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Zuliati
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Texture : Art and Culture Journal
Published by Institut Seni Indonesia Surakarta
ISSN : 2655676     EISSN : 26556758     DOI : 10.33153
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Social Sciences
Texture art and culture journal, memuat artikel hasil penelitian ilmiah dalam spektrum penciptaan dan pengkajian seni rupa dan budaya. Lokus seni rupa berfokus pada praktik artistik dalam beragam medium ungkap, baik dua dimensi, tiga dimensi, hingga ragam praktik seni intermedia. Budaya dilihat dalam konteks praksis, berikut ragam produk budaya visual yang tumbuh dan berkembang di masyarakat. Kajian terkait seni rupa dan budaya dalam jurnal ini menggunakan pendekatan kritis dalam perspektif keilmuan interdisipliner.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 12 Documents
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Search results for , issue "Vol. 8 No. 2 (2025)" : 12 Documents clear
Roland Barthes' Semiotic Analysis of Visual Symbols on the website haveaniesday.com: Myth and Ideology Digital Design Mutiara Ramadhani; Muhammad Tegar Saputra; Muhammad Fauzi
TEXTURE Art and Culture Journal Vol. 8 No. 2 (2025)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v8i2.7637

Abstract

The objective of this research is to deconstruct the mechanisms by which the website's visual design constructs and conveys meaning, utilizing the semiotic framework developed by Roland Barthes. This inquiry specifically investigates how visual symbols operate beyond their overt messages to reproduce and reinforce values that are widely accepted as given. Adopting a qualitative interpretative method, the study applies Barthes' critical semiotic analysis across three levels of meaning: denotation, connotation, and myth. Results show that the figure of a bespectacled owl functions as a signifier for the intelligent "digital native." Furthermore, a "DIY" poster promotes ideologies related to technological libertarianism and neoliberal economics, whereas a "Space Available" billboard serves as a veiled critique of digital commercialization. On a mythological level, the website perpetuates the narratives of "technological solutionism" and "meritocracy," thereby obscuring the diverse realities of access to technology. Ultimately, this research posits that contemporary visual design employs advanced semiotic tactics to naturalize dominant ideologies, presenting them as unquestionable truths.
Representation of Raden Saleh’s Painting the Arrest of Prince Diponegoro in Interactive Digital Educational Media OKTAVIA, JESSIKA
TEXTURE Art and Culture Journal Vol. 8 No. 2 (2025)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v8i2.7689

Abstract

Raden Saleh’s painting The Arrest of Prince Diponegoro is one of the most significant works in Indonesian art history, valued not only for its aesthetic qualities but also for its symbolic resistance to colonialism. This study aims to examine how the cultural and historical values embedded in the painting can be re-presented through interactive digital education in the form of a game. The research employed a qualitative method through literature review, visual observation, and interviews with art practitioners and digital media users. The findings reveal that interactive media enables artworks to be experienced not merely as static visuals but through participatory mechanisms such as exploration, object interaction, and digital narratives. Therefore, digital adaptation through gaming can serve as an educational tool aligned with technological development while enhancing public appreciation of Indonesian art and history.

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