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All Journal IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Nady al-Adab CALL Journal of English Development Saksama: Jurnal Sastra Research on Applied Linguistics and Literature Journal of English Language Teaching and Literature (JELITA)
Lili Awaludin
UIN Sunan Gunung Djati Bandung
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Flouting Maxims in The Ellen DeGeneres Talk Show Episode Will Smith Full Interview with Ellen Tia Bela Oktiva; Andang Saehu; Lili Awaludin
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol 9, No 2 (2021): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Litera
Publisher : Institut Agama Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v9i2.2324

Abstract

Abstract People can easily communicate well when people can apply maxim compliance principles in communicating. In reality, people do not always apply maxim compliance in communicating. When this happens during communication, it will cause a phenomenon called the floating maxim. This phenomenon occurs in The Ellen DeGeneres Talk Show which is the object of this research, with research questions: 1) What Maxims are flouted in The Ellen DeGeneres Talk Show Episode Will Smith Full Interview with Ellen? 2) What are the reasons of the characters flouting the Maxims in The Ellen DeGeneres Talk Show Episode Will Smith Full Interview with Ellen? The theory in this study uses the theory of Grice, Cutting and Leech. The objects in this research focus on Ellen and Smith. This study uses descriptive qualitative with content analysis. Technical analysis in this study uses the analysis of Vanderstoep and Johnston; Identifying, coding, discussing, and drawing conclusion. Based on the findings of the study, 33 data were found representing all types of flouting maxim and the reasons for flouting maxim. There are 3 data on the flouting maxim of quantity, 11 data on the flouting maxim of quality, 4 data on the flouting maxim of relevance, and 3 data on the flouting maxim of manner. While on the reasons of flouting maxim, there are 3 data on conflictive reason, 4 data on competitive reason, 2 data on convivial reason and 3 data on collaborative reason. Based on the results of the study, it was concluded that most of the characters in the show flouted the maxim of quality and competitive reasons for flouting maxim the maxim. Keywords: Pragmatics, Flouting Maxim, Reason for Flouting Maxim, Ellen DeGeneres Talk Show.
VOICE AND FREQUENCY IN QUENTIN TARANTINO’S PULP FICTION MOVIE SCRIPT Sandy Agung; Dadan Rusmana; Lili Awaludin
CALL Vol 2, No 1 (2020): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v2i1.8748

Abstract

This research discusses the narrative discourse structure in Quentin Tarantino’s Pulp Fiction movie script. Pulp Fiction (1994) Pulp Fiction is known as one of the best crime and drama genre movie. Pulp Fiction directed by Quentin Tarantino. Quentin Tarantino and Roger Avery wrote the script. The movie presented many drops of blood, fights, and gun in the scenes. This movie also provides us with many “nigga” words. The researcher used Gerrard Genette’s narrative discourse theory. This study was conducted into two research problem; 1. What are the kinds of voice that consist in Quentin Tarantino’s Pulp Fiction movie script? 2. What are the kinds of frequency that consists in Quentin Tarantino’s Pulp Fiction movie script? The result of this research shows that in this movie there are two kinds of voice. Moreover, there are some data that show frequency that exist in Quentin Tarantino’ Pulp Fiction movie script.
HEGEMONY BY ANTONIO GRAMSCI IN THE LION KING FILM Jelita Dewanty Hendarsyah; Abd. Hannan EF; Lili Awaludin
CALL Vol 3, No 2 (2021): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v3i2.14507

