Garuda - Garba Rujukan Digital

PENULISAN SKENARIO BERGENRE FIKSI ILMIAH MENGANGKAT KEUNIKAN KARTOGRAFI KOTA DENGAN PENDEKATAN RISET SEJARAH â€˜ATMODIRONOâ€™ Adji, Titus Soepono
Acintya Vol. 8 No. 2 (2016)
Publisher : Institut Seni Indoensia Surakarta

Atmodirono is experimentation screenwriting science fiction genre with the approach of historiography and science of cartography or mapping the city of Semarang. Historiography raised is related toÂ the history of the city of Semarang from its inception to the present. In terms of cartography, this filmfocuses on the potential uniqueness map of Semarang who have axes secret that connects severalÂ points in the city of Semarang and other points in the world. Experimentation methods of mappingÂ using the online application Google Earth Remote Sensing.Meanwhile, as the binder story, based onthe life story Atmodirono, an architect first Natives in the Dutch East Indies, where life is still rarelyÂ discussed and mysterious. Scriptwriting method used is the method of Richard Krevolin, who canÂ work to work on the screenplay adaptation of the various processes that allow, in this case the historyof the city. Atmodirono figures and the map of Semarang. This story can end up being a critique ofÂ urban development is not organized at this time.Keywords: Science Fiction, Cartography, Atmodirono figures.

MODEL PENYELENGGARAAN STUDIO PEMBELAJARAN PROGRAM TELEVISI YANG IDEAL UNTUK INSTITUSI PENDIDIKAN PERTELEVISIAN Adji, Titus Soepono; Agung, I Putu Suhada
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

The learning studio for television programs was the space used by educational institutions in television program as studio simulations that demonstrate television stations, in organizing the productionof television programs for students. This room was the main infrastructure that should be owned byeducational institutions that run television programs, considering most television programs were produced in the studio. Currently, many educational institutions opened television and broadcastingprograms, but in reality not all television program administrators had studio that met the standards.This caused the learning process did not take place optimally. The number of work produced bystudents each semester were not maximum, the production ability was also not optimum, and thiscaused the expected output from graduates in mastering in-door studio production became not maximum too. The purpose of this research was to arrange the model of organizing studio production fortelevision program in educational institution so that it could increase the target of learning to beachieved. This research was a qualitative research, with data collection methods in the form of observation and interview with purposive sampling model in some educational institutions. The analysisused was qualitative verification analysis. The conclusion was to design an adaptive television studiothat could be held in an existing room while maintaining the standards of television program production.Keywords: Learning studio model,production studio of television program.

Jagad Jawa RM Kristiadi pada Proses Kreatif Program Televisi di TVRI Yogyakarta Adji, Titus Soepono
Acintya Vol. 12 No. 1 (2020)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v12i1.3141

ABSTRACT RM Kristiadi is a TV producer at TVRI who has been working since 1997. He is involved in programs that still exist at TVRI Yogyakarta, such as Obrolan Angkringan, Plengkung Gading, Karang Tumaritis, etc. These programs stil exist until right now, among others, because they lift the atmosphere of Javanese Culture in accordance with the principle of the similarity of body memory, the framework of fantasy that is believed in the process of its creation. RM Kristiadi also conducted experiments in building new works through critical thinking on the achievements that have ever existed. This research is a qualitative descriptive study, which focuses on knowing the background of RM Kristiadi's creative process. Data was collected through a series of direct interview processes with the interviewees, with data reinforced from documents. Key Word: Java Athmosphere, TV Produser, TV Program. ABSTRAK RM Kristiadi seorang produser televisi di TVRI yang berkarya sejak tahun 1997. Dia terlibat dalam program-program yang hingga saat ini masih eksis di TVRI Yogyakarta, seperti Obrolan Angkringan, Plengkung Gading, Karang Tumaritis, dll. Program-program tersebut eksis antara lain karena mengangkat atmosfer Budaya Jawa sesuai dengan prinsip kesamaan Memori tubuh, Kerangka fantasi yang diyakini dalam proses penciptaannya. RM Kristiadi juga melakukan eksperimentasi dalam membangun kebaruan karya melalui daya kritis atas capaian-capaian yang pernah ada. Penelitian ini merupakan penelitian Deskriptif Kualitatif, yang berfokus untuk mengetahui latar belakang alur pemikiran proses kreatif RM Kristiadi. Data dikumpulkan melalui serangkaian proses wawancara langsung pada narasumber, dengan diperkuat data-data dari dokumen. Kata Kunci: Jagad Jawa, Produser Televisi, Program Acara Televisi.

