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Tawarikh : Journal of Historical Studies
Published by Minda Masagi Press
ISSN : 20850980     EISSN : 26852284     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences
This journal, with ISSN 2085-0980, was firstly published on October 28, 2009, in the context to commemorate the Youth Pledge Day in Indonesia. The TAWARIKH journal has been organized by the Lecturers of Faculty of Adab and Humanities UIN SGD (State Islamic University, Sunan Gunung Djati) in Bandung, West Java, Indonesia, since issue of April 2016 to date; and published by Minda Masagi Press, a publishing house owned by ASPENSI (the Association of Indonesian Scholars of History Education) in Bandung, West Java, Indonesia. The TAWARIKH journal is published every April and October. The TAWARIKH journal is devoted, but not limited to, history education, historical studies, and any new development and advancement in the field of history education and historical studies. The scope of our journal includes: (1) History Education and National Character Building; (2) Political, Social, Cultural and Educational History; (3) Education, History, and Social Awareness; (4) Economic History and Welfare State; (5) Science, Technology and Society in Historical Perspectives; (6) Religion and Philosophy in Historical Perspectives; and (7) Visual Arts, Dance, Music, and Design in Historical Perspectives.
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Articles 7 Documents
 1 
Search results for , issue " Vol 4, No 2 (2013)" : 7 Documents clear
The Existence of Tonasa Cement Factory and its Impact to Surrounding People in South Sulawesi, Indonesia Kamaruddin, Syamsu A
TAWARIKH Vol 4, No 2 (2013)
Publisher : ASPENSI in Bandung, Indonesia

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Abstract

ABSTRACT: This study used a qualitative approach in which data collected are analyzed based on the interpretation of the researchers to provide a comprehensive description and explanation about the phenomenon of environmental change in communities around the factory of PT Semen Tonasa. The process of industrialization to the peasant area caused people’s social life change. As an agrarian tradition that worked as a peasant (subsistence), their life was changed into un-peasant or un-subsistence by the development of cement factory. It was more complex when there was interaction with the people work in the factory. This condition made the social change actually happened. Research result shown that social change about social stratification was changed from ascribed status to achieved status that based on education, power, and wealth; there was also change of value and attitude from mechanic to organic solidarity; and, then, ecosystem changed from agricultural to industry. The positive impacts were namely opportunity work and income, good education, transportation, etc. The negative impacts were namely reclamation, employee, and waste.KEY WORDS: The process of industrialization, peasant community, Tonasa cement factory, social changes, and positive and negative impacts.About the Author: Dr. Syamsu A. Kamaruddin is a Senior Lecturer at the Faculty of Education and Teacher Training UVRI (Veteran University of the Republic of Indonesia), Jalan Baruga Raya, Antang, Makassar, South Sulawesi, Indonesia. The author can be reached at: syamsukamaruddin@gmail.comHow to cite this article? Kamaruddin, Syamsu A. (2013). “The Existence of Tonasa Cement Factory and its Impact to Surrounding People in South Sulawesi, Indonesia” in TAWARIKH: International Journal for Historical Studies, Vol.4(2) April, pp.187-204. Bandung, Indonesia: ASPENSI [Asosiasi Sarjana Pendidikan Sejarah Indonesia] and UVRI [Universitas Veteran Republik Indonesia], ISSN 2085-0980. Chronicle of the article: Accepted (February 8, 2013); Revised (March 11, 2013); and Published (April 28, 2013).
Integrating Gender Fair Education in the Teaching of Philippine History in Bicol University Ayo, Ruby Ann L
TAWARIKH Vol 4, No 2 (2013)
Publisher : ASPENSI in Bandung, Indonesia

