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Haluan Sastra Budaya
Published by Universitas Sebelas Maret
ISSN : 08520933     EISSN : 25491733     DOI : -
Core Subject : Education, Art,
Arts Languange, Linguistic, Communication & Media
Haluan Satra Budaya (HSB) is a biannual scientific journal of humanities published by the Faculty of Cultural Sciences, Universitas Sebelas Maret, Indonesia. This journal issues research papers, conceptual frameworks, and case studies are drawn from a wide range of disciplines, Language and Linguistics, Art, Literature, as well as Culture (anthropology, history, and archeology).
Arjuna Subject : -
Articles 7 Documents
 1 
Search results for , issue "Vol 8, No 2 (2024)" : 7 Documents clear
Tindak Tutur Direktif dalam Program Televisi Masterchef Indonesia Galeri 8 Fitzgelard, Arsyita Rahma; Gerrymartino, Hernando; Novianto, Muhammad Akhbar; Widyawati, Shalma; Prayoga, Afrizal Adi
Haluan Sastra Budaya Vol 8, No 2 (2024)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v8i2.75380

Abstract

Through language, humans convey utterances about thoughts, ideas, and feelings. Communication is not just sending language through words but also through behavior or actions. Human actions when uttering utterances are called speech acts. In this study, we will discuss directive speech acts. Directive speech acts are speech acts performed by speakers so that speakers perform the actions mentioned in the utterance. Directive speech acts include those of ordering, inviting, asking, begging, suggesting, advising, and advising. Research related to directive speech acts in the television program Master Chef Indonesia Galeri 8 uses descriptive methods in the form of qualitative research. There are two data analysis methods used in this study. The method of providing the data used in this research is the listening method with the free-engagement speaking technique and the note-taking technique. Directive illocutionary speech acts are divided into five types, namely, commanding, ordering, advising, recommending, and begging. The data found is classified based on the existing speech acts. In the discussion section, the results of the analysis of each piece of data displayed have been presented. In this study, a number of data have been found which have been analyzed and classified based on the form of the utterances made.
Tarian Bonet: Kekayaan Budaya Suku Meto di Timor yang Terlupakan (Tinjauan Filsafat Nilai Max Scheler) Baunsele, Oktovianus Robertus; Kelen, Donatus Sermada
Haluan Sastra Budaya Vol 8, No 2 (2024)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v8i2.80059

Abstract

This paper focuses on Max Scheler's value philosophy of the Bonet traditional dance originating from the Meto tribe in West Timor, East Nusa Tenggara. Bonet dance is a traditional dance full of meaning as a place to express praise and gratitude to the Almighty for the blessings and protection that the Meto people always receive in their lives. This traditional dance that is rich in meaning and philosophical value is gradually difficult to find again, because of the existence of modern Western dances such as Dancing and Dugem which are very popular and more desirable in Timor. The purpose of this paper is to find the values that exist in this dance from the point of view of Max Scheler's philosophy of value. In this writing, the author uses the library research method to support the validity of this scientific work. The values of Bonet dance in Max Scheler's perspective are divided into four parts, namely: The value of pleasure is the lowest level that has to do with the function of sensory feelings, which includes the satisfaction and happiness of the Meto people in performing Bonet dance; The value of vitality in this dance is the creation of harmony in the group of Meto people; The value of spirituality which consists of a combination of all components of music, dance movements, and costumes as a form of total self-giving to God; The value of sanctity is the value with the highest position in the form of an expression of deep gratitude to the Creator expressed by the Creator. 
A Discourse of Orientalism in Kelly Yang's Parachutes Lidiana, Dwi Mery; Setiawan, Ikwan; Suwargono, Eko
Haluan Sastra Budaya Vol 8, No 2 (2024)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v8i2.63022

Abstract

This research discusses the construction of orientalism in Parachutes novel. Stereotyping and superiority of the West toward the East were the focuses of the analysis as well as the author’s critical ideology. It applied Edward Said’s orientalism as the underlying theory and qualitative method as the type of the research. Narrative events, dialogues, settings are the collected data for textual analysis. Meanwhile, contextual analysis used related references to strengthen the argument. The result, it was found that orientalism in the form of cultural stereotyping and oppression by the West was still often experienced by Asians as the East in public or in a formal institution. Those related to as the West’s efforts to perpetuated and legitimized their superiority and domination. In addition, internalized orientalism occurs toward Asians society as they always glorified everything about the West.
Kajian Intertekstual dalam Webtoon "Nusantara Droid War" Nufiarni, Rizki; Nurmansyah, M. Andhy; Setiawan, Fredy Nugroho
Haluan Sastra Budaya Vol 8, No 2 (2024)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v8i2.78140

