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INDONESIA
Gelar : Jurnal Seni Budaya
Published by Institut Seni Indonesia Surakarta
ISSN : 14109700     EISSN : 26559153     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Gelar focuses on theoretical and empirical research in the Arts and Culture.
Arjuna Subject : -
Articles 12 Documents
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Search results for , issue "Vol. 23 No. 2 (2025)" : 12 Documents clear
Linguistic hybridity between Javanese and Bahasa Indonesia in contemporary Javanese songs Maryani, Zulisih; Legino, Rafeah; Waijittragum, Pibool
Gelar: Jurnal Seni Budaya Vol. 23 No. 2 (2025)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v23i2.7785

Abstract

This study investigates the phenomenon of linguistic hybridity between Javanese and Bahasa Indonesia in contemporary Javanese songs. It aims to identify the linguistic forms, aesthetic and cultural functions, and the evolving patterns of language use that distinguish traditional from modern song compositions. Using a qualitative descriptive method grounded in a literature-based approach, the research analyses selected Javanese song lyrics that demonstrate hybrid linguistic structures. The findings reveal three major forms of hybridity at the levels of words, phrases, and clauses or sentences. These hybrid forms serve multiple functions: (1) aesthetic, through rhymic and phonetic harmony; (2) expressive, through creative expressions unattainable within a single language; and (3) cultural identity, by reinforcing Javanese characteristics amid the influence of Bahasa Indonesia. Comparison between traditional macapat compositions and contemporary songs highlights a shift from strict monolingual use to flexible bilingual creativity, reflecting an ongoing negotiation of cultural identity in an era of modernisation and globalisation. This study enriches the understanding of how linguistic hybridity contributes to the preservation and evolution of Javanese artistic expression.
Gondang Burogong in the Pasir Pengaraian community: a study of denotative and connotative meanings Arman, Idawati; Anwar, Armansyah
Gelar: Jurnal Seni Budaya Vol. 23 No. 2 (2025)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v23i2.7842

Abstract

This study examines Gondang Burogong in the Pasir Pengaraian community by analyzing the denotative and connotative meanings embedded in its musical practices and socio-cultural context. The background of this research stems from concerns about shifts in the meaning of traditional music due to social change and technological development, which have the potential to reduce the local values contained within it. The purpose of this study is to reveal the denotative meaning of Gondang Burogong as a musical structure and practice, as well as its connotative meanings formed through situational contexts and analogies in the lives of the supporting community. The research employs a qualitative approach, with data collected through observation, in-depth interviews with artists and traditional leaders, and analysis of musical texts and practices. The findings indicate that, denotatively, Gondang Burogongfunctions as an accompaniment for ritual activities and traditional entertainment with distinctive musical patterns. Connotatively, this music represents values of togetherness, balance, and social order, which are interpreted situationally and analogically by the Pasir Pengaraian community. This study contributes to the enrichment of ethnomusicological and musical semiotic studies by offering a more comprehensive understanding of the relationship between musical texts and cultural meaning, and it has implications for efforts to preserve and revitalize traditional music based on local interpretations.

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