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INDONESIA
Adabiyyat: Jurnal Bahasa dan Sastra
Published by Universitas Islam Negeri Sunan Kalijaga Yogyakarta
ISSN : 25491482     EISSN : 25492047     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Adabiyyāt: Jurnal Bahasa dan Sastra, memiliki fokus kajian pada lingkup bahasa, sastra, dan terjemah (Arab, Inggris, dan Indonesia-terkecuali bahasa lokal). Bahasa pengantar yang dipakai dalam penulisan artikel jurnal Adabiyyāt adalah bahasa Indonesia. Jurnal Adabiyyāt diterbitkan dua kali dalam satu tahun oleh Fakultas Adab dan Ilmu Budaya, UIN Sunan Kalijaga Yogyakarta, berdiri sejak tahun 2002.
Arjuna Subject : -
Articles 6 Documents
 1 
Search results for , issue "Vol 5 No 1 (2021)" : 6 Documents clear
SUBALTERN DAN NASIONALISME DALAM NOVEL NYAI DASIMA (1960) KARYA S. M. ARDAN HY, Mcfulvia
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 5 No 1 (2021)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2021.05104

Abstract

This paper analyzes new meanings as the results of the reception written by S.M. Ardan in Nyai Dasima, which is known to have a central meaning, generally refers to the colonial efforts to liberate Nyai Dasima from colonialism. Recognized as a victim of colonial social structures, Nyai Dasima yearns for liberation by restoring her position, maintaining her identity and self-respect by rebelling against colonial oppression based on indigenous woman nationalism. The theory used in this paper is Gayatri Spivak's critical reading of the subaltern, which refers to “third world women” who are considered unable to speak or have a voice. This analytical method is the deconstruction method to find what Spivak calls “cognitive failure”. The analysis of this paper found that the rebellion and resistance carried out by Nyai Dasima represent an act of liberation from the shackles of colonialism which suppresses subaltern groups, especially women. However, it was found that the exemption offered to Nyai Dasima was parole which in no way refers to a sovereign and privileged subject.
ALIENASI TERHADAP ALAM: KRITIK EKOFEMINIS TERHADAP KARYA BARBARA KINGSOLVER, HOMELAND Susanti Wulandari, Rini
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 5 No 1 (2021)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2021.05105

Abstract

This paper aims to present ecofeminist insights into the connection between the domination toward women and nature through reading of Barbara Kingsolver’s short story, Homeland. Environment destruction that has occurred in decades endangers the life on earth. Based on the ecofeminism, the one who gets the worst impact of this devastation is women. Furthermore, the ecofeminists say that there is a very close relation between women and nature.  Clean water, forest, farming, and health become women’s concern. In short, these two ideas let women become aware of the environmental issues. They will take action or speak out whenever environment is mistreated or abused. In Homeland, Kingsolver presents a picture of American Indian descendants life that gives high appreciation to nature embedded in their traditional values and customs through the female characters.  She brings us to the fascinating exploration of the values that shows the connection between domination over women and nature. However, modernism brings about alienation toward her ancestor’s land.  
MENILIK MODAL SIMBOLIK HALIMI ZUHDY SEBAGAI SASTRAWAN ARAB DARI INDONESIA Milal, Mukhamad Syaiful
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 5 No 1 (2021)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2021.05106

Abstract

This research aims to disclose the symbolic capital of Halimi Zuhdy as an Arabic Poet of Indonesian. Halimi's legitimacy cannot be separated from the symbolic, social and cultural capital he possesses. This research scrutinizes the strategy and legitimacy of Halimi as an Arab Poet from Indonesia. To describe this problem, the researcher uses the literary sociology approach of Pierre Bourdieu, especially concerning the arena of literary production and legitimacy in gaining symbolic capital. Halimi has practical social capital as he was educated at an Islamic boarding school. At the same time, institutionally, Halimi is a caregiver for the Darunnun Islamic boarding school. In Halimi's cultural capital, he has written several Arabic literary works and he has achieved a position as Chair of the Arabic Language and Literature study program and a new position of Deputy Dean the Faculty of Humanities UIN Malang. Meanwhile, in terms of symbolic capital, Halimi was nominated for the Nobel Prize in Literature from Munir Mazid for his achievements. The accumulation of capital built up in the literary arena has made Halimi achieve the position of an Indonesian Arab Poet. The dialectic of knowledge built by Halimi has also accumulated his fame.
AJO “YANG POLITIS”: MENGGUGAT REZIM PARTISI DALAM CERPEN ROBOHNYA SURAU KAMI KARYA A.A. NAVIS Yudhistira Nasution, Ricky
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 5 No 1 (2021)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2021.05101

