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KREATIVITAS ARI WULU SEBAGAI DJ DALAM EDM (Electronic Dance Music) Hanolda Gema Akbar
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 11, No 1 (2018)
Publisher : Institut Seni Indonesia Surakarta

ABSTRACTÂ EDM is an electronic music that is rising in popularity in the present era. This phenomenon that led to the birth of a young DJ, and also gave birth to a big festival with the theme of EDM. EDM has a relationship with the concept of DJ which is the operator who controls the music to be presented at every show. DJ has had a rapid development, which formerly departed from broadcaster radio. Now DJs can be found everywhere since EDM has expanded out of its normal place in discotheques.Â Ari Wulu is a DJ who has different characters. The purpose of this research is to know the creativity of Ari Wulu which is explained based on the opinion of Rhodes using 4P consisting of Person, Press, Procces, and Product. The result of the research is the creativity of Ari Wulu as a DJ in EDM, much influenced from his experience as an electronic music composer. The music form chosen by Ari Wulu is purely electronic music that has a repetitive rhythm and uses pentatonic melodies.Â Kata Kunci : EDM, Ari Wulu, kreativitas, dan bentuk musik

Penciptaan karya teater monolog wayang upih moved motion: moved motion Adi Pranajaya, I Made; Widnyana, I Kadek; Wicaksana, I Dewa Ketut; Akbar, Hanolda Gema
JURNAL DAMAR PEDALANGAN Vol 5 No 2 (2025): Oktober
Publisher : Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/dmr.v5i2.5058

This artistic research explores the creation of a contemporary monologue puppet theater entitled Moved Motion, inspired by the traditional Wayang Upih made from betel sheath (upih). The work departs from the urgency of revitalizing nearly forgotten local traditions while addressing ecological and philosophical values through artistic innovation. The aim is to transform Wayang Upih into a three-dimensional puppet theater that embodies symbolic narratives of karma, transformation, and human existential reflection. The study employs a practice-led research approach, integrated with the Balinese creation framework Asta Widhi Kawya, which guides the process from conceptualization, narrative development, rehearsal, to final performance. Data were obtained through literature review, field observation, and direct experimentation in collaboration with a local art community. The result is a performance that combines traditional material with contemporary dramaturgy, featuring symbolic figures such as the human puppet, butterfly, and mirror to represent bondage, hope, and self-reflection. The novelty of this work lies in the ecological use of natural materials, the integration of personal narrative with traditional philosophy, and the re-positioning of Wayang Upih within contemporary performing arts. This creation contributes to the preservation and reinterpretation of Balinese puppetry while offering a sustainable model for innovative artistic practices.

KREATIVITAS ARI WULU SEBAGAI DJ DALAM EDM (Electronic Dance Music) Akbar, Hanolda Gema
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 11 No. 1 (2018)
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v11i1.2349

ABSTRACTÂ EDM is an electronic music that is rising in popularity in the present era. This phenomenon that led to the birth of a young DJ, and also gave birth to a big festival with the theme of EDM. EDM has a relationship with the concept of DJ which is the operator who controls the music to be presented at every show. DJ has had a rapid development, which formerly departed from broadcaster radio. Now DJs can be found everywhere since EDM has expanded out of its normal place in discotheques.Â Ari Wulu is a DJ who has different characters. The purpose of this research is to know the creativity of Ari Wulu which is explained based on the opinion of Rhodes using 4P consisting of Person, Press, Procces, and Product. The result of the research is the creativity of Ari Wulu as a DJ in EDM, much influenced from his experience as an electronic music composer. The music form chosen by Ari Wulu is purely electronic music that has a repetitive rhythm and uses pentatonic melodies.Â Kata Kunci : EDM, Ari Wulu, kreativitas, dan bentuk musik

The Viral AI-Generated Song “Warung Bekicot Ning Magetan” and the Construction of Cultural Identity in Digital Society Dea Lunny Primamona; Hanolda Gema Akbar; Sopandu Manurung; Yunus Khoirul Amal
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 9 No. 1 (2026)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v9n1.p1-15

