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All Journal Sorai: Jurnal Pengkajian dan Penciptaan Musik Jurnal Damar Pedalangan
Akbar, Hanolda Gema
Jurusan Etnomusikologi ISI Surakarta
Arts Humanities

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KREATIVITAS ARI WULU SEBAGAI DJ DALAM EDM (Electronic Dance Music) Hanolda Gema Akbar
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 11, No 1 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (635.076 KB) | DOI: 10.33153/sorai.v11i1.2349

Abstract

ABSTRACT EDM is an electronic music that is rising in popularity in the present era. This phenomenon that led to the birth of a young DJ, and also gave birth to a big festival with the theme of EDM. EDM has a relationship with the concept of DJ which is the operator who controls the music to be presented at every show. DJ has had a rapid development, which formerly departed from broadcaster radio. Now DJs can be found everywhere since EDM has expanded out of its normal place in discotheques. Ari Wulu is a DJ who has different characters. The purpose of this research is to know the creativity of Ari Wulu which is explained based on the opinion of Rhodes using 4P consisting of Person, Press, Procces, and Product. The result of the research is the creativity of Ari Wulu as a DJ in EDM, much influenced from his experience as an electronic music composer. The music form chosen by Ari Wulu is purely electronic music that has a repetitive rhythm and uses pentatonic melodies. Kata Kunci : EDM, Ari Wulu, kreativitas, dan bentuk musik
Penciptaan karya teater monolog wayang upih moved motion: moved motion Adi Pranajaya, I Made; Widnyana, I Kadek; Wicaksana, I Dewa Ketut; Akbar, Hanolda Gema
JURNAL DAMAR PEDALANGAN Vol 5 No 2 (2025): Oktober
Publisher : Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/dmr.v5i2.5058

Abstract

This artistic research explores the creation of a contemporary monologue puppet theater entitled Moved Motion, inspired by the traditional Wayang Upih made from betel sheath (upih). The work departs from the urgency of revitalizing nearly forgotten local traditions while addressing ecological and philosophical values through artistic innovation. The aim is to transform Wayang Upih into a three-dimensional puppet theater that embodies symbolic narratives of karma, transformation, and human existential reflection. The study employs a practice-led research approach, integrated with the Balinese creation framework Asta Widhi Kawya, which guides the process from conceptualization, narrative development, rehearsal, to final performance. Data were obtained through literature review, field observation, and direct experimentation in collaboration with a local art community. The result is a performance that combines traditional material with contemporary dramaturgy, featuring symbolic figures such as the human puppet, butterfly, and mirror to represent bondage, hope, and self-reflection. The novelty of this work lies in the ecological use of natural materials, the integration of personal narrative with traditional philosophy, and the re-positioning of Wayang Upih within contemporary performing arts. This creation contributes to the preservation and reinterpretation of Balinese puppetry while offering a sustainable model for innovative artistic practices.
KREATIVITAS ARI WULU SEBAGAI DJ DALAM EDM (Electronic Dance Music) Akbar, Hanolda Gema
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 11 No. 1 (2018)
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v11i1.2349

Abstract

ABSTRACT EDM is an electronic music that is rising in popularity in the present era. This phenomenon that led to the birth of a young DJ, and also gave birth to a big festival with the theme of EDM. EDM has a relationship with the concept of DJ which is the operator who controls the music to be presented at every show. DJ has had a rapid development, which formerly departed from broadcaster radio. Now DJs can be found everywhere since EDM has expanded out of its normal place in discotheques. Ari Wulu is a DJ who has different characters. The purpose of this research is to know the creativity of Ari Wulu which is explained based on the opinion of Rhodes using 4P consisting of Person, Press, Procces, and Product. The result of the research is the creativity of Ari Wulu as a DJ in EDM, much influenced from his experience as an electronic music composer. The music form chosen by Ari Wulu is purely electronic music that has a repetitive rhythm and uses pentatonic melodies. Kata Kunci : EDM, Ari Wulu, kreativitas, dan bentuk musik
Artikel Kilit Kalut: Teater Pakeliran sebagai Representasi Konflik Batin Tokoh Salya: Kilit Kalut: Teater Pakeliran sebagai Representasi Konflik Batin Tokoh Salya Wahyu Widiyantara, I Komang; Sidia, I Made; Widnyana, I Kadek; Akbar, Hanolda Gema
JURNAL DAMAR PEDALANGAN Vol 6 No 1 (2026): Mei
Publisher : Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/dmr.v6i1.6553

Abstract

The creation of the puppetry performance Kilit Kalut is grounded in the need to expand the aesthetic and social functions of Balinese puppetry in responding to contemporary human inner conflicts. Traditional puppetry has predominantly emphasized external conflicts, leaving psychological dimensions underexplored. This study aims to represent the inner conflict of Salya from the Kakawin Baratayudha through a teater pakeliran framework as an artistic innovation. A qualitative-descriptive method with a practice-based research approach was employed, utilizing Harymawan’s 4M stages (imagining, writing, performing, observing), supported by rehearsal observations, textual analysis, and cross-media artistic exploration. The results demonstrate that the integration of Balinese shadow puppetry, live actors, lighting design, and gamelan effectively constructs a symbolic and dramatic representation of psychological duality. This innovation repositions puppetry as a medium for existential reflection rather than mere entertainment or ritual performance.  This study introduces inner conflict as the central dramaturgical axis in Balinese puppetry through an integrative teater pakeliran approach. In conclusion, the study contributes to the development of contemporary puppetry aesthetics while sustaining traditional values within a modern cultural context.
Co-Authors Adi Pranajaya, I Made I Dewa Ketut Wicaksana, I Dewa Ketut I Kadek Widnyana, I Kadek I Made Sidia Wahyu Widiyantara, I Komang