MUDRA Jurnal Seni Budaya
AIMS The journal presents as a medium to share knowledge and understanding art, culture, and design in the area of regional, national, and international levels. In accordance with the meaning of the word “Mudra”, which is a spiritual gesture and energy indicator, it is hoped that the journal will be able to vibrate the breath of art knowledge to its audience, both academics, and professionals. The journal accommodates articles from research, creation, and study of art, culture, and design without limiting authors from a variety of disciplinary/interdisciplinary approaches such as art criticism, art anthropology, history, aesthetics, sociology, art education, and other contextual approaches. SCOPE MUDRA, as the Journal of art and culture, is dedicated as a scientific dialectic vehicle that accommodates quality original articles covering the development of knowledge about art, ideas, concepts, phenomena originating from the results of scientific research, creation, presentation of fine arts, performing arts and new media from researchers, artists, academics, and students covering areas of study: Performing Arts: dance, puppetry, ethnomusicology, music, theater,performing arts education, performing arts management Fine Arts: fine arts, sculpture, craft art, fine arts education,fine arts management, including new media arts Design: interior design, graphic communication design, fashion design,product design, accessories and/or jewelry design Recording Media : photography, film, television, documentary, video art, animation,game Culture : linguistic, architecture, verbal tradition, as well as other communal tradition The object of research is explored in a variety of topics that are unique, relevant, and contextual with environmental and sustainability aspects, local wisdom, humanity and safety factors. In addition to that, the topic of research needs to be original, creative, innovative, excellence, and competitive.
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Transformation of Novel Ronggeng Dukuh Paruk into Film Sang Penari: an Intertextual Analysis
Suaka, I Nyoman
Mudra Jurnal Seni Budaya Vol 29 No 3 (2014)
Publisher : Institut Seni Indonesia Denpasar
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DOI: 10.31091/mudra.v29i3.3238
This present study was intended to identify the transformation of the novel Ronggeng Dukuh Paruk into the film Sang Penari (the Dancer). The novel, which was written by Ahmad Tohari, was adopted into the film which was directed by Ifa Ifansyah. The film was highly appreciated due its highly interesting acting, plot and theme, in which it was narrated that the art tradition of ronggeng was interfered with politics. This present study is a qualitative one with intertextual analysis. The data were collected using documentation and observation methods. The document used was the novel Ronggeng Dukuh Paruk and two CD’s of the film Sang Penari. The observation method was used to view and observe visually the presentation of the film Sang Penari. The film which was presented on one of the private television stations was also watched. This present study analyzed the relation between the text of the novel and the visual text and environmental context of the supporting community of the ronggeng traditional art. The result of the study showed that the transformation of the novel Ronggeng Dukuh Paruk into the film Sang Penari (the Dancer) led to textual transformation such as deconstruction and text appreciation. The textual deconstruction took place as several important scenes in the novel did not appear on the film. The textual appreciation took place as the historical event G 30 S PKI (the Indonesian Communist Movement which took place on 30 September) was added, which the novel did not contain. In the novel, which was edited in 1982, such a bad historical event in Indonesia was not clearly mentioned.