CaLLs : Journal of Culture, Arts, Literature, and Linguistics
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) published by Fakultas Ilmu Budaya Universitas Mulawarman and published in June and December. CaLLs welcome articles and research reports utilizing an interdisciplinary approach to the study of culture. The object materials of the study may include aspects of language/linguistics, literature, arts (music and traditional arts).
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<![CDATA[FUNGSI DAN NILAI MANTRA DALAM MASYARAKAT BANJAR ]]>
<![CDATA[Purwanti, Purwanti]]>;
<![CDATA[Wahyuni, Ian]]>
<![CDATA[ CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 6, No 2 (2020): CaLLs, Desember 2020 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Mulawarman ]]>
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DOI: 10.30872/calls.v6i2.5582
<![CDATA[This study focuses on oral traditions that contain local wisdom. Mantra is an oral tradition that lives and develops in a society, especially in Banjar society. This study aims to discover the functions and values of the mantra that exist in the Banjar community. This research is a library research that uses a descriptive qualitative approach. The research data were obtained through the book collection "Mantra Banjar". Data were collected through the observation stage: read, take notes and to add information, researchers also interviewed informants. Then the data were analyzed by stages; the data classification is in accordance with the spell function classification among the Banjar community. Then, proceed with classifying the valuescontained in the mantra performed by the Banjar community. The function of the Banjar mantra among the Banjar community is to educate, entertain, motivate and document (save). Meanwhile, the values of the Banjar mantra among the Banjar community contain elements of value between man and man, man and God, man and nature, and man and himself.]]>
<![CDATA[KORELASI ANTARA PERIODE KRITIS DAN PEMEROLEHAN BAHASA ]]>
<![CDATA[Putri, Tia Aprilianti]]>
<![CDATA[ CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 6, No 2 (2020): CaLLs, Desember 2020 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Mulawarman ]]>
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DOI: 10.30872/calls.v6i2.3594
<![CDATA[Critical period is the period in which a human being is very sensitive to environmental stimuli, usually it occurs from the very beginning humans were born until they are puberty. This critical period is closely related to humans’ language acquisition. However, if during this period humans did not get the stimulus to learn language well, then their ability to acquire the language would be difficult, or even fail. The purpose of this study was to prove whether there was a correlation between the critical period hypothesis initiated by Eric H. Lenneberg with humans' language acquisition. The research method used in this study was to compare 3 case samples that occurred in Genie, Victor, and Isabella. All of them experienced language delay at first, but after getting treatment they showed different results. Genie and Victor did not show significant language development, whereas in the case of Isabelle, her language acquisition showed very good results. The difference result of that experimental because of their age difference. Therefore, it can be said that there is a correlation between a critical period and one's language ability.]]>
<![CDATA[DECONSTRUCTION OF LEADING CHARACTERS IN ZOOTOPIA MOVIE SCRIPT ]]>
<![CDATA[Batubara, Aina Sa'adah]]>;
<![CDATA[Nasution, Siti Norma]]>;
<![CDATA[Pratama, Diah Rahayu]]>
<![CDATA[ CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 6, No 2 (2020): CaLLs, Desember 2020 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Mulawarman ]]>
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DOI: 10.30872/calls.v6i2.2331
<![CDATA[This study entitledDeconstruction of Leading Characters in ZootopiaMovie Script. This study discussed about Deconstruction of characters which aimed to deconstruct the opposition of major and minor characters in the movie script Zootopia, and also devalue the major and minor characters to be the new hierarchy. This research is based on the Deconstruction theory proposed by Jacques Derrida (Rodalphe Gasche : 1988), which systematize the steps in doing deconstruction analysis from the identifying the opposition hierarchy in the text that systematically privileged, then change or reverse that hierarchy, and the last was introduced a new term or idea, which apparently cannot be included in the page of old hierarchy category. The method used in this study was the descriptive qualitative method. The result of this research is uncovering the deeply complex foundation that is difficult to make sense, because there is no general truth or the permanent personality of each character, there will be the other side of character that can produced a new hierarchy. ]]>
<![CDATA[MAKNA ASOSIATIF DALAM ANTOLOGI PUISI 길 (GIL) KARYA YUN DONG JU: SEBUAH KAJIAN SEMANTIK ]]>
<![CDATA[Irbah, Hasna Dhia]]>;
<![CDATA[Hardini, Tri Indri]]>;
<![CDATA[Ansas, Velayeti Nurfitriana]]>
<![CDATA[ CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 6, No 2 (2020): CaLLs, Desember 2020 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Mulawarman ]]>
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DOI: 10.30872/calls.v6i2.4395