Abstract

In this thesis, the researcher focuses on discussing the coup in The Lion King film directed by John Favreau in 2019. This research is based on the model proposed by Antonio Gramsci's hegemony of power, this theory covers the causes of the normal practice of overthrowing power and the relationship of consent using the power structure. The purpose of this research is to find out and understand the relationship between the conflict between the main characters causing the coup d'etat represented in film literature; especially in examining the similarities in the causes of the coup d'etat from the perspective of the Hegemony of Power, the three aspects that caused the coup d'etat; Obsession, Discrimination, and Betrayal. To find out the truth, the researcher focuses on examining the hegemony of power that is applied in The Lion King Film. Hegemony is applied in the form of driving bad opinions to achieve the desired result, namely becoming a king. The results of this study indicate that there are 3 reasons for the application of the hegemony of power contained in The Lion King Film, obsession, driving bad opinion, cunning.Keywords : Coup, research, The Lion King film, overthrowing of power, government.
Semiotic Signs in Avengers Endgame Movie Tia Rachel Rahayu; Lili Awaludin; Yoga Sudarisman
CALL Vol 4, No 1 (2022): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v4i1.15160

Abstract

This study examined the hostile cues in the Avengers: Endgame film. The semiotic theory of Charles Sanders Peirce is used in the debate. It focused on two problem formulations: the type of semiotic sign by highlighting the hostile sign present in the film, and the sign's meaning. Aims of this study was to identify the various hostile semiotic cues present in the film as well as how a film communicates a message that can be applied to daily life. Then, it has significant ideals that can inspire and make reference to societal reality. The study examines a variety of materials, including interview transcripts, social science texts, and narrative-style films, television shows, and periodicals. It does this using a qualitative research methodology called content analysis. In order to be interpreted afterwards, hostile cues from the actors are gathered and grouped. The findings demonstrate that when the Avengers are prepared to make sacrifices in order to battle and defend the universe in order to defeat evil, indicators of animosity are visible. Keywords: semiotics, sign, meaning, hostility, movie
REFUTATION OF LAURA MULVEY'S 'MALE GAZE' THEORY IN FILM LITTLE WOMEN (2019) Virgiena Salsabila; Lili Awaludin; Hasbi Assiddiqi
Saksama: Jurnal Sastra Vol 1, No 2 (2022): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (810.409 KB) | DOI: 10.15575/sksm.v1i2.23899

Abstract

Film, along with other literary works such as books, poetry and theater, is one of the mediums used in the contemporary day to communicate messages to society. Greta Gerwig adapted the film Little Women (2019) from the novel Little Women (1868) by Louisa May Alcott. This film shows a breakthrough over the prejudice and discrimination towards women in 19th-century cinema. The subject of female gaze has received attention since, up to this point, women have frequently only been shown as passive narrative objects, or even as the principal sexual objects in movies. Analyzing by comparing Laura Mulvey's theory regarding female gaze and male gaze through the phenomena contained in the film Little Women, which narrates the lives of five young women during their adolescent years. The image of women in the film Little Women does not appear as an object but a subject, the characters in the film Little appears strong, ambitious and optimistic. Little Women proves that Mulvey's theory of the patriarchal world is neither permanent nor obligatory.
IRONY AS REPRESENTATION OF RACIAL SEGREGATION IN AUGUST WILSON’S “FENCES” Ihya Aditya Fahmi Maarif; Andang Saehu; Lili Awaludin
Saksama Vol 1, No 1 (2022): Saksama
Publisher : Saksama

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (717.961 KB)

Abstract

Irony is figurative language that is frequently employed in literary works as a way to add interest to the text. Irony is a figure of speech employed in a sentence so that the intended meaning is different from the real meaning of the word, according to various dictionaries. One of the historical occurrences in the United States was racial segregation, which was intended to be a diplomatic separation between white society and African American society but instead supplied the same level of discrimination. Considering how the history of discrimination is depicted in play through figurative language: irony, the researcher conducted a study that focused on August Wilson's play entitled Fences (1984). This study used the theory of irony from Perrine (1994), to analyze the types of irony found in Fences and several sources of journals and history books to describe the history of racial segregation in the United States of America that occurred. This study uses a descriptive qualitative method, and the main data is the script of the drama Fences. The research result showed the type of irony in this playscript are able represent the racial segregation in United States. In conclusion, Wilson as a playwright effectively used irony in almost every round of his drama and this irony was also able to describe the situation of racial segregation that had occurred in United States.
MALE ROMANCE FORMULA IN FORREST GUMP MOVIE (1994) Vidi Rutsyamsun; Lili Awaludin
Saksama: Jurnal Sastra Vol 2, No 1 (2023): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v2i1.24837

