cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Reizki Habibullah
Contact Email
reizkihabibullah@gmail.com
Phone
+6281372370131
Journal Mail Official
jurnalsorai@gmail.com
Editorial Address
Jl. Ki Hadjar Dewantara No.19, Kentingan Jebres Surakarta, Indonesia
Location
Kota surakarta,
Jawa tengah
INDONESIA
Sorai: Jurnal Pengkajian dan Penciptaan Musik
Published by Institut Seni Indonesia Surakarta
ISSN : 24073938     EISSN : 26849445     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The journal invites original, significant, and rigorous inquiry into all subjects within or across disciplines related to music creation, music studios, and ethnomusicology. It encourages debate and cross-disciplinary exchange across a broad range of approaches. The spectrum of topics include: 1) Review of Nusantara Music 2) Sociology of Music 3) Anthropology of Music 4) World Music Culture 5) Digital Music Studies 6) Archaeology of Music 7) Intercultural Studies of Music 8) Ethnography of Music 9) Music and Multicultural Education 10) Music Criticism 11) Musician Profile and Thought 12) Artistic Review of the Music Creation Process.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 6 Documents
 1 
Search results for , issue "Vol 11, No 1 (2018)" : 6 Documents clear
INTERAKSI MUSIKAL MELALUI GESTUR DAN VERBAL DALAM MUSIK JAZZ Fabianus Deny Christianata Putra
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 11, No 1 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (444.041 KB) | DOI: 10.33153/sorai.v11i1.2347

Abstract

ABSTRACT This paper explains a process of musical interaction in jazz music performances, on the performances of Solo Jazz Society musicians in Surakarta. The focus of this paper is about (1) how the process of musical interaction between Sojazz musicians occurs and (2) what factors cause musical interaction between Sojazz musicians. With the aim (1) to know how the process of musical interactions between Sojazz musicians occur and (2) to know the factors that cause the musical interactions between Sojazz musicians. The research method used is qualitative with descriptive analysis approach. n the performance, Sojazz musicians perform musical interactions between musicians through two forms of process. Gesture interactions that include eye contact, hand code, head jerking, lip reading and overall body posture are applied as cues while improvising. The second form of the process is through the musical interaction itself which is Accompaniment, melodic phrase and rhythmic motif, tension growth, and trade four. The process of musical interaction applied by Sojazz musicians as mentioned above, is through gesture used to create mutual interaction between musicians. Kata kunci : Solo Jazz Society, interaksi musikal jazz,
TEKNIK ADAPTIF KELOMPOK MUSIK OPSI TOP FOURTY TERHADAP RUANG PERTUNJUKAN DI SURAKARTA Fariz Hananto
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 11, No 1 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1269.905 KB) | DOI: 10.33153/sorai.v11i1.2348

Abstract

ABSTRACT This article aims to reveal and explain adaptive techniques from the Top Fourty OPSI music group in the performance space in the city of Surakarta. This study used two theories, namely the theory of adaptation proposed by Suparlan and Gerungan, as well as the theory and concept of the performance space proposed by Alexander et al. in 1977. Then, the authors also conduct research by participant observation and qualitatively to obtain data in accordance with the facts in the field. From the results of this study, three adaptive techniques were found that need to be done by top fourty musicians, namely (1) the selection of songs, (2) arrangement, and (3) stage expression. The adaptive technique must be truly owned by every top fourty musician, so that they can master any kind of show space to entertain the audience. Kata Kunci : musisi top fourty, teknik adaptif, ruang pertunjukan
KERONCONGKU, NGRONCONGI Bayu Raditya Prabowo
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 11, No 1 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (438.724 KB) | DOI: 10.33153/sorai.v11i1.2316

Abstract

ABSTRACT Keroncong music has a basic concept of musical achievement that is often expressed by keroncong artists with the word "ngroncongi". Ngroncongi is a term that refers to the Java language. Keroncong becomes the basic word, which at the beginning of the word is affixed "Ng- "  and at the end the word gets "-i", so initially keroncong is a noun, turning into an adjective after it turns into "ngroncongi". Ngroncongi is a musical aspect that becomes an indication of keroncong music characteristic. Ngroncongi will be achieved when it reaches the aesthetic and keroncong culture. Musicality which is "ngroncongi" is constructed by several musical elements such as, samen spelen; ngglali; nyendaren; mbesut; luk; gojek; isen-isen; mbanyumili; and sintiran. Those elements are synergized to accommodate the concept of "ngroncongi". The elements of rhythmic pattern are sintiran, mbanyumili, and gojek. The elements for ornamentation are ngglali; mbesut; luk; nyendaren; and isen-isen. While the element of "samen spelen" is for a musical interaction between players by giving each other musical communication. These elements found from the emissive knowledge of keroncong players who are represented in musical way to build musicality which is called "ngroncongi". Kata kunci : Keroncong, Ngroncongi, Musikalitas
KREATIVITAS ARI WULU SEBAGAI DJ DALAM EDM (Electronic Dance Music) Hanolda Gema Akbar
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 11, No 1 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (635.076 KB) | DOI: 10.33153/sorai.v11i1.2349