The viral song "Warung Bekicot Ning Magetan" has gained widespread attention as both a promotional tool for local culinary products and a cultural symbol in Magetan. This study investigates the role of the song in constructing cultural and social identities within the local community. Using a qualitative ethnomusicological approach, data were collected through observation, interviews, and textual analysis of the song's lyrics and its dissemination on social media. Findings reveal that the song embodies values of patience, tranquility, and slow living, reflective of rural life and Javanese cultural identity. Additionally, the song's viral spread has enhanced community pride and stimulated local tourism and economy. This article contributes to understanding how viral popular music can serve as a medium for cultural expression and identity reinforcement in contemporary society, beyond the economical motive. The study also highlights the role of AI-generated music production in supporting local cultural branding and digital creative economies.

Artikel Kilit Kalut: Teater Pakeliran sebagai Representasi Konflik Batin Tokoh Salya: Kilit Kalut: Teater Pakeliran sebagai Representasi Konflik Batin Tokoh Salya I Komang Wahyu Widiyantara; I Made Sidia; I Kadek Widnyana; Hanolda Gema Akbar
JURNAL DAMAR PEDALANGAN Vol 6 No 1 (2026): Mei
Publisher : Pusat Penerbitan LPPM Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/dmr.v6i1.6553

The creation of the puppetry performance Kilit Kalut is grounded in the need to expand the aesthetic and social functions of Balinese puppetry in responding to contemporary human inner conflicts. Traditional puppetry has predominantly emphasized external conflicts, leaving psychological dimensions underexplored. This study aims to represent the inner conflict of Salya from the Kakawin Baratayudha through a teater pakeliran framework as an artistic innovation. A qualitative-descriptive method with a practice-based research approach was employed, utilizing Harymawan’s 4M stages (imagining, writing, performing, observing), supported by rehearsal observations, textual analysis, and cross-media artistic exploration. The results demonstrate that the integration of Balinese shadow puppetry, live actors, lighting design, and gamelan effectively constructs a symbolic and dramatic representation of psychological duality. This innovation repositions puppetry as a medium for existential reflection rather than mere entertainment or ritual performance. This study introduces inner conflict as the central dramaturgical axis in Balinese puppetry through an integrative teater pakeliran approach. In conclusion, the study contributes to the development of contemporary puppetry aesthetics while sustaining traditional values within a modern cultural context.

REINTERPRETASI TAKSU MELALUI PENCIPTAAN WAYANG TEATER JRO DALANG PURWA DALAM PEDALANGAN BALI KONTEMPORER I Made Edi Sucita Edi; I Made Marajaya; Hanolda Gema Akbar
JURNAL DAMAR PEDALANGAN Vol 6 No 2 (2026): Oktober
Publisher : Pusat Penerbitan LPPM Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/dmr.v6i2.7266

This article discusses the creation of a Wayang (shadow puppetry) theater piece titled "Jro Dalang Purwa" as an artistic output of the "ISI Bali Berdampak" Independent Project Program. The work blends dramatic theater performance with Balinese puppetry traditions, utilizing the Durik Temple area as a narrative framework to reflect on the significance of spiritual values Or taksu in the artistic lives of the Balinese people. The project aims to reinterpret the ancestral history of Jro Dalang Purwa, specifically his quest to attain taksu through ascetic practice (tapa yoga) and his eventual creation of the Arjuna Pengamukan puppet during the era of the Gianyar Kingdom. The creative process employed the Panca Stiti Sani Ngawi method conceptualized by Prof. Dr. I Wayan Dibia which encompasses the stages of ngawirasa (feeling/sensing), ngewacak (conceptualizing), ngarencana (planning), ngawangun (constructing/creating), and ngebah (finalizing/presenting). The results demonstrate that the fusion of theatrical and puppetry elements can present a classic narrative in a manner that is contextual, reflective, and communicative for the younger generation, all while preserving traditional aesthetic values. The work embodies various Balinese cultural values, such as the concept of taksu, the preservation of tradition, intergenerational cultural transmission, social solidarity, ancestral reverence, and perseverance in the artistic process. Furthermore, the creation of this Wayang theater piece is expected to generate tangible impacts across social, cultural, and creative economy sectors.

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