<![CDATA[Research related to the associative meaning contained in the poem '길 (Gil)' in the anthology of poetry and prose by Yun Dong Ju aims to determine the types of associative meanings and meanings contained in one of Yun Dong Ju's poems. The meaning contained in words, phrases, or sentences in poetry can be in the form of meanings associated with something outside the language. Through the study of associative meanings, the meaning of words, phrases or sentences can be known from another point of view. In this research, the method used in this research is descriptive qualitative method. After the analysis process, the writer found 4 connotative meaning data, 6 affective meaning data, 1 reflective meaning data, and 1 collocative meaning data. The most common meaning found in this study is affective meaning. This shows that in the poetry that has been analyzed, many poets use words, phrases or sentences to express the feelings experienced during the Japanese colonial period in Korea.]]>
<![CDATA[MARKEDNESS OF THEME IN EVERYTHING, EVERYTHING MOVIE DIALOG ]]>
<![CDATA[Tarigan, Nurhayati Br]]>;
<![CDATA[Sinar, Tengku Silvana]]>;
<![CDATA[Harefa, Yulianus]]>;
<![CDATA[Yusuf, Muhammad]]>
<![CDATA[ CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 6, No 2 (2020): CaLLs, Desember 2020 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Mulawarman ]]>
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DOI: 10.30872/calls.v6i2.2332
<![CDATA[This study entitled Markedness Realization in Everything, Everything Movie Script. The research is meant to analyze how the Theme markedness realized in the clauses of the movie script. The theory that is used in this research is Systemic Functional Linguistics (SFL) proposed by Halliday (1994), regarded with textual function that observes clause as a message and analyzes it from the thematic structure in the term of Theme-Rheme. He states that Theme can be divided into two, unmarked Theme is an element that occupies the point of departure position of the clause, conflating with the grammatical subject and marked Theme is an element other than occupies the point of departure position of the clause, but does not conflates with the grammatical subject. The method that is applied in this research is descriptive qualitative method. The source of data were one of the most viewed romantic movies in 2017 script, Everything, Everything, taken from Springfield Springfield site. Data of the research were selected, based on the second character dialog of this movie script. The purpose of this research is to indicate the four types of markedness and to describe the realization of the Theme markedness in the movie script. The research findings showed that the dominant type of markedness realization is simple unmarked Theme with 69.4% percentage. This type of markedness dominated other kinds of markedness realization in addition to simple marked Theme with 2.4% percentage, multiple unmarked Theme with 27.1% percentage, and multiple marked Theme with 0.9% percentage.]]>
<![CDATA[COMPARATIVE STUDY OF SPEECH ACT ADVICE-GIVING IN INDONESIAN CULTURE AND AMERICAN CULTURE FOUND IN TELEVISION SERIES ]]>
<![CDATA[Nida, Camalia Fatih]]>
<![CDATA[ CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 6, No 2 (2020): CaLLs, Desember 2020 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Mulawarman ]]>
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DOI: 10.30872/calls.v6i2.4731
<![CDATA[In line with the growth of interests at the study of cross-cultural pragmatics, however, the study comparison between Indonesian and American culture has not been presented adequately in the terms of advice-giving. Advice-giving strategies in Indonesian culture and American culture with the focus on a close relationship domain are the focus of this research. Specifically, it compares the advice-giving of native Indonesian speakers in television series entitled ‘Tetangga Masa Gitu?’ on Net TV with native English American characters which depicted on NBC TV channel entitled ‘Friends’. Moreover, this study attempts to identify the similarities and differences between both objects. The data are from six episodes of the two. Qualitative research method is used to conduct this research. This research describes the pattern of the advice-giving speech act realization from the characters of two television series and compares both cultures. The findings show that advice giving in Indonesian and American cultures is classified into giving support, giving suggestions, and stating prohibition. Generally, advice-giving in Indonesian culture tends to be indirect since it is crucial to save hearer's face. In American culture, direct strategies are mostly chosen as it is a matter to show one’s freedom of self-expression. Most of advice-giving in American cultures include related facts to strengthen the illocutionary force.]]>
<![CDATA[MENGUAK REALITAS PRAKTIK SEDEKAH BUMI DI DESA CIASMARA KECAMATAN PAMIJAHAN KABUPATEN BOGOR ]]>
<![CDATA[Supriatna, Raden Atang]]>;
<![CDATA[Nugraha, Yogaprasta Adi]]>
<![CDATA[ CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 6, No 2 (2020): CaLLs, Desember 2020 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Mulawarman ]]>
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DOI: 10.30872/calls.v6i2.2837
<![CDATA[Agriculture is one of the important sectors that contribute to Indonesian national income. However, agricultural development currently has a tendency to increase productivity it impacts on the agricultural system which tends to make agriculture as "commodities" and reduces the position of agriculture as an spiritual activity. Mainstreaming agriculture into "commodity" has an impact on the lost of cultural infrastructure that is supporting agriculture. This study aims to (1) see the existence of “Sedakah Bumi” practices in Ciasmara Village, Pamijahan District, Bogor Regency (2) Transformation practices of “Sedekah Bumi” in Ciasmara village, Pamijahan District, Bogor Regency. This study uses a Rapid-Ethnography approach or fast ethnography, located in the village of Ciasmara, Pamijahan District, Bogor Regency from March 2019 - August 2019. This research found that in Ciasmara village there is still the practice of “Sedekah Bumi”, but the form of the celebration is not in the form of a colossal celebration but the celebration in the form of private in the family. This form of transformation of the “Sedekah Bumi” emerged as a response from the respect of each component of society so as not to violate each other's main norms adopted by each group of people.]]>
