This research addresses the issue of social inequality caused by the use of gadgets, which separates the younger generation from traditional values and religious practices, threatening silaturrahmi and social harmony. However, the art of Madurese Classical Hadrah, particularly as performed by the Baiturrahim Group in Jaddung Village, is emerging as a potential solution to this challenge. This research focuses on the implementation of Madurese Classical Hadrah art in the community, especially in Ketapang Hamlet, as well as the role of Islamic da'wah delivered through this art. The research method used is a qualitative field approach using interviews, observation, and documentation as data collection tools, as well as source and time triangulation to ensure data validity. The results showed that the Baiturrahim Group uses Hadrah art to convey Islamic preaching through sholawat verses containing Islamic messages. This art performance not only builds social ties and togetherness in the community, but also plays an important role in preserving religious and cultural traditions. The younger generation is actively involved in the implementation of this Hadrah art through education and social activities such as arisan organized by this group. The conclusion of this research is that Madurese classical Hadrah art is not just an art performance, but also a profound platform to strengthen love for the Prophet through verses of sholawat. The art of Hadrah is effective in building solid social ties within the community and plays a role in preserving religious and cultural traditions. The implementation of Hadrah art by the community, especially through the active participation of the younger generation, as well as social activities such as arisan, shows a real commitment to maintaining traditional arts in Jaddung Village, Pragaan, Sumenep.
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