cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Frans Paillin Rumbi
Contact Email
fransrumbi24@gmail.com
Phone
-
Journal Mail Official
jurnal.bia@gmail.com
Editorial Address
-
Location
Kab. tana toraja,
Sulawesi selatan
INDONESIA
BIA': Jurnal Teologi dan Pendidikan Kristen Kontekstual
Published by Sekolah Tinggi Agama Kristen Negeri Toraja
ISSN : 26554682     EISSN : 26554666     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other
BIA': Jurnal Teologi dan Pendidikan Kristen Kontekstual adalah Jurnal peer-review yang diterbitkan oleh STAKN Toraja, berfokus pada isu-isu terbaru dalam dunia Teologi secara khusus berkaitan dengan Kontekstualisasi Teologi di Indonesia dengan beberapa spesifikasi yakni: 1.Studi Biblika 2.Injil dan Kebudayaan 3.Gereja dan Masyarakat 4.Dinamika Pendidikan Kristen 5.Riset Teologi Praktika 6.Musik Kontekstual
Arjuna Subject : -
Articles 2 Documents
 1 
Search results for , issue "Vol 8, No 2 (2025): December 2025" : 2 Documents clear
MA'BADONG IN THE ARENA OF BOURDIEU'S CULTURAL PRODUCTION Sambira, Zefanya; Palimbong, Andriano Mario; Rante Allo, Hasrat Dewi; Patalo, Jhesica
BIA': Jurnal Teologi dan Pendidikan Kristen Kontekstual Vol 8, No 2 (2025): December 2025
Publisher : Institut Agama Kristen Negeri Toraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34307/b.v8i2.588

Abstract

Ma'badong is a communal lament sung in a circular formation at the Toraja tribe's death ceremony (Rambu Solo'), serving as an expression of grief. Ma'badong is conducted following the slaughter of a tedong (water buffalo) in a quantity corresponding with the social rank of the deceased. Ma'badong is considered not only a symbolic gesture but also an endeavor to preserve and promote Toraja culture. This study aims to examine the contextualization of Ma'badong from the perspective of cultural production and its implications on the development of church music in Toraja. This research is characterized as descriptive and qualitative. This study examines the art of Ma'badong as portrayed in the Rambu Solo’ ceremony in Toraja, particularly in the Gandangbatu Sillanan District of Tana Toraja Regency. The analysis of the issues in this study is grounded in Pierre Bourdieu's theory, which is The Field of Cultural Production theory. The results of this study indicate that Pa'badong representatives, serving as both agents and traditional musicians in church music services, generate cultural practices appreciated by the Toraja community and church congregation members. The habitus of the Toraja community (Ma'badong) is shaped and regulated by agents based on the capital they hold, which enables them to exert dominance in the field of Toraja art, encompassing church music as well. The field controlled by agents is classified as an elite or limited cultural sub-field. Ma'badong's implications for the development of church music in Toraja are the production of several ethnic-nuance congregational songs that incorporate its musical patterns and features. The incorporation of Ma'badong musical components has emerged as a significant characteristic of the Toraja Church, transforming congregational singing into a medium for expressing the local community's identity.
My Beloved is Mine and I am His: A Literary Analysis of Loyalty, Responsibility, and Intimacy in Song of Songs 2:16 Pattinaja, Aska Aprilano
BIA': Jurnal Teologi dan Pendidikan Kristen Kontekstual Vol 8, No 2 (2025): December 2025
Publisher : Institut Agama Kristen Negeri Toraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34307/b.v8i2.600

Abstract

The marital crises in contemporary society increasingly expose the fragility of commitment, intimacy, and mutual responsibility within husband–wife relationships. Against this backdrop, this study aims to examine Song of Songs 2:16 as a biblical text that articulates an alternative paradigm of exclusive and reciprocal marital intimacy. Employing a literary method and exegetical analysis of the Hebrew text, this research focuses on the poetic structure, key lexical expressions, and relational imagery within the verse. The analysis shows that the reciprocal phrase "My beloved is mine, and I am his" sets up a covenantal model of relationship in which closeness is based on mutual belonging, exclusive faithfulness, and shared responsibility. Furthermore, the image of the beloved as “who grazes among the lilies” underscores the husband’s active role as a caring and responsible presence in the relationship. This study concludes that Song of Songs 2:16 provides a deep and helpful framework for today's marriages, pushing back against modern ideas of commitment that depend on conditions by basing marital closeness on a belief in unconditional, shared, and responsible belonging.

Page 1 of 1 | Total Record : 2

 1 

Filter by Year

2025 2025


Reset
Filter By Issues
All Issue Vol 8, No 2 (2025): December 2025 Vol 8, No 1 (2025): June 2025 Vol 7, No 2 (2024): Desember 2024 Vol 7, No 1 (2024): Juni 2024 Vol 6, No 2 (2023): Desember 2023 Vol 6, No 1 (2023): Juni 2023 Vol 5, No 2 (2022): Vol 5, No 2 (2022): Desember 2022 Vol 5, No 1 (2022): Juni 2022 Vol 4, No 2 (2021): Desember 2021 Vol 4, No 1 (2021): Juni 2021 Vol 3, No 2 (2020): Desember 2020 Vol 3, No 1 (2020): Juni 2020 Vol 2, No 2 (2019): Desember 2019 Vol 2, No 1 (2019): Juni 2019 Vol 2, No 1 (2019): Juni 2019 Vol 1, No 2 (2018): Desember 2018 Vol 1, No 2 (2018): Desember 2018 Vol 1, No 1 (2018): Juni Vol 1, No 1 (2018): Juni More Issue