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Acintya
Published by Institut Seni Indonesia Surakarta
ISSN : 20852444     EISSN : 26555247     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Arjuna Subject : -
Articles 24 Documents
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Search results for , issue "Vol. 8 No. 2 (2016)" : 24 Documents clear
PENULISAN SKENARIO BERGENRE FIKSI ILMIAH MENGANGKAT KEUNIKAN KARTOGRAFI KOTA DENGAN PENDEKATAN RISET SEJARAH ‘ATMODIRONO’ Adji, Titus Soepono
Acintya Vol. 8 No. 2 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v8i2.1945

Abstract

Atmodirono is experimentation screenwriting science fiction genre with the approach of historiography and science of cartography or mapping the city of Semarang. Historiography raised is related to the history of the city of Semarang from its inception to the present. In terms of cartography, this filmfocuses on the potential uniqueness map of Semarang who have axes secret that connects several points in the city of Semarang and other points in the world. Experimentation methods of mapping using the online application Google Earth Remote Sensing.Meanwhile, as the binder story, based onthe life story Atmodirono, an architect first Natives in the Dutch East Indies, where life is still rarely discussed and mysterious. Scriptwriting method used is the method of Richard Krevolin, who can work to work on the screenplay adaptation of the various processes that allow, in this case the historyof the city. Atmodirono figures and the map of Semarang. This story can end up being a critique of urban development is not organized at this time.Keywords: Science Fiction, Cartography, Atmodirono figures.
STUDI KONSEP DAN BENTUK KARYA SENI RUPA MURNI MODERN INDONESIA YANG TERINSPIRASI SENI TRADISI NUSANTARA Purnomo, Tonny
Acintya Vol. 8 No. 2 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v8i2.1947

Abstract

This study aims to explain the concepts and forms of modern works of pure art that is inspired by nusantara traditional arts. The nusantara traditional art, here, not on geographical constraints but in cultural areas. This particular study, the research area is the Yogyakarta and Surakarta. This study also continued to restrict and emphasis on the works of pure art, especially modern art that is inspired by the art of Javanese tradition, but did not rule on the works of art inspired by the nusantara traditional arts other than Java. This study uses the aesthetic approach of Clive Bell confirms the significant form. The analysis is the interpretation of the analysis applied to give appreciation to the concepts and art forms that become the object of research. This study takes an object of art created by I Gusti Nurata Nengah, Heri Dono, and Soegeng Toekio. The findings produced is the concept and form of the works of modern art that is inspired by the Nusantara traditional art not necessarily present because the influence of the trend alone, but is the result of a personal experience that in regard to the events in the life of the natural and social environment, and manifested in personal expression in line with experience aesthetic inspired by the concept and the traditional art form experienced and understood. The forms were present were not 100% like in the traditional arts, but still feels inspiring visual character of locality tradition, both in terms of technique, color or deformationof the display. Forms of the puppets and wayang beber be one option is a reference in the visual reinterpreting the tradition art references terkair especially its art.Keywords: pure visual arts, concept, form, nusantara traditional art.
KONSEP KREATIVITAS GARIN NUGROHO DAN KETERLIBATANNYA DALAM PERFILMAN DI INDONESIA Novianto, Wahyu
Acintya Vol. 8 No. 2 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v8i2.1949

Abstract

Garin Nugroho is regarded as a film director who managed to put the local culture in the midst of global cultural dominance. Garin is also as one of the few directors in various parts of the world who do not like to repeat expressions. In every of his film works, Garin is capable of doubling his role asscreenwriter as well as a producer. Garin Nugroho’s selection of creative attitude is unique if juxtaposed with other Indonesian cinematographer-filmmaker. Therefore, it is interesting to examine about the creativity concept of Garin Nugroho and his involvement in the film industry in Indonesia.In regard to review on these issues, the theory of creativity is used to observe the creative attitudes and the ideas that underlie Garin’s movie creation process. The data that were used to reveal matterswere the three films of Garin Nugroho that entitledSurat Untuk Bidadari, Bulan Tertusuk Ilalang, and Opera Jawa. The data was obtained through the data collection techniques that include documentation, literature, and interviews. The result of this research shows that through the work of his movies, Garin attempted to reveal thatthere is harmony and balance in position between the local and the global value,where the selection of creative attitude shows a spirit of multiculturalism. Garin’s animating spirit of multiculturalism is not only demonstrated through his work, but also on his creative actions during the process of creating a movie. In this case, Garin is not only as a film director, but he is also as a humanist.Keywords: creativity, movie director, movies.
KAJIAN IKONOGRAFI KARYA DULLAH “PRAKTIK TENTARA PENDUDUKAN ASING” Adisukma, Wisnu
Acintya Vol. 8 No. 2 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v8i2.1951

Abstract

The article with the title Iconography Study of Work Dullah “Army Practice of Foreign Occupation“ intended to seek the textual and contextual meaning of painters Dullah. With the approach of iconography will be obtained meaning that deeper and broader than a work of art. Through this approach, the artwork will be a major concern in reviewing the history of art, nevertheless alsonecessary to understand the contextual and symbolic aspects. At the time of independence, Dullah many immortalize the events related to the struggle of Indonesian nation in seizing and maintaining independence in his works. Dullah even led a group of young artists to paint directly events duringthe occupation of Yogyakarta as an effort documenting the history of the national struggle. One of his very powerful is the “Army Practice of Foreign Occupation“ that depicts cruelty colonizers against the indigenous population. In this case the work Dullah Practice Foreign Occupation Army will findits context as understood by tracing the history of socio-cultural-years 1940-1950an. From the work we can find out how the socio-historical situation of the community when the colonial era.Keywords: Dullah, Iconography, Army Practice of Foreign Occupation.

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