IMAJINASI KEBANGSAAN ORANG JAWA DI SURINAME DALAM VIDEO MUSIK POPULER Adji, Titus Soepono
Capture : Jurnal Seni Media Rekam Vol. 1 No. 1 (2009)
Publisher : Seni Media Rekam ISI Surakarta

In nowadays context, Javanese people in Suriname seems to be something un expectable. They have been living far away from the mother land since a century ago. This kind condition not only restricted the communication within their ancestors but loose also the access into their cultural and identity references. Who really am I? Where did I Come from ? and What is my goal here? There are some frequent questions. Following the technology, here , is internet , we now able to see that Javanese people in Suriname can say the origin of their Javanese identity. Is it a deconstruction ? or a reflexive media to show their origin identity. Keyword : Javanese, Suriname, identity

PROSES KREATIF EDDIE CAHYONO DALAM PENCIPTAAN FILM SITI Nugroho, Widhi; Adji, Titus Soepono; Wastiwi S, Sri
Capture : Jurnal Seni Media Rekam Vol. 8 No. 2 (2017)
Publisher : Seni Media Rekam ISI Surakarta

The Siti film directed by Eddie Cahyono deserves to be appreciated as a work of long fictionÂ films by creative production. Evidently, the film funded with a budget under 150 million rupiah,Â able to deliver it into the nomination of film festivals, even this film is able to win awards in aÂ number of prestigious film festivals in various countries. It can not be separated from theÂ creative work of Eddie Cahyono as a scriptwriter and director at the filmThis creative work isdue to his role as a meticulous person,looking deeply,appreciating the role of women,elevatingÂ her dignity and then transferring it in a film. Siti is a reflection of women living in confinement,Â debt induced,taking care of families and husbands paralyzed by sea accidents as fishermen.SitiÂ just want to be free and independent of it all, it is a statement to be conveyed Eddie Cahyonothrough this film.The stages in reviewing this creativity include Eddie Cahyono's work steps inÂ writing film scenarios that include the process of finding ideas, themes, story settings, storyÂ conflicts to the whole siti movie scenario,while to examine the directing process including theÂ preproduction process (script breakdown, casting, reading, rehearsal), production processÂ (shooting in the field) and post-production process through the mise en scene in the Siti film.Keywords: Siti film,creativity,scriptwriter,and director

PARTISIPATORY DIRECTING IN THE FILM NOISE IN SILENCE Syam, Reskyana; Adji, Titus Soepono; Fauzi, Abas
Capture : Jurnal Seni Media Rekam Vol. 11 No. 2 (2020)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v11i2.2679

Deaf people are social groups that are protected by the Law of the Republic of Indonesia Number 8 of 2016 concerning Persons with Disabilities, but they still feel injustice or unfair in the world of education and in society environment. The above problems are the basis for the creation of the documentary film Noise In Silence. The type of research used is artistic research which produces a documentary film work. Documentary film production is carried out using a participatory directing style, while the analysis uses a visual approach. The resulting documentary film shows the participatory style can support the discovery of answers to the director's doubts, and can reveal the subject's experience in depth so that it can be captured by the audience. In addition, the dramatization of the presentation was successfully realized, so that this film has a high influence on the emotional level of the audience.

PROSES KREATIF PRAPRODUKSI SUTRADARA DI KOMUNITAS MONTASE FILM DALAM PRODUKSI FILM-FILM BERTEMA BUDAYA JAWA ajie, purwoko; Adji, Titus Soepono
Sanggitarupa Vol. 1 No. 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v1i1.3935

ABSTRAKLatar belakang masalah yang mendasari penelitian ini adalah keingintahuan bagaimana budaya Jawa menjadi salah satu proses kreatif praproduksi sutradara kedalam film-film di komunitas Montase Film. Konsep budaya Jawa yang akan dikembangkan tidak lepas dari kebiasaan dan adat istiadat yang ada pada masyarakat Jawa.Analisis yang digunakan mengacu pada proses kreatif menurut Ed Gaskell pada bukunya berjudul Make Your Own Hollywood Moviedan dijelaskan melaluiide cerita, menulis skenario, genre dan tema, storyboard, setting lokasi, setting dalam scene, pemeran, mencari kru produksi filmdan riset produksi dalam film.Selanjutnya, penelitian ini dijabarkan menggunakan metode kualitatif. Teknik purposive sampling yang digunakan mengacu pada potongan scene-scene budaya Jawa dan proses kreatif praproduksi sutradara. Hasil yang diperoleh dari penelitian bahwa komunitas Montase Film mampu mengembangkan proses kreatif budaya Jawa kedalam film-film produksinya antara tahun 2013 hingga 2018. Proses kreatif budaya Jawa yang muncul dalam film produksi Montase Film seperti Rembugan, Nyumbang, bahasa Jawa baik Ngoko maupun Krama, kain batik, musik gamelan, tembang Jawa, sistem bertani tradisional dan rumah beratap kampung yang sesuai dengan visual kebiasaan masyarakat di Jawa. Kata kunci:proses kreatif, budaya jawa, komunitas, montase.