Abstract

This journal investigates how Forrest Gump's portrayal of disability in romantic relationships. To investigate how the main character, Forrest Gump, and his partner, Jenny, encountered difficulties in forging a love relationship because of Forrest's disabilities, the researcher employed a qualitative technique with a narrative analytic method. The study sought to investigate how the movie deals with disability difficulties while presenting the ideal romance formula. The study also discovered that the Forrest Gump movie adheres to Janice Radway's ideal romance formula while adapting it to the disability setting. The individuals' personalities are given more depth by this extra complexity, which also advances the story as a whole. The Forrest Gump movie accurately, tenderly, and meaningfully shows romantic connections between individuals with impairments, according to the study. Forrest's intellectual impairment isn't the main focus of his persona; rather, it's only one facet of who he is. The movie demonstrates that Forrest is a loving, kind, and sympathetic individual who is able to develop lasting connections despite his impairment. Jenny's reaction to Forrest's impairment is honestly portrayed in the movie, and she first has second thoughts about dating him. She comes to see, nevertheless, that Forrest's impairment is only one aspect of him and does not characterize him as a person as their relationship progresses.
THE BRITISH COLONIAL POWER IN GEORGE ORWELL’S BURMESE DAYS Ryan Zulkarnaen; Ruminda Ruminda; Lili Awaludin
CALL Vol 5, No 1 (2023): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v5i1.15550

Abstract

This study tried to discover British colonial power in George Orwell’s Burmese Days. Gramsci's hegemony theory regarding to a concept of an integral state was applied. A qualitative descriptive method was used in the study. Data in the study were dialogues and narratives from historical contacts between British and Burmese regarding the British colonial regime. The data consisted intrinsic element of theme, and 2 extrinsic elements of political society and civil society. Both elements were structure in literary works, and represent the British colonial power in George Orwell’s Burmese Days. A theme of colonial was found among the element of fiction. There were extrinsic elements such as political society and civil society. The study concluded that the intrinsic elements forming a story that could representative how the British colonial power appeared on theme. The relationship of both elements form totality of meaning and integrity that how the British colonial power operations in George Orwell’ Burmese Days.  Keywords: colonialism, hegemony, integral state, orientalism
LANGUAGE STYLES IN THE JAKARTA POST HEADLINES ABOUT COVID-19 Viena Rara Alvenia; Lili Awaludin; Toneng Listiani
ReALL - Research on Applied Linguistics and Literature Vol. 2 No. 1 (2023): Research on Applied Linguistics and Literature
Publisher : Fakultas Ilmu Budaya and LPPM Universitas Sebelas April

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Language style is a variety of language caused by differences in language situations or differences in the relationship between the speaker (writer) and listener (reader) (Joos, 1976). The purposes of this research are: 1) to identify the types of language styles used in The Jakarta Post headlines about COVID-19 and 2) to analyze the function of language styles in The Jakarta Post headlines about COVID-19. This research was analyzed using Joos's theory as the basis of analysis. Joos (1976) said that there are five types of language styles; 1) frozen style, 2) formal style, 3) consultative style, 4) casual style, and, 5) intimate style. The object used in this research is from The Jakarta Post newspaper. The researcher uses a qualitative case study to analyze this study. The steps of analyzing data are determining the criteria of each category, matching each data which fits the types of language styles, and describing the function of language styles in The Jakarta Post headlines. Based on the result of the analysis, the researcher found 108 data on the types of language styles, there are 8 data of frozen style and 100 data of formal style. In addition, the researcher takes 20 pieces of data to describe the function of language style in The Jakarta Post headlines about COVID-19. This research concludes that The Jakarta Post headlines dominate with formal style and frozen style in conveying the topic. Because, the topic of Covid-19 is talking about serious things, therefore using the frozen and formal styles is more suitable than the other styles.
The Collective Unconsciousness in Qalb al-Lail by Naguib Mahfouz Qolbi, Nuraini Qolbi Karimah; Muhammad Nur Hasan; Lili Awaludin
Nady Al-Adab : Jurnal Bahasa Arab Vol. 21 No. 3 (2024): Nady al-Adab
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20956/jna.v21i3.41475

