MUDRA Jurnal Seni Budaya
AIMS The journal presents as a medium to share knowledge and understanding art, culture, and design in the area of regional, national, and international levels. In accordance with the meaning of the word “Mudra”, which is a spiritual gesture and energy indicator, it is hoped that the journal will be able to vibrate the breath of art knowledge to its audience, both academics, and professionals. The journal accommodates articles from research, creation, and study of art, culture, and design without limiting authors from a variety of disciplinary/interdisciplinary approaches such as art criticism, art anthropology, history, aesthetics, sociology, art education, and other contextual approaches. SCOPE MUDRA, as the Journal of art and culture, is dedicated as a scientific dialectic vehicle that accommodates quality original articles covering the development of knowledge about art, ideas, concepts, phenomena originating from the results of scientific research, creation, presentation of fine arts, performing arts and new media from researchers, artists, academics, and students covering areas of study: Performing Arts: dance, puppetry, ethnomusicology, music, theater,performing arts education, performing arts management Fine Arts: fine arts, sculpture, craft art, fine arts education,fine arts management, including new media arts Design: interior design, graphic communication design, fashion design,product design, accessories and/or jewelry design Recording Media : photography, film, television, documentary, video art, animation,game Culture : linguistic, architecture, verbal tradition, as well as other communal tradition The object of research is explored in a variety of topics that are unique, relevant, and contextual with environmental and sustainability aspects, local wisdom, humanity and safety factors. In addition to that, the topic of research needs to be original, creative, innovative, excellence, and competitive.
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Ideologi Budaya Populer dalam Sinetron Sitti Nurbaya Versi TVRI dan Trans TV
Suaka, I Nyoman
Mudra Jurnal Seni Budaya Vol 28 No 2 (2013)
Publisher : Institut Seni Indonesia Denpasar
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DOI: 10.31091/mudra.v28i2.3237
The Sitti Nurbaya research on the TV-series form is due to under consideration that, this show is to be very fond of Indonesian society. The director and the producer of this series obtained compliments and scorn, even just in order to be challenged by a group of audience. Another audience threatened in order to stop the Sitti Nurbaya series show because it is considered to be able to bring down the Minangkabau people's prestige. The problem of the research is what kind of ideology does support the show of TVRI an Trans TV-version of Sitti Nurbaya's series considered to the popular culture perspective? The type of the research is qualitative one with the primary data source represents the DVD and VCD's TVRI and Trans TV-version of Sitti Nurbaya series. The theory which is used in this research is popular culture. The destructive sign system transposition such as, distortion and deconstruction, in large of number can be found in Sitti Nurbaya TV-series Trans TV show. The form which is evaluated as the appreciative part is, the story is returned to its context. The television media capitalism strength adapted-Sitti Nurbaya novel as literature text-into TV-series form through text transposition i.e. crossing, destructing, erasing, humiliating, and protesting reference text politically.