CALL
Vol 3, No 2 (2021): CALL

HEGEMONY BY ANTONIO GRAMSCI IN THE LION KING FILM

Jelita Dewanty Hendarsyah (Sunan Gunung Djati State Islamic University Bandung)
Abd. Hannan EF (Sunan Gunung Djati State Islamic University Bandung)
Lili Awaludin (Sunan Gunung Djati State Islamic University Bandung)



Article Info

Publish Date
31 Dec 2021

Abstract

In this thesis, the researcher focuses on discussing the coup in The Lion King film directed by John Favreau in 2019. This research is based on the model proposed by Antonio Gramsci's hegemony of power, this theory covers the causes of the normal practice of overthrowing power and the relationship of consent using the power structure. The purpose of this research is to find out and understand the relationship between the conflict between the main characters causing the coup d'etat represented in film literature; especially in examining the similarities in the causes of the coup d'etat from the perspective of the Hegemony of Power, the three aspects that caused the coup d'etat; Obsession, Discrimination, and Betrayal. To find out the truth, the researcher focuses on examining the hegemony of power that is applied in The Lion King Film. Hegemony is applied in the form of driving bad opinions to achieve the desired result, namely becoming a king. The results of this study indicate that there are 3 reasons for the application of the hegemony of power contained in The Lion King Film, obsession, driving bad opinion, cunning.Keywords : Coup, research, The Lion King film, overthrowing of power, government.

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Journal Info

Abbrev

jcall

Publisher

Subject

Arts Humanities Languange, Linguistic, Communication & Media

Description

CALL is a journal that presents Critical Analysis on Language and literature. This journal focuses on the analysis of text scrutinized by theories from linguistics, literary analysis, discourse analysis, to critical theories. This journal accepted the analysis of text of any language, especially, ...