The women, who survived the 1965 tragedy and had been political prisoners because they were thought to have ties to the Indonesian Communist Party, had been silenced for a long time. Those female survivors then spoke through songs in the Dialita Choir. What they do is a form of women’s writing which is an attempt to include women in historical narratives. This study aims to analyze their act as a form of feminine writing that can be seen through the lyrics of a song sung by the Dialita Choir. The lyrics from the Dialita Choir are treated as text. The analysis in this study uses a feminist perspective with a critical discourse analysis approach. This study found that written songs became a coping mechanism for them while being arrested.
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