cover
Contact Name
Muhammad Nur Salim
Contact Email
denmassalim88@gmail.com
Phone
+6281392727084
Journal Mail Official
keteg@isi-ska.ac.id
Editorial Address
Jl. Ki Hajar Dewantara No.19, Jebres, Kec. Jebres, Kota Surakarta, Jawa Tengah 57126, Indonesia
Location
Kota surakarta,
Jawa tengah
INDONESIA
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
ISSN : 14122065     EISSN : 27146367     DOI : https://doi.org/10.33153/ktg
Core Subject : Art,
The journal is invited to the original article and has never been published in conjunction with another journal or conference. The publication of scientific articles is the result of research from both the external and internal academic communities of the Surakarta Indonesian Art Institute in the Karawitanologi discipline. The scope of distribution, Karawitan Education and Learning; Historical Study and Development of Karawitan; Study on Karawitan; Karawitan Organology Study; Karawitan Aesthetic Study; Karawitan Composition Study.
Articles 202 Documents
GADHON SALIN SWARA: INTERPRETASI GAMELAN GADHON Hanan, Laurentius; Pambayun, Wahyu Thoyyib
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 23 No. 2 (2023): Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v23i2.5991

Abstract

This article recounts the author's experience in the process of composing "Gadhon Salin Swara." The composition is inspired by the gadhon gamelan. Drawing from the gadhon gamelan, the author is motivated to interpret rhythmic patterns that encompass cengkok, sekaran, gerongan, balungan, and the relationships between instruments. The stages of composition include orientation, observation, exploration, composition, and evaluation. Through this process, the author generates new approaches to approaching instrument crafting, particularly within the context of the gadhon gamelan. The author's approach involves developing patterns, maximizing traditional techniques to create dynamics in the composition, and fostering connections between instruments. It is expected that this article will be useful in understanding the author's creative process in composing "Gadhon Salin Swara."
SISTEM WARISAN BUDAYA TAKBENDA – TANTANGAN PELESTARIAN BUDAYA DALAM PERSPEKTIF LINTAS BUDAYA Poplawska, Marzanna
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 25 No. 2 (2025): Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v25i2.7725

Abstract

This article examines over a decade of research and observations on the development of policies related to Intangible Cultural Heritage (ICH) and their impact on terminology, administrative structures, and types of protective measures. The primary data collection, including extensive fieldwork, took place between 2022 and 2024. I explore the influence of the UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage (2003) on performing arts and local communities in Indonesia and Poland. The two countries provide distinct examples of different societal contexts: one European and relatively homogeneous, the other postcolonial and highly diverse. The article presents findings from my research on selected performing arts inscribed on the UNESCO list: Indonesia’s angklung and pencak silat, and Poland’s polonaise. Through the analysis of these examples, framed within a broader cultural context, I demonstrate how the ICH system affects, or fails to affect, the status of traditional performing arts, the interpretations of cultural heritage, and the evolving roles of culture.