CALL
Vol. 4 No. 1 (2022): CALL

Semiotic Signs in Avengers Endgame Movie

Rahayu, Tia Rachel (Unknown)
Awaludin, Lili (Unknown)
Sudarisman, Yoga (Unknown)



Article Info

Publish Date
30 Jun 2022

Abstract

This study examined the hostile cues in the Avengers: Endgame film. The semiotic theory of Charles Sanders Peirce is used in the debate. It focused on two problem formulations: the type of semiotic sign by highlighting the hostile sign present in the film, and the sign's meaning. Aims of this study was to identify the various hostile semiotic cues present in the film as well as how a film communicates a message that can be applied to daily life. Then, it has significant ideals that can inspire and make reference to societal reality. The study examines a variety of materials, including interview transcripts, social science texts, and narrative-style films, television shows, and periodicals. It does this using a qualitative research methodology called content analysis. In order to be interpreted afterwards, hostile cues from the actors are gathered and grouped. The findings demonstrate that when the Avengers are prepared to make sacrifices in order to battle and defend the universe in order to defeat evil, indicators of animosity are visible. Keywords: semiotics, sign, meaning, hostility, movie

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Journal Info

Abbrev

jcall

Publisher

Subject

Arts Humanities Languange, Linguistic, Communication & Media

Description

CALL is a journal that presents Critical Analysis on Language and literature. This journal focuses on the analysis of text scrutinized by theories from linguistics, literary analysis, discourse analysis, to critical theories. This journal accepted the analysis of text of any language, especially, ...