Abstract

LINE Webtoon is a popular digital comic platform in Indonesia that accommodates the work of local comic artists, one of which is a comic titled Nusantara Droid War (NDW). The comic carries a glocal spirit by raising the diversity of Indonesian culture through the depiction of droid characters and present them with a typical Japanese-style shonen manga plot. The intertwining of various folklore and culture of the archipelago with the popular narrative of shnen manga shows the existence of intertextuality. Therefore, this study was structured to examine the intertextuality of NDW in webtoon characters and narratives by applying Roland Barthes' postulates regarding the Five Codes of semiotic elements in texts to interpret intertextuality that is embodied in a series of lexia in NDW. The results of this study indicate that the Nusantara Droid War (NDW) text is a readerly text, although it is not absolute. The intertextuality depicted through the Five Codes: hermeneutic, proairetic, semantic, symbolic, and cultural/referential is dominated by texts originating from the Mahabharata story, legends from Indonesian folklore, and Japanese shounen anime or manga. In this case, referential code contributes the most in lexia, which also indicates that cultural texts play an important role in NDW text building. The discourse of intertextuality leads the NDW reading process to reject the 'artificial thing', namely the market logic that positions popularity and ownership of capital as the main goal in the world of entertainment, including the battle between droids in NDW.
Aspek Kehidupan Sosial dalam Drama Korupsi Karya Norbertus Riantiarno: Kajian Sosiologi Sastra Kulsum, Lastunna Umi; Pitasari, Putri Amalia Dwi; Susanto, Dwi
Haluan Sastra Budaya Vol 8, No 2 (2024)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v8i2.77453

Abstract

The purpose of this research is to find the influence of the author's social background and identify the aspects of social life reflected in the drama Korupsi by Norbertus Riantiarno. Descriptive qualitative is the type of research used in this study. The data source used in this research is the drama Korupsi by Norbertus Riantiarno which was uploaded through the YouTube channel of Teater Koma in 2021. The drama Korupsi has a duration of 39 minutes 54 seconds. The data in this study is information (words, phrases, clauses or sentences) related to aspects of social life in the drama Korupsi by Norbertus Riantiarno which is the source of research data. The results of the research can be concluded that the content of N. Riantiarno's works, especially plays, has political reflections in it that represent various political interests. N. Riantiarno said that he wanted to create a political-social mirror. In addition, there are seven social aspects reflected in the drama Korupsi, namely: 1) concern about the persistence of corruption, 2) corruption is the cause of the country's destruction, 3) officials corrupt to live in luxury, 4) regional leaders with poor performance, 5) religion used as political material, 6) special taxes for the rich, and 7) human lifestyle that causes disease to come.
Kontramitos Keluarga Ideal dalam Novel Kita Pergi Hari Ini Karya Ziggy Zesyazeoviennazabrizkie Sabila, Adzkia; Aditya, Aldi; Lapiana, Ummi Nurjamil Baiti
Haluan Sastra Budaya Vol 8, No 2 (2024)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v8i2.79559

Abstract

The concept of the ideal family in Indonesian society has been embedded since the 20th century, especially during the new order era. However, in the novel we go today, there is a cat figure who acts as the main monster in the novel. This novel provides in illustration that monster figures can appear from those closest to them, namely family members. This research uses descriptive analysis methods, with content analysis techniques. The theory used is the myth put forward by Roland Barthes.
Wujud Dekonstruksi Jacques Derrida dalam Novel Carita Calin Karya Aprilia Fatmawati Kurniasih, Rahma Mardiana
Haluan Sastra Budaya Vol 8, No 2 (2024)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v8i2.76843

Abstract

This study aims to examine a form of deconstruction contained in the novel Carita Calin by Aprilia Fatmawati. Bringing marginalized meaning to content to make it look equal. This study consists of two problem formulations taken from just two concepts from Derrida's deconstruction theory, namely binary opposition and new construction of the main character. The purpose of this study is to describe the work of binary opposition and new constructions related to the main character, namely Calin, in the novel Carita Calin by Aprilia Fatmawati. The approach used in this study is the deconstruction approach based on Jacques Derrida's theory. The data source for this research is the novel Carita Calin by Aprilia Fatmawati and the fairy tale Bawang Merah Bawang Putih as the second data source. Data collection technique used is the technique of reading notes. Data analysis techniques using descriptive analysis techniques. The results of this research work are, (1) opposing the binary character Calin in the novel Carita Calin by Aprilia Fatmawati which presents contradictory things that are different from the tales of Bawang Merah Bawang Putih. (2) The new construction in the novel Carita Calin by Aprilia Fatmawati presents a character with a reversal of facts in the story of Bawang Merah Bawang Putih, Calin is not completely evil, Calin and Mora end up getting along as siblings, her mother spoils Mora more than she does, and Calin is the dominant character in the novel story.

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