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Abstract

ABSTRACT: The study looked into the integration of gender concepts and practices in the teaching of Philippine History in Bicol University for year 2011-2012. Seven lesson exemplars integrating gender fair education were developed. It analyzed the contents of five Philippine History books used. Likewise, classroom observations were done to validate the claims of the faculty teaching the subject. Same group of faculty accomplished Survey Questionnaires with Open-Ended questions to identify gender fair practices. Based on the data gathered, the following results are generated: (1) Gender fair education is integrated in Mandated Subject 1 – Philippine History as shown in the gender concepts and practices introduced by the faculty teaching the subject; (2) Gender fair practices suggests the need for a structured integration of gender practices not only as the situation favors based on the reactions of the learners during discussion and/or class interactions but as long as the subject matter deems it appropriate; and (3) The lesson exemplars developed are samples of gender-fair education materials reflective of specific gender education key thrusts, concepts, and practices imply the feasibility of structured integration gender fair education in the teaching of Philippine History as one of the General Education Courses in Social Sciences.KEY WORDS: Gender concepts and practices, Philippine History, teaching and learning process, and strengthen gender-fair.About the Author: Ruby Ann L. Ayo, Ph.D. is an Assistant Dean/Assistant Professor II at the Bicol University, College of Social Sciences and Philosophy, Daraga, Albay 4500, Philippines. Correspondig author is: rubyannayo24@yahoo.comHow to cite this article? Ayo, Ruby Ann L. (2013). “Integrating Gender Fair Education in the Teaching of Philippine History in Bicol University” in TAWARIKH: International Journal for Historical Studies, Vol.4(2) April, pp.205-222. Bandung, Indonesia: ASPENSI [Asosiasi Sarjana Pendidikan Sejarah Indonesia] and UVRI [Universitas Veteran Republik Indonesia], ISSN 2085-0980. Chronicle of the article: Accepted (February 17, 2013); Revised (March 19, 2013); and Published (April 28, 2013).
Coping with the Crises: Historical Comparison on Responses to the Crises in the Extreme Salient of Java Nawiyanto, Nawiyanto
TAWARIKH Vol 4, No 2 (2013)
Publisher : ASPENSI in Bandung, Indonesia

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Abstract

ABSTRACT: Did the people’s response to the crisis change over time? Using three different crisis experiences in the 1930s, the 1940s, and the late 1990s, the article will examine how the local society of Besuki (residency) in East Java, responding to them. The three crises put a strong blow to the livelihoods of the local people. But the adversity of the impact was unevenly felt by different groups of people, depending on the nature of their material bases and the availability of alternative sources of income. It finds that there were similarities in the people’s responses. During the three events, some sought to find a relief in agriculture, retail trade, and forest sectors, apart from making adjustments in expenditure and consumption patterns to mitigate the adverse consequences of the crises. But for those who found no other alternatives, the crises forced them to do illegal activities, including lootings, stealings, and illegal logging. Such adaptive responses seem to have been quite common. Crises also meant a higher number of crimes.KEY WORDS: Responses to crisis, Indonesian crises, historical comparison, and Besuki residency.About the Author: Dr. Nawiyanto is a Lecturer at the Department of History, Faculty of Letters UJ (University of Jember), Jalan Kalimantan No.37 Jember City 68121, East Java, Indonesia. He can be reached at: snawiyanto@gmail.comHow to cite this article? Nawiyanto. (2013). “Coping with the Crises: Historical Comparison on Responses to the Crises in the Extreme Salient of Java” in TAWARIKH: International Journal for Historical Studies, Vol.4(2) April, pp.129-150. Bandung, Indonesia: ASPENSI [Asosiasi Sarjana Pendidikan Sejarah Indonesia] and UVRI [Universitas Veteran Republik Indonesia], ISSN 2085-0980.Chronicle of the article: Accepted (February 4, 2013); Revised (March 6, 2013); and Published (April 28, 2013).
Modern Malay Rhythm Music Trend as Popular Culture in Indonesia, 1950-1960s: A Sociological Analysi Alkatiri, Zeffry; Kamal, Mathar Moehammad
TAWARIKH Vol 4, No 2 (2013)
Publisher : ASPENSI in Bandung, Indonesia

