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jurnalkriminologi@ui.ac.id
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"Departemen Kriminologi Gedung Nusantara I Lantai 2, FISIP, Universitas Indonesia"
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INDONESIA
Jurnal Kriminologi Indonesia
Published by Universitas Indonesia
ISSN : 14116332     EISSN : -     DOI : -
Core Subject : Social,
Arjuna Subject : -
Articles 4 Documents
Search results for , issue "Vol 16, No 1 (2020): Mei" : 4 Documents clear
Crime as Culture dalam Novel Pulang Karya Tere Liye: Kekerasan oleh Keluarga Tong sebagai Organized Crime Group Athiya Ramadhian Khairunnisa
Jurnal Kriminologi Indonesia Vol 16, No 1 (2020): Mei
Publisher : Universitas Indonesia

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Abstract

Novel Pulang karya Tere Liye menceritakan tentang Keluarga Tong sebagai salah satu organized crime group di suatu negara. Keluarga Tong dengan para anggotanya menghadapi berbagai tantangan dalam kelangsungan dan usaha pengembangan organisasi mereka. Tujuan dari penelitian ini adalah menjelaskan kesesuaian penggunaan kekerasan yang dilakukan oleh Keluarga Tong dengan penggunaan kekerasan yang dilakukan oleh organized crime groups di dunia nyata dengan mengacu pada konsep crime as culture. Pendekatan kualitatif digunakan dalam penelitian ini untuk menganalisis isi novel. Hasil penelitian menunjukkan dua hal. Pertama, penggunaan kekerasan oleh Keluarga Tong memiliki sebagian besar kesesuaian dengan penggunaan kekerasan yang dilakukan oleh organized crime groups pada umumnya. Kedua, penggunaan kekerasan oleh Keluarga Tong merupakan bentuk dari crime as culture.
Maternal Horror: Representasi Tokoh Ibu dalam Film Rumah Dara (2009) Fiorentika Lasty
Jurnal Kriminologi Indonesia Vol 16, No 1 (2020): Mei
Publisher : Universitas Indonesia

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Abstract

Evil mothers have long played a central role in horror films, branching into a genre of its own—maternal horror. Using Arnold’s conception of the genre and Dillaway & Paré’s house-bound motherhood, this paper aims to explore the symbols and narratives surrounding monstrous motherhood featured in Mo Brother’s “Rumah Dara” (2009) that makes it distinct from its precedent, “Dara” (2007), in which the titular character is not a mother. Findings show that while the change is determinant, the film lacks depth in portrayal of motherhood as it was directed by men.
Penggambaran Kejahatan di Area Urban dalam Docuseries “Asumsi Distrik” Hanifah Nur Fadhila
Jurnal Kriminologi Indonesia Vol 16, No 1 (2020): Mei
Publisher : Universitas Indonesia

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Abstract

In a time where mass-mediated culture is prominently consumed in our society, the right portrayals of crime becomes primary. This goes without saying that media in popular culture often featured highly visible crimes to be portrayed as exaggerating and exhilarating phenomenon. Thus, this paper is set to acknowledge the ever-growing portrayals of the dynamic of crime in urban area presented in docuseries “Asumsi Distrik”. Using Jeff Ferrell’s cultural criminology framework, this study also viewed the depiction of the inhabitants in urban area to be categorized as “crime as culture”. Moreover, Asumsi Distrik hereby posed as a medium to bring the visibility of crime of the powerful that often overlooked by the media.
Hiperrealitas dalam Fenomena Real Person Fiction di Kalangan Penggemar K-Pop Muhammad Alviansyah Hidayat
Jurnal Kriminologi Indonesia Vol 16, No 1 (2020): Mei
Publisher : Universitas Indonesia

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Abstract

Person Fiction (RPF) is a subset of fanfiction whose characters are adapted from public figures which then written based on the assumptions of their fans. RPF is one of the most popular phenomenon of fan cultures, especially among the K-Pop community. While virtually harmless, RPF unknowingly has a risk of constructing false reality on the concept of idols for its readers, which then can generate deviant values or even crimes in the long run. The concept of hyperreality is able to provide insight on how deviant fans is created while constitutive criminology tries to consider the human agents to prevent the amplifying effects that will occur if these negative values of fan culture get normalized.

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