Proses Kreatif Penulisan Skenario Sobat Ambyar Mengadaptasi Budaya Lokal Musik Campursari Adji, Titus Soepono; Suciati, Dica Mustika
Journal of Art, Film, Television, Animation, Games and Technology Vol. 3 No. 1 (2024)
Publisher : Perkumpulan Program Studi Film dan Televisi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar

Sobat Ambyar is a film that adapts 2 things, namely Campursari songs created by Didi Kempot and the lives of Didi Kempot fans which are currently trending in 2021. This research aims to find out the creative process of scriptwriter Bagus Bramanti capturing these two phenomena which were then transferred to film medium. The research method used in this research is descriptive qualitative with data collection techniques through interviews and document study. The analysis process uses the stages of Graham Wallas' creative thinking with research results in the form of: preparation stage including basic provisions for writing scripts and story ideas, incubation stage in the form of research, illumination stage in the form of determining the plot and conducting Focus Group Discussions, then verification stage in the form of determining the genre, premise, ending & beginning, characters, setting and story scenario. In the screenwriting process, Bagus was assisted by two concepts in building drama, namely the Hero's Journey concept from Joseph Campbell and the Five Stages of Grief from Elisabeth Kubler Ross.

PENULISAN SKENARIO BERGENRE FIKSI ILMIAH MENGANGKAT KEUNIKAN KARTOGRAFI KOTA DENGAN PENDEKATAN RISET SEJARAH â€˜ATMODIRONOâ€™ Adji, Titus Soepono
Acintya Vol. 8 No. 2 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v8i2.1945

Atmodirono is experimentation screenwriting science fiction genre with the approach of historiography and science of cartography or mapping the city of Semarang. Historiography raised is related toÂ the history of the city of Semarang from its inception to the present. In terms of cartography, this filmfocuses on the potential uniqueness map of Semarang who have axes secret that connects severalÂ points in the city of Semarang and other points in the world. Experimentation methods of mappingÂ using the online application Google Earth Remote Sensing.Meanwhile, as the binder story, based onthe life story Atmodirono, an architect first Natives in the Dutch East Indies, where life is still rarelyÂ discussed and mysterious. Scriptwriting method used is the method of Richard Krevolin, who canÂ work to work on the screenplay adaptation of the various processes that allow, in this case the historyof the city. Atmodirono figures and the map of Semarang. This story can end up being a critique ofÂ urban development is not organized at this time.Keywords: Science Fiction, Cartography, Atmodirono figures.

MODEL PENYELENGGARAAN STUDIO PEMBELAJARAN PROGRAM TELEVISI YANG IDEAL UNTUK INSTITUSI PENDIDIKAN PERTELEVISIAN Adji, Titus Soepono; Agung, I Putu Suhada
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v9i1.2127

The learning studio for television programs was the space used by educational institutions in television program as studio simulations that demonstrate television stations, in organizing the productionof television programs for students. This room was the main infrastructure that should be owned byeducational institutions that run television programs, considering most television programs were produced in the studio. Currently, many educational institutions opened television and broadcastingprograms, but in reality not all television program administrators had studio that met the standards.This caused the learning process did not take place optimally. The number of work produced bystudents each semester were not maximum, the production ability was also not optimum, and thiscaused the expected output from graduates in mastering in-door studio production became not maximum too. The purpose of this research was to arrange the model of organizing studio production fortelevision program in educational institution so that it could increase the target of learning to beachieved. This research was a qualitative research, with data collection methods in the form of observation and interview with purposive sampling model in some educational institutions. The analysisused was qualitative verification analysis. The conclusion was to design an adaptive television studiothat could be held in an existing room while maintaining the standards of television program production.Keywords: Learning studio model,production studio of television program.

Title

Found 14 Documents
Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title Search

Found 14 Documents Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title

Found 14 Documents
Search