The development of communication technology has given rise nowaday. The documentary Belongings Through Lines seeks to portray the dynamics of this community using a three-act narrative structure, highlighting personal stories, challenges, and reflections on their role in preserving the city’s collective memory through sketching. This study aims to explain the stages of Act I (Set Up), Act II (Confrontation), and Act III (Resolution) in the scriptwriting of the documentary Belongings Through Lines. The results show: 1) Act I introduces the Bandung Sketchwalk community, the values of urban sketching, and the cultural and emotional background through intimate and reflective audio-visual elements; 2) Act II presents the conflict of maintaining the community, as well as the members’ motivations and social dynamics through interviews and the 100th sketchwalk event; 3) Act III offers a narrative reflection on the meaning of the Bandung Sketchwalk community’s continuity and the values sustained over the past decade.
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