Abstract

Abstrak Penelitian ini membahas novel yang berjudul Qolbu Al-lail karya Naguib Mahfouz. Sebagai sumber data penelitian. Novel ini menarik untuk diteliti karena selain membahas konflik sosial dan politik. Novel Qalbu Al-lail juga memiliki fenomena ketidaksadaran yang terefleksikan dari tokoh-tokohnya. Penelitian ini menganalisis ketidaksadaran kolektif pada novel Qolbu Al-lail karya Naguib Mahfouz melalui pendekatan psikoanalisis Carl Gustav Jung. Arketipe merupakan isi dari ketidaksadaran kolektif, yang merupakan bentuk pembawaan lahir dari psyche, pola dari kelakuan psikis yang selalu ada secara potensial sebagai kemungkinan dan apabila diwujudkan nampak sebagai gambaran spesifik. Bentuk arketipe dalam teori Jung mencakup persona, shadow, anima-animus, dan self, Metode yang digunakan dalam penelitian ini adalah metode kualitatif berbasis data deskriptif. Dari hasil penelitian ditemukan : (1) Refleksi persona beberapa tokoh yang menampilkan kepribadian yang ingin dibentuk oleh mereka sendiri. (2) Refleksi shadow yang membuat kesan kurang baik pada beberapa tokoh. (3) Refleksi animus beberapa tokoh perempuan yang memperlihatkan sisi maskulin dan logos. (4) Refleksi self pada tokoh Al-Rawi dan Ja’far yang merasa diri mereka paling benar. Kata Kunci: psikoanalisis, ketidaksadaran kolektif, arketipe, sastra Abstract This research uses a novel entitled Qolbu Al-lail by Naguib Mahfouz. As a source of research data. This novel is interesting to study because in addition to discussing social and political conflicts, the novel also has the phenomenon of collective unconsciousness of the characters. This research aims to analyse the collective unconscious in the novel Qolbu Al-lail by Naguib Mahfouz through Carl Gustav Jung's psychoanalysis approach. Archetypes are the content of the collective unconscious, which is the innate form of the psyche, a pattern of psychic behaviour that always exists potentially as a possibility and when realised appears as a specific image. The form of archetypes in Jung's theory includes persona, shadow, anima, and animus, and self. The method used in this research is a qualitative method based on descriptive data. From the results of the study found: (1) Persona reflections of several characters that display the personalities that they themselves want to form. (2) The shadow reflection that makes an unfavourable impression on some characters. (3) Anima reflection of some female characters that show the masculine side and logos. (4) Reflection of self in Al-Rawi and Ja'far who feel that they are the most righteous. Keywords: psychoanalysis, collective unconscious, archetypes, literature
Co-Authors Abd. Hannan EF Andang Saehu, Andang Anisa Hanifah Dadan Rusmana Hasbi Assiddiqi Ihya Aditya Fahmi Maarif Jelita Dewanty Hendarsyah Listiani, Toneng Muhammad Nur Hasan Qolbi, Nuraini Qolbi Karimah Ruminda Ruminda Ryan Zulkarnaen Sandy Agung Tia Bela Oktiva Tia Rachel Rahayu Vidi Rutsyamsun Viena Rara Alvenia Virgiena Salsabila Yoga Sudarisman