cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
pramesti
Contact Email
fadesti@gmail.com
Phone
-
Journal Mail Official
fadesti@gmail.com
Editorial Address
-
Location
Kota surakarta,
Jawa tengah
INDONESIA
Gelar : Jurnal Seni Budaya
Published by Institut Seni Indonesia Surakarta
ISSN : 14109700     EISSN : 26559153     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Gelar focuses on theoretical and empirical research in the Arts and Culture.
Arjuna Subject : -
Articles 12 Documents
 1   2 
Search results for , issue "Vol 11, No 2 (2013)" : 12 Documents clear
ESTETIKA KENDHANGAN DALAM KARAWITAN JAWA Slamet Riyadi
Gelar : Jurnal Seni Budaya Vol 11, No 2 (2013)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (243.503 KB) | DOI: 10.33153/glr.v11i2.1477

Abstract

Kendhangan in Javanese karawitan show has an important role. The role were vary in everyshows. Kendhangan in karawitan, klenengan type, was different from kendhangan for supportingother kind of arts such as dance’s karawitan, wayang kulit’s, wayang orang, and ketoprak.Kendhangan that been played combined with other gamelan instruments without ciblon usuallywas used as the rhythm indicator. When it was included in other arts, kendhangan had doubleroles, which were as as the leader on gamelan orchestra, it had to guard the laya, and on the meantime it had to follow, to induce, to stimulate movement expressions, and to accentuate the dancemovements. The sound of kendhangan made by pengendhang has a big role in developing dramaticimpression and liven up the show. In klenengan, the function of pengendhang is not only as therhythm arranger, he also has the main role in revive and dramatize ensemble that been presented.When the pengendhang managed in maximizing his role, the show would not be boring. In assessingthe aspects, this writing is using aesthetic object approach referencing to the theory of beauty ofMonroe Beardsley, which are the measure of unity, intensity, and complexity. The following aresome aspects of the aesthetic elements forming kendhangan’s assessed value, that are: laya ,kebukan, and wiledan
TELEVISI MEDIA APRESIASI SENI MASYARAKAT Mardjono Mardjono
Gelar : Jurnal Seni Budaya Vol 11, No 2 (2013)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (247.315 KB) | DOI: 10.33153/glr.v11i2.1465

Abstract

People’s appreciation in performing arts especially the traditional arts is still very low. Generally,people were more accustomed to popular arts which easily can be enjoyed daily on television,radio, and other mass medias. The youngsters are not appreciative of traditional performing artsthat are considering as ancient, not interesting, boring, etc. the technologies of mass medias suchas television have superiority as the media in communicating every art events to the societyhence the society can easily appreciate thus the sense of belonging will grow. In this context,television has strategic role as communication media in developing the society’s appreciation inarts. The symptom shows mass media’s, television’s particularly, role progress as an importantinstitution in society.

Page 2 of 2 | Total Record : 12

 1   2 

Filter by Year

2013 2013


Reset
Filter By Issues
All Issue Vol. 23 No. 2 (2025) Vol. 23 No. 1 (2025) Vol. 22 No. 2 (2024) Vol. 22 No. 1 (2024) Vol. 21 No. 2 (2023) Vol 21, No 1 (2023) Vol. 21 No. 1 (2023) Vol. 20 No. 2 (2022) Vol 20, No 2 (2022) Vol 20, No 1 (2022) Vol. 20 No. 1 (2022) Vol 19, No 2 (2021) Vol. 19 No. 2 (2021) Vol. 19 No. 1 (2021) Vol 19, No 1 (2021) Vol 18, No 2 (2020) Vol 18, No 1 (2020) Vol 17, No 2 (2019) Vol 17, No 1 (2019) Vol 16, No 2 (2018) Vol 16, No 1 (2018) Vol 15, No 2 (2017) Vol 15, No 1 (2017) Vol 14, No 2 (2016) Vol 14, No 1 (2016) Vol 13, No 2 (2015) Vol 13, No 1 (2015) Vol 12, No 2 (2014) Vol 12, No 1 (2014) Vol 11, No 2 (2013) Vol 11, No 1 (2013) Vol 10, No 2 (2012) Vol 10, No 1 (2012) Vol 9, No 2 (2011) Vol 9, No 1 (2011) Vol 8, No 2 (2010) Vol 8, No 1 (2010) Vol 7, No 2 (2009) Vol 7, No 1 (2009) Vol 5, No 1 (2007) Vol 4, No 2 (2006) More Issue