<![CDATA[This study examines signs, myths, and cultural ideology in three Muna fables—Karambau Kainsedodo, Karambau bhe Bhiku, and Tula-tulano Alaga-alaga bhe Abhiku-abhiku—through Roland Barthes’ semiotic framework. It aims to identify the sign structures embedded in the narrative elements of the fables, analyze their denotative and connotative meanings, and interpret the myths and cultural ideologies naturalized in the texts. Using a qualitative descriptive design, the study draws on documented Muna fable texts as its primary data and applies close reading and semiotic interpretation. The units of analysis include characters, actions, objects, and events functioning as dominant signs in the narratives. The findings show that the three fables operate through layered signification. At the denotative level, they present simple events such as abduction, competition, and transformation. At the connotative level, these events and characters symbolize power, intelligence, obedience, and moral consequence. At the mythic level, the fables naturalize cultural ideologies related to social hierarchy, collective intelligence, and obedience to customary norms. The study concludes that Muna fables function as ideological cultural texts that reproduce the social values and worldview of the Muna.]]>
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