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MUDRA Jurnal Seni Budaya

mudra
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Published by Institut Seni Indonesia Denpasar

ISSN : 08543461 EISSN : 25410407 DOI : https://doi.org/10.31091/mudra.v37i4.2084

Core Subject : Religion, Humanities, Education, Art, Social,

Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

AIMS The journal presents as a medium to share knowledge and understanding art, culture, and design in the area of regional, national, and international levels. In accordance with the meaning of the word “Mudra”, which is a spiritual gesture and energy indicator, it is hoped that the journal will be able to vibrate the breath of art knowledge to its audience, both academics, and professionals. The journal accommodates articles from research, creation, and study of art, culture, and design without limiting authors from a variety of disciplinary/interdisciplinary approaches such as art criticism, art anthropology, history, aesthetics, sociology, art education, and other contextual approaches. SCOPE MUDRA, as the Journal of art and culture, is dedicated as a scientific dialectic vehicle that accommodates quality original articles covering the development of knowledge about art, ideas, concepts, phenomena originating from the results of scientific research, creation, presentation of fine arts, performing arts and new media from researchers, artists, academics, and students covering areas of study: Performing Arts: dance, puppetry, ethnomusicology, music, theater,performing arts education, performing arts management Fine Arts: fine arts, sculpture, craft art, fine arts education,fine arts management, including new media arts Design: interior design, graphic communication design, fashion design,product design, accessories and/or jewelry design Recording Media : photography, film, television, documentary, video art, animation,game Culture : linguistic, architecture, verbal tradition, as well as other communal tradition The object of research is explored in a variety of topics that are unique, relevant, and contextual with environmental and sustainability aspects, local wisdom, humanity and safety factors. In addition to that, the topic of research needs to be original, creative, innovative, excellence, and competitive.

Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan

Articles 8 Documents

Search results for , issue "Vol 20 No 1 (2007): Januari" : 8 Documents clear

Seni Pertunjukan Tradisional Bali, Sebuah Renungan Sejarah I Gusti Ngurah Seramasara
Mudra Jurnal Seni Budaya Vol 20 No 1 (2007): Januari
Publisher : Institut Seni Indonesia Denpasar

The existence of Balinese performance art can be observed through a long journey based on such of clues like artifact and ancient inscription which are found and described the categories of our inheritance performance art at the present are existed since the age of Ancient Balinese. Through the awareness of history, the age of Ancient Balinese is made of by the relationships between Balinese and East Javanese kings. In another ways can be comprised that the Balinese performance art is included in ancient Balinese performance art which is known as the product of Javanese culture and Balinese tradition’s acculturation. The East Javanese culture’s inheritance has cultivated by the fallen of Balinese’s Kingdom under Majapahit since the governance of King Asta Sura, Ratna Bumi Banten which caused the dominant influence of Majapahit’s culture to the development of Balinese culture until now. Seen that the Balinese performance art has a meaning to regenerate and socialize the Balinese culture and can also assumed that traditional performance art is become the identity of Balinese culture. The changes of age and the existence of culture system will influence the form and structure of performance art so that in reconstructing of traditional performance art as a history moment is always limited by space, proceed with time and reconstruct to the artist’s style. The changes of form and art structure can be possessed as a history process while its meaning and characteristics are always powered and prevented the genuine of Balinese culture art.

Geguritan Sebun Bangkung Kajian Bentuk, Fungsi Dan Makna I Wayan Rinda Suardika
Mudra Jurnal Seni Budaya Vol 20 No 1 (2007): Januari
Publisher : Institut Seni Indonesia Denpasar

The research is aimed to find out the form, function, and the meaning of Geguritan Sebun Bangkung in social and cultural Hinduism community in Bali. in this research, the writer used structural theory, functional theory and semiotics theory. The structural theory is used to confirm the form, and the narrative structural of the literature, while the functional theory is used to analyze its function. In determining the meaning at the Geguritan Sebun Bangkung text, the semiotics theory is applied. These are methods used in this research: 1) In collecting data, it’s used library study, interview and completed with taking notes technique; 2) In analyzing data, qualitative descriptive method is used and completed with translation technique. After analyzing data, it’s found that Geguritan Sebun Bangkung contains 9 texts. Geguritan Sebun Bangkung consist of 16 pupuh which has followed its own rules (padalingsa: word rules, numerical rules and rhyme rule) in Medium Balinese language with some Old Javanese words.

Makna Simbolik Tabu Pertunjukan Wayang Kulit Di Purbalingga, Karesidenan Banyumas, Jawa Tengah Sugeng Priyadi
Mudra Jurnal Seni Budaya Vol 20 No 1 (2007): Januari
Publisher : Institut Seni Indonesia Denpasar

The taboo of leather puppet show in the rural community of Purbalingga shows a plurality of socio-culture laying on the puppet myth that has changed into local legend. The myth said that Purbalingga is the region of Kurawa. This belief leads to such social conflicts as cultural conflict, marriage conflict, spiritual conflict, and ethic conflict. These conflicts are so obviously seen in the area. The cultural conflicts have triggered the taboo of puppet show in the rural area of Purbalingga. The taboo can be perceived as the phenomena of 1) a violence ang regret to the local puppet legend making some story sacral and taboo to perform, 2) a knight ascetics having some different meanings. Arjuna lived as an ascetic to get a weapon and a glory in the battle, while Yudhistira did that to achieve ultimate nobility in life, and 3) an ethic violation concerned with the characters, of puppet in the legend of Ramayana and Mahabarata, that are regarded as the ancestors of Purbalingga community.