<![CDATA[DISFEMISME PADA UNGGAHAN AKUN TWITTER AREAJULID ]]>
<![CDATA[Ans, A’idah Husna Lutfiyyah]]>;
<![CDATA[Devi, Ery Kurnia]]>;
<![CDATA[Masdita, Fitri Icha]]>;
<![CDATA[Ardiansyah, Muhammad Aflah]]>
<![CDATA[ CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 6, No 2 (2020): CaLLs, Desember 2020 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Mulawarman ]]>
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DOI: 10.30872/calls.v6i2.2842
<![CDATA[This study will discuss the use of dysphemism contained in the AREAJULID Twitter account in the October 2019 edition. This study aims to describe the form, synonyms, and background of the use of dysphemism contained in the upload of AREAJULID Twitter account in the October 2019 edition. This research is a descriptive qualitative study. This research data is in the form of sentences containing dysfemism. Data were collected by referring to the note method and note technique. The data source used is the upload of the AREAJULID Twitter account in the October 2019 edition. The method of providing data is by referring to the note taking technique. Data were analyzed by the method of distribution and techniques for direct elements, sleep techniques, dressing techniques. The results of the study are: 1) the form of usage and synonymism of dysphemism in uploading the October edition of AREAJULID Twitter account 2019; 2) the background of the use of dysphemism in the upload edition of the AREAJULID Twitter account in the October 2019 edition. The form of using dysfemism in uploading the AREAJULID Twitter account in the October 2019 edition was found in two forms, namely in the form of words consisting of basic words and affixed words, and in the form of phrases. The background to using dysphemism includes: 1) declaring taboo, indecent, and pornographic things; 2) negative depictions about someone or something; 3) express irritation or anger; 4) criticize or blaspheme; 5) demean someone or something; 6) insult or reproach; 7) swearing or cursing at something.]]>
<![CDATA[PERFORMATIVITAS HUDSON PRANANJAYA DALAM PERTUNJUKAN MUSIK ]]>
<![CDATA[Pratama, Zamrud Whidas]]>;
<![CDATA[Vivian, Yofi Irvan]]>
<![CDATA[ CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 6, No 2 (2020): CaLLs, Desember 2020 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Mulawarman ]]>
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DOI: 10.30872/calls.v6i2.3312
<![CDATA[Hudson Prananjaya is a singer who has a unique performance that is able to sing in the colors of the voice of men and women like a couple who is a duet. One of the songs he once brought back was the Gethuk song. The purpose of this study is to examine how the performance of a Hudson Prananjaya in exploring the gethuk song so that it has the characteristics of other singers. The theory used in this research is the theory of performativity, Habitus. This study aims to describe how Hudson's performativity in gethuk songs. Data collection is done by (1) literature study, (2) observation, (3) interview, (3) documentation. The stages in analyzing data with (1) data reduction, (2) data presentation, and (3) histography writing (4) conclusion. Clarification of the data was again carried out both to the subject of the study and to other informants. Hudson gained cultural insight in singing because he was accustomed to experimenting in singing. One of the songs that was brought back was Gethuk song. The visual aspect is shown by the concept of two face shows nuances of Javanese customs both makeup and clothes. The results of the transcription and analysis of musical aspects in the introduction section are marked with X sung using the basic tone of Fis Major by taking the first verse of the song yen ing tawang ono latitude. The introduction is sung in a free vocal style without a tempo called the recitative vocal style. Modulation to the Bes Major scale occurs when getting to the Gethuk song starts from the song intro until the song is finished. The gethuk song that Hudson reproduces back to part B (b1 '), (b2'). In the repetition section there is a dialogue technique in singing called unpicth vocal technique.]]>
<![CDATA[ALIENATION OF MAN AS REFLECTED IN JOHN GRISHAM’S THEODORE BOONE: THE ACTIVIST ]]>
<![CDATA[Fauziah, Hana]]>
<![CDATA[ CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 6, No 2 (2020): CaLLs, Desember 2020 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Mulawarman ]]>
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DOI: 10.30872/calls.v6i2.4217
<![CDATA[This article is purposed to reveal alienation of man as reflected in the novel of John Grisham’s entitled Theodore Boone: the Activist. In this paper, alienation is described as the condition when man is separated from his surroundings. This matter occurs due to the replacement of concrete understanding into abstractification. In the novel, abstractification is narrated in the description of treating nature and land for profit orientation. As a result, the alienation of man is shown in his feeling of separation from essential values of humanity. By using the postmodernism approach for this research, the results show that an authority’s policy such as the project of infrastructure without considering the public interest, as told in the novel, will cause not only the damages of environment but also the destruction of the civilization. In this paper, alienation of man is classified into alienation from activity, self-alienation, and alienation from others. Those classifications in the novel are proven to bring human to dehumanization.]]>
