual from that evision a garden with contained four massages on the guidance of live. This guidance provides four ways to get closer to God: (1) know yourself, (2) gain knowledge, (3) take control of science, and (4) perform in God’s pathway. This guidance has a closer meaning to Tasawuf in Islam that teaches syari’a, tareka, hakika and ma’rifa.Keywords: Taman Arum Sunyaragi Ornament, Structure, Meaning 

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Journal Info

Abbrev

atrat

Publisher

Subject

Arts Humanities Education Social Sciences

Description

Atrat is a Journal of Visual Arts containing scientific papers which includes Fine Art and Design, publisher by Jurusan Seni Rupa STSI Bandung (p-ISSN 2339-1642 & e-issn 2722-7200). Jurnal Atrat also embodies the results of various forms of scientific research as well as the creation of artworks, ...