Lekesan: Interdisciplinary Journal of Asia Pacific Arts
Vol. 4 No. 1 (2021): April

Portrait Of The Japanese Colonial Period In The Wayang Kamasan Illustration Of ‘Lintang Perau Pegat’ At The Klungkung Royal Palace

I Wayan Agus Eka Cahyadi (ISI Denpasar)



Article Info

Publish Date
08 Jun 2021

Abstract

The Wayang Kamasan illustrations at the Klungkung Royal Palace store traces of the history of Bali during the Japanese colonial period. This research analyzed one located in the Bale Kambang pavilion with the ‘Lintang Perau Pegat’ scene to discern representation in that era. An art historical method was used drawing from field observation and literature resources with an iconography and iconology analysis approach of Erwin Panofsky. Findings from a pre-iconography phase showed that this illustration presents a scene about the splitting of a Japan-flagged ship by a large fish. An iconographic analysis was about themes and concepts regarding belief in the strength of nature (gods), which can influence human life and undermine the glory of human beings. Given the psychological atmosphere during the Japanese colonial period, hence, this illustration is the crystallization of a symbol from an attitude of resistance amidst helplessness towards a ruler (the Japanese occupation government), and hopes for the presence of the power of the gods to help eliminate oppression and misery that occurred during that era in Bali.

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Journal Info

Abbrev

lekesan

Publisher

Subject

Arts Humanities

Description

The journal presents as a medium to share knowledge and understanding art, culture, and design in the area of regional, national, and international levels. The journal accommodates articles from research, creation, and study of art, culture, and design without limiting authors from a variety of ...