Abstract

ABSTRACT EDM is an electronic music that is rising in popularity in the present era. This phenomenon that led to the birth of a young DJ, and also gave birth to a big festival with the theme of EDM. EDM has a relationship with the concept of DJ which is the operator who controls the music to be presented at every show. DJ has had a rapid development, which formerly departed from broadcaster radio. Now DJs can be found everywhere since EDM has expanded out of its normal place in discotheques. Ari Wulu is a DJ who has different characters. The purpose of this research is to know the creativity of Ari Wulu which is explained based on the opinion of Rhodes using 4P consisting of Person, Press, Procces, and Product. The result of the research is the creativity of Ari Wulu as a DJ in EDM, much influenced from his experience as an electronic music composer. The music form chosen by Ari Wulu is purely electronic music that has a repetitive rhythm and uses pentatonic melodies. Kata Kunci : EDM, Ari Wulu, kreativitas, dan bentuk musik
PIG-SQUEALS : TEKNIK PEKIK BABI DARI GENRE SLAMMING METAL Andhika Rifki Megantoro
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 11, No 1 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (449.577 KB) | DOI: 10.33153/sorai.v11i1.2345

Abstract

ABSTRACT Pig-squeals is a vocal technique that produces a sharp screech resembling the sound of a pig in the Slamming Metal genre. The sound-produced articulation sounds vague, even sounds amateur, but in fact pig-squeals vocals require difficult pronunciation and breathing techniques. The vocals of the pig-squeals itself contains aesthetic elements such as (1) quality of the sound, (2)  volume intensity, and (3) "opacity" of articulation. According to George Baker's book (1963) entitled : The Common Sense of Singing, the “beauty element” in the pig-squeals technique, especially related to the principle of vocal articulation, is considered to be non-conventional, so in this study the Paretox Aesthetic concept of Jakob Soemardjo is used. The elements of beauty that support the vocals of pig-squeals include gesture and vocal mimic that adds to the impression of ferocity of the slamming metal genre. Kata kunci : pig-squeals, slamming metal, estetika paradoks
PERSEPSI DALAM TRANSFORMASI KARYA SASTRA : STUDI PENGGUNAAN PUISI BUNGA DAN TEMBOK OLEH KELOMPOK MUSIK MERAH BERCERITA Choiri Fitriyanto
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 11, No 1 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (639.57 KB) | DOI: 10.33153/sorai.v11i1.2346

Abstract

ABSTRACT This paper attempts to describe how the Merah Bercerita music group builds the perception of Wiji Thukul's poem entitled "Flower and Wall" and pours it into a song. It is noteworthy that this musical work is not merely showing the phenomenon of mere musical performances, but also is an effort in giving musical power to the poetic text that is full of social criticism. In this qualitative research, data collection is done with emphasis on the concept of perception as the main perspective, then the data is interpreted to be analysed. The conclusion of this research is the existence of three stages in the process of perception conducted by Merah Bercerita group, namely (1) sensation, (2) attention, and (3) interpretation. Kata Kunci : persepsi, puisi, musik, bentuk musik

Page 1 of 1 | Total Record : 6

 1 

Filter by Year

2019 2019


Reset
Filter By Issues
All Issue Vol. 18 No. 1 (2025): July Vol. 17 No. 2 (2024): December Vol. 17 No. 1 (2024) Vol. 17 No. 1 (2024): July Vol. 16 No. 2 (2023): December Vol. 16 No. 2 (2023) Vol. 16 No. 1 (2023) Vol. 16 No. 1 (2023): July Vol. 15 No. 2 (2022) Vol 15, No 1 (2022) Vol 14, No 1 (2021) Vol 14, No 2 (2021) Vol 13, No 2 (2020) Vol 13, No 1 (2020) Vol 12, No 2 (2019) Vol 12, No 1 (2019) Vol 11, No 2 (2018) Vol 11, No 1 (2018) More Issue