Abstract

This study aims to examine partitions and political actions in A.A. Navis’s short story “Robohnya Surau Kami” using Jacques Rancière’s concept of the distribution of the sensible theory. The method used in this study is qualitative descriptive research. It is important to recognize the awareness of the subject as part of the social class. This social class becomes the agent for various imaginary subjects constructed through discourse. The story indicates that there are characters who have been partitioned through the practice of polis and thus making them experience inequalities and restrictions. To escape from these, they need to carry out a political action (disensus; declassification; migration). The results showed that the Grandfather as protagonist was partitioned in the social structure based on his identity as a clergyman. This identity was used as a legitimizing sensibility to partition Grandfather as a “the part that has no part”. The partition that happened to him fits the Archipolitic and Parapolitic concepts. Meanwhile, the dissensus action aimed at declassifying was carried out by Ajo Sidi who created an allegory for Grandfather. In this allegory, Ajo presents a figure of God who challenges the partition regime as dissensus and subjectivating the figure of Haji Saleh/Grandfather as declassification. Based on this, Ajo Sidi can be said to be “the political” subject.
REPRESENTASI INDONESIA DALAM NOVEL TRILOGI TERJEMAHAN KAYA TUJUH TURUNAN KARYA KEVIN KWAN Nanta Adhitya, Galant; Wulandari, Novi
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 5 No 1 (2021)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2021.05102

Abstract

The presence of literary works translated from foreign languages in Indonesia enriches the literary readership in region (Adi, 2016). In addition to gaining a wider readership, the understanding of the literary text will improve. Readers who may not fully understand the version in the original language have the opportunity to digest the story thoroughly. The comprehensive understanding becomes more important when dealing with foreign literature talking about Indonesia, such as Kevin Kwan's Crazy Rich Asians trilogy. The trilogy was translated into Bahasa as Kaya Tujuh Turunan (2016), Kekasih Kaya Raya (2017), and Masalah Orang Kaya (2018). This article examines how Indonesia is represented in the trilogy what factors influence the construction. The three novels were analyzed using the representation theory proposed by Stuart Hall with the descriptive-qualitative method. There are two representations of Indonesia, as a nation and as a state. Indonesian is represented of as a nation Chinese-Indonesians with their newly acquired wealth who are obsessed with having white skin and foreign husbands, on the one hand, non-Chinese Indonesians who work as manual due to lack of education on the other hand. Meanwhile, Indonesia as a state is represented as a developing rural country with rich and beautiful natural resources, yet are exploited by other countries and stolen by few government officials, resulting in weak economic and military situation.
SOUNDTRACK LA TABKI YA ṢAGHIRĪ DALAM FILM ABṬALU DĪGITAL (Analisis Semiotik Riffaterre) Firdausah, Isyqie
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 5 No 1 (2021)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2021.05103

Abstract

This research has “Lā Tabki yā Ṣaghīrī” as a material object, an original soundtrack of Abṭalu Dīgital, a very popular movie in s2000. The song lyric is analyzed by Riffaterre’s Semiotics Theory which introduces two levels of reading.  Based on the analysis of this research, the potential hypogram shows that the parents give advices about reaching for dreams to their child who is in despair. The dream has something to do with raindrops philosophy. The models found are juhdun ‘effort’, amal ‘dream’, alwān ‘colours’, dan hayāh ‘life’. The matrix is “advises about human as khalifatullah in the world”. The actual hypogram is human’s missions as khalifatullah based on verses of al-Quran, hadith of the prophet, and interpretations of some mufassir such as Quraish Shihab and al-Buthi. It then is concluded that khalifah is like raindrop. It emits various colour spectrums, shows beautiful rainbow, and spreads-out love. One raindrop collaborates to another and sticks together to become pulse of the world.

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