Makna Balaganjur Dalam Aktivitas Sosial Masyarakat Bali I Wayan Suharta
Mudra Jurnal Seni Budaya Vol 20 No 1 (2007): Januari
Publisher : Institut Seni Indonesia Denpasar

Balaganjur is a form of performance arts and audio- visually it might be an independent art. Balaganjur is a musical communication that instigates sensation and emotional response between the composer, players and viewers. It might influence the fan who are familier with the background of Balinese social life. This article is meant to see and analyze how Balinese people value the function of Balaganjur, especially in the context of festive social activity. The performance of Balaganjur is always conected to a religious life, traditional lore, and aspect of artistic life in response to the development of the cultural millie. Generally, Balaganjur complements the implementation of religious ritual. However, when Balaganjur is secularly composed and performed as an aesthetic presentation, Balaganjur develops its function toward profan values.

Karawitan Bali Dalam Perspektif Rasa I Wayan Suweca
Mudra Jurnal Seni Budaya Vol 20 No 1 (2007): Januari
Publisher : Institut Seni Indonesia Denpasar

This article is written in order to make a deeply understanding about the concept of Balinese traditional music, especially which related with the sense of musical. The aim of this article is to observe some theories which can be used by the composer in creating songs with sense and different variations of musical. With detail observation of many kind elements that has the possibility to influence and take a part in conveying sense. The method used is the compotation of the composer from some decade. With the priority of the critical science of the study as the main problem in the method used, and hopefully the resume can be used in fixing the study tools about Balinese traditional music. By the understanding of the musical sense as one part of the concept in creating the scientific Balinese traditional music, will open the nest generation ways in thinking to act and create something regularly.

Profil “Kontemporer” Musik Kelahiran Minang Mahdi Bahar
Mudra Jurnal Seni Budaya Vol 20 No 1 (2007): Januari
Publisher : Institut Seni Indonesia Denpasar

one of musical entities in West Sumatera is the Minangkabau cultural music. The existence of the music has changed significantly since the second half of twentieth century, as an intergral change of Indonesian music in general. Following the situation I see the emergence of academic discussions on the music in a member of forums in this republic. In the discussion, many terms are adopted from foreign languages, especially English, such as “contemporary”. Various meanings given to “contemporary” are used to define the phenomena of changes in music in the countri. One of a newly-created music as a phenomenon of change in the Minangkabau cultural context is “Kawin Silang” composition. The composition in this article is discussed in the contemporary perspective.

Patung Dewa Ruci Dalam Perspektif Budaya Bali I Nyoman Linggih
Mudra Jurnal Seni Budaya Vol 20 No 1 (2007): Januari
Publisher : Institut Seni Indonesia Denpasar

Statue is one form of fine arts which is known as the aesthetic experience which come out from the forms of three dimension. Ruci /Nawa Ruci is the form of God or Ida Shang Hyang Widhi in a form of one and only. The Ruci statue has an aesthetic appearance physically. The Ruci statue is a complete group, the united of one figure to another figure from point of view form structure and the existence of statue composition. The Ruci statue has functions: sacred function, ritual/ceremony function, religious aesthetic function. The Ruci statue is symbolize as a snake or dragon in the ocean wave which describe all commitment of human life in the real world which always bring the flows of human life uncertain. Bhima who is known as a micro cosmos figure or as a human being who looking for his true self and wants to find himself. Ruci/ Acintya represent in the statue is presented the sense of “Me” belong to every human life. So that the real phenomenon of Ruci statue is about dialog between soul (atma) with the highest soul (paramatma)in order to find out the real meaning.

Seni Lukis Bali Dari Perspektif Modernisasi I Dewa Putu Merta
Mudra Jurnal Seni Budaya Vol 20 No 1 (2007): Januari
Publisher : Institut Seni Indonesia Denpasar

One of the strategic attitudes toward development, in order to increase its improvement by arrangement of comprehensive planning, by considering potency as multi sector development concept is the development of art that is taken for consideration. The development of art in Bali nowadays is closely related to the historic movement of Indonesian art, pioneering era Raden Saleh (1807-1880), Hindia Jelita era (1908-1937), and Pita Maha era (1930s). In the Pita Maha era, there occurred a combinatioan between the modern west esthetic and classical Bali esthetic that based on Hindu religion. The modern esthetic was brought to Bali by western artist R. Bonnet and W. Spiese, merging with the classical esthetic which bearing aperiod of art in Bali that is known as Seni Lukis Bali Modern (Bali Modern Art Painting) The period is also the beginning of Modern Art in Bali. Academic movement in the field of art exist in 1950 is an attitude toward renewal expansion within expression. During the orde baru government in 1966, various styles of modern art come into elaboration, moreover by the graduations of many academic artists.

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Contact Name
Agus Eka Aprianta

Contact Email
penerbitan@isi-dps.ac.id

Phone
+62361-227316

Journal Mail Official
penerbitan@isi-dps.ac.id

Editorial Address
Mudra Jurnal Seni Budaya Institut Seni Indonesia Denpasar Jalan Nusa Indah Denpasar 80235

Location
Kota denpasar,

Bali

INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Agus Eka Aprianta

Contact Email penerbitan@isi-dps.ac.id

Phone +62361-227316

Journal Mail Official penerbitan@isi-dps.ac.id

Editorial Address Mudra Jurnal Seni Budaya Institut Seni Indonesia Denpasar Jalan Nusa Indah Denpasar 80235

Location Kota denpasar, Bali INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
Agus Eka Aprianta

Contact Email
penerbitan@isi-dps.ac.id

Phone
+62361-227316

Journal Mail Official
penerbitan@isi-dps.ac.id

Editorial Address
Mudra Jurnal Seni Budaya Institut Seni Indonesia Denpasar Jalan Nusa Indah Denpasar 80235

Location
Kota denpasar,

Bali

INDONESIA