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Abstract

ABSTRACT: This article discusses the phenomenon of rhythmic music that was once a popular Malay in Indonesia around  1950s to 1960s. This article will look at from the sociological context of community and content of the lyrics contained in the modern Malay music. The goal is to find out how changes in the Malay music, why can be liked, what kinds of messages contained in the lyric, as well as any supporting characters. Other research uses cultural studies approaches and discourse analysis. Data taken from the document research related to Malay songs and various writings. One of the creations which are considered radical innovations is changing the Malay rhythm to “dangdut” rhythm. Hence, the appearance of several prominent modern Malay music-blooded Arab is very important. This shows that they have also directly contributed something meaningful to the people of Indonesia for the development of music in particular and Indonesia in general. Meanwhile, the results of this study can also be used to see the condition of Indonesian society that is undergoing a transition process of development and to review a popular culture phenomenon that has ever happened around the year 1950s to 1960s in Indonesia.KEY WORDS: Trend music, rhythm Malay, popular culture, “dangdut” music, Indonesian-Arabs, and Indonesian society.  About the Authors: Dr. Zeffry Alkatiri is a Senior Lecturer at the Department of History, Faculty of Humanities UI (University of Indonesia), UI Campus, Depok, West Java, Indonesia; and Mathar Moehammad Kamal is a Freelance Journalist dan Mass Media Resercher lived in Jakarta. They can be contacted via e-mail at: zeffry_al@yahoo.com and matharmoehammad@yahoo.comHow to cite this article? Alkatiri, Zeffry & Mathar Moehammad Kamal. (2013). “Modern Malay Rhythm Music Trend as Popular Culture in Indonesia, 1950-1960s: A Sociological Analysi” in TAWARIKH: International Journal for Historical Studies, Vol.4(2) April, pp.223-244. Bandung, Indonesia: ASPENSI [Asosiasi Sarjana Pendidikan Sejarah Indonesia] and UVRI [Universitas Veteran Republik Indonesia], ISSN 2085-0980. Chronicle of the article: Accepted (February 28, 2013); Revised (March 30, 2013); and Published (April 28, 2013).
Sabah (Malaysia) – Australia Relations: An Historical Observation Idris, Rizal Zamani; Bala, Bilcher; Morshidi, Azizan H
TAWARIKH Vol 4, No 2 (2013)
Publisher : ASPENSI in Bandung, Indonesia

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Abstract

ABSTRACT: The purpose of this paper is to examine the historical development of the relations between the state of Sabah (Malaysia) and Australia. These two political entities share a lot in common due to their historical past. They have both known one another since the 18th century. Notably, both countries had a British colonial background that has been founded by private explorers from England. Nonetheless, they experienced different fates from the start of the 20th century. Unlike Sabah, Australia became the permanent residence to thousands of Anglo-Saxon immigrants. The colonization process of this ethnic group eventually became the dividing line between Australia and Sabah as well as other countries within the East Asian region. However, the long-standing relationship between Sabah and Australia manifests that the foundation of the relationship is strong hence shall be further strengthened. This is an early attempt to trace the historical connections between Sabah (Malaysia) and Australia. Hence, further research is necessary in order to appreciate and further strengthen their relationship for mutual benefits.KEY WORDS: Sabah, Australia, historical development, relations of two nations,  and relationship for mutual benefits.    About the Authors: Rizal Zamani Idris, Assoc. Prof. Dr. Bilcher Bala, and Azizan H. Morshidi are Lecturers at the School of Social Sciences UMS (Malaysia University of Sabah), Jalan Beg Berkunci, Kota Kinabalu, Sabah, Malaysia. Corresponding author is rizal.idris@gmail.comHow to cite this article? Idris, Rizal Zamani, Bilcher Bala & Azizan H. Morshidi. (2013). “Sabah (Malaysia) – Australia Relations: An Historical Observation” in TAWARIKH: International Journal for Historical Studies, Vol.4(2) April, pp.151-170. Bandung, Indonesia: ASPENSI [Asosiasi Sarjana Pendidikan Sejarah Indonesia] and UVRI [Universitas Veteran Republik Indonesia], ISSN 2085-0980. Chronicle of the article: Accepted (February 11, 2013); Revised (March 12, 2013); and Published (April 28, 2013).
Influence of Visual Framing Code in Sundanese Golek Performance on Television Irfansyah, Irfansyah
TAWARIKH Vol 4, No 2 (2013)
Publisher : ASPENSI in Bandung, Indonesia

