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Greget
Published by Institut Seni Indonesia Surakarta
ISSN : 1412551X     EISSN : 2716067X     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Greget focuses on theoretical and empirical research in the Dance Arts. The journal welcomes the submission of manuscripts with the theoretical or empirical aspects from the following broadly categories.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 13 Documents
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Search results for , issue "Vol. 23 No. 1 (2024)" : 13 Documents clear
KREATIVITAS SRI MUMPUNI DALAM TARI MULIE BEKIPAS DI SANGGAR KUSUMA LALITA METRO LAMPUNG Fitri Ciptaningsih; Syahrial
Greget: Jurnal Kreativitas dan Studi Tari Vol. 23 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v23i1.5748

Abstract

This research aims to describe and show Sri Mumpuni's creativity in the Mulie Bekipas Dance at Sanggar Kusuma Lalita Metro Lampung. The problems in this research include: (1) what is the form of the Mulie Bekipas Dance at the Kusuma Lailta Studio? and (2) how is Sri Mumpuni's creativity in the Mulie Bekipas Dance at the Kusuma Lalita Studio? Thus, to answer this problem, Y. Sumandiyo Hadi's theory is used to discuss the dance form which contains elements of group choreography and to discuss Sri Mumpuni's creativity in this dance work the author uses Rodhes' theory quoted by Utami Munandar, namely person, process (process), press (pusher) and product (product). This research uses a qualitative research method with a choreographic approach. The research stage carried out was data collection by means of observation, interviews and literature study. Then all the data is collected and finally analyzed. The results of the research show that the Mulie Bekipas Dance form is a group dance, which consists of 11 elements which include dance movements, dance space, dance accompaniment/dance music, dance theme, type/kind/nature of dance, mode or method of presentation, number of dancers/type gender and body posture, make-up, lighting/stage lighting, dance props/other equipment. And this creativity is shown in the choreographer, the factors that influenced it, the creation process up to the formation of the Mulie Bekipas Dance.
BENTUK TARI KEMBANG KEMANGI KARYA JAJULAIDIK DAN YUDA GADIS OCTIANI SANGGAR TARI SAYUWIWIT Anggraini, Maya Lestari; Slamet
Greget: Jurnal Kreativitas dan Studi Tari Vol. 23 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v23i1.5891

Abstract

This research describes the form and choreography of the Kembang Kemangi dance by Jajulaidik and Yuda Gadis Octiani from the Sayuwiwit Dance Studio. Kembang Kemangi dance is the new choreography inspired by the local tradition of Banyuwangi. The research questions include: (1) What is the form of the Kembang Kemangi dance by Jajulaidik and Yuda Gadis Octiani from the Sayuwiwit Dance Studio, (2) How is the choreography of the Kembang Kemangi dance by Jajulaidik and Yuda Gadis Octiani from the Sayuwiwit Dance Studio. In dissecting the formulation of the problem in this research, the theory of form and choreography by Slamet, in his book entitled "Melihat Tari," was used. This research uses a qualitative research method with a choreographic approach. The research steps are data collection through observation, interviews, literature review, and data analysis. The results of the research show that the form of the Kembang Kemangi dance consists of dance elements. These are movement, music, makeup and costume, dancers, flour pattern, and stage. Kembang Kemangi is a group choreography that contains 7 dancers.  The choreography of the dance movements is related to "solah-ebrah." Solah is an effort to manifest the form of human body movements that are developed to form an ebrah which includes a variety of movements that have the essence of the smallest unitary meaningful motion form.   
FUNGSI TARI LADING DI DESA TEMPIRAI KECAMATAN PENUKAL UTARA KABUPATEN PENUKAL ABAB LEMATANG ILIR PROVINSI SUMATERA SELATAN Rahmadini, Zakiyah; Syahrial
Greget: Jurnal Kreativitas dan Studi Tari Vol. 23 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v23i1.5942

Abstract

The research entitled "The Function of the Lading Dance in Tempirai Village, North Penukal District, Penukal Abab Lematang Ilir Regency, South Sumatra Province", aims to describe the Form and Function of the Lading Dance. The problems in this research include: (1) what is the form of the Lading Dance? and (2) how does the Lading Dance function? Answering problems regarding dance form using Y. Sumandiyo Hadi's theory and discussing function using M. Jazuli's theory. This research uses descriptive qualitative research methods. Data obtained through observations, interviews and literature study.  The results of the research show that the form of Lading Dance is a group dance, which consists of 11 elements which include dance movements, dance space, dance accompaniment/dance music, dance theme, type/type/nature of dance, mode or method of presentation, number of dancers, gender, and body posture, make-up, lighting/stage lighting, dance props/other equipment. The functions of the Lading dance include: Lading dance for ceremonial purposes, namely the traditional wedding ceremony of Tempirai Village and the ceremony for welcoming important guests. The function of the Lading dance is for entertainment/spectacle which is intended to enliven and celebrate a meeting or reception. The function of the Lading dance for performance aims to provide an aesthetic experience to the audience. The function of Lading dance for educational media means that dance becomes a tool for education or learning the values needed to achieve goals.  

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