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Abstract

ABSTRACT: The art of “wayang golek” or “golek” is indigenous to Sundanese people. As a Sundanese traditional art, “golek” has been developed within generations of Sundanese people up to these days, based on a convention called “pakem” or “tetekon”. “Golek” is a variety of “wayang” (Indonesian shadow puppet) made of wood, similar to a doll and can be moved freely. “Wayang golek” is usually performed in an open space, throughout the night. Sundanese people commonly hold a “golek” performance for a ritual such as “ruwatan” and “sekatenan” that commemorates “Maulid Nabi Muhammad SAW”. However, since time has passed, marked by the existence of mass media in the form of television (TV) among Sundanese people, “golek” performance started to be broadcasted on TV. Since the performance of “golek” on TV has been possible, it represents a significant difference compared to traditional “golek” performance, which is marked by the visual language of television or “visual framing”, such as zoom in/out, panning, tilt up/down, close up, medium close, etc. The change in visual representation of “golek” on TV becomes sensational and entertaining, compared to traditional “golek” performances which are symbolic and ritual. KEY WORDS: Change, code, visual framing, “wayang golek”, Sundanese society, television, and entertainment.About the Author: Irfansyah is a Leturer at the Study Program of Visual Communication Design, Faculty of Fine Art and Design ITB (Bandung Institute of Technology), Jalan Ganesha No.10 Tamansari, Bandung 40132, West Java, Indonesia. E-mail address: fandkv@yahoo.co.idHow to cite this article? Irfansyah. (2013). “Influence of Visual Framing Code in Sundanese Golek Performance on Television” in TAWARIKH: International Journal for Historical Studies, Vol.4(2) April, pp.245-262. Bandung, Indonesia: ASPENSI [Asosiasi Sarjana Pendidikan Sejarah Indonesia] and UVRI [Universitas Veteran Republik Indonesia], ISSN 2085-0980. Chronicle of the article: Accepted (February 10, 2013); Revised (March 14, 2013); and Published (April 28, 2013).
Keroncong Music Reflects the Identity of Indonesia Alfian, Magdalia
TAWARIKH Vol 4, No 2 (2013)
Publisher : ASPENSI in Bandung, Indonesia

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Abstract

ABSTRACT: During the course of its history, “keroncong” which is an Indonesian music was popular during the 1970s and 1980s. However, in its development, “keroncong” music has changed and it gradually reflected the personality of Indonesia. But, the development of information technology in 1990s has an impact on the “keroncong” music and since it has made the “keroncong” less popular. There are some preservations towards the “keroncong” music. One of them is the effort from the young generation in performing “keroncong” music, which is by incorporating elements from other musical genres such as “Rock”, “Jazz”, and “Dangdut” (Malay orchestra music), so new terms of “Cong-Rock”, “Cong-Jezz”, and “Cong-Dut” began to appear. Finally, “keroncong” music, which is much older than the Republic of Indonesia (1945), has actually contributed to and an active role in the struggle for Indonesian independence and has also been translated into various international languages. “Keroncong” music has grown and evolved, showing the identity and personality of the Indonesian nation. That way, it is not an exaggeration if “keroncong” is proposed as a World Heritage.KEY WORDS: “Keroncong” music, popular art, development and preservation, and  Indonesian personality.About the Author: Dr. Magdalia Alfian is a Senior Lecturer at the Department of History, Faculty of Humanities UI (University of Indonesia), UI Campus, Depok, West Java, Indonesia. She can be contacted via her e-mail address at: magdalia_alf10@yahoo.comHow to cite this article? Alfian, Magdalia. (2013). “Keroncong Music Reflects the Identity of Indonesia” in TAWARIKH: International Journal for Historical Studies, Vol.4(2) April, pp.171-186. Bandung, Indonesia: ASPENSI [Asosiasi Sarjana Pendidikan Sejarah Indonesia] and UVRI [Universitas Veteran Republik Indonesia], ISSN 2085-0980. Chronicle of the article: Accepted (February 22, 2013); Revised (March 25, 2013); and Published (April 28, 2013).

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