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INDONESIA
Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya
Published by Institut Seni Indonesia Surakarta
ISSN : 16937724     EISSN : 2685614X     DOI : 10.33153
Core Subject : Humanities, Art,
Arts Humanities
Art craft journal contains scientific articles on the results of research on the art of craft and the creation of craft art within the scope of Indonesian culture. The substance presented is in the form of a mission to preserve the cultural values of the archipelago as well as the development of concepts and aesthetics, along with the development of the complexity and dynamics of people's lives. The critical approach method in an interdisciplinary scientific perspective can open the widest possible opportunity for scholars, researchers, and stakeholders to work together in advancing a dignified national culture in the midst of global competition. ORNAMENTS art craft journals are published twice a year.
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Articles 7 Documents
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Search results for , issue "Vol 19, No 2 (2022)" : 7 Documents clear
Eksplorasi Tenun Tapestri Dengan Tema Kerusakan Alam Akibat Sampah Sebagai Karya Seni Instalasi Hariyatik Hariyatik
Ornamen Vol 19, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i2.3876

Abstract

The creation of textile art from the use of leftover fabric (patchwork) using tapestry weaving techniques as a campaign medium to invite changes in awareness and behavior in protecting the surrounding environment due to waste, on the other hand, the installation art genre can still be explored, so textile craft works may still have a need for development even though its use is not practical, considering the value of meaning and moral messages contained in the work to invite the audience to think about environmental damage due to waste. This creation uses the method of creating craft art according to Gustami, which is divided into 3 stages in the process of creating craft works, namely, first, the exploration stage includes collecting information data (field observations/observations) and extracting theoretical foundations (sources, references and visual references). Second, namely the design stage which includes pouring out ideas from the results of the first stage in a two-dimensional visual form by considering various aspects concerning the value of craft and visualization of selected alternative sketches into a detailed form of a prototype model. Third, the end of the embodiment stage, namely making it happen at the actual size along with the final completion of the work along with the packaging system and evaluation of the results of the completed embodiment.The creation of this textile craft resulted in 6 designs of tapestry weaving works, namely as follows: (1) Raising the concept of a non-realistic landscape form with the theme of natural damage due to waste as a source of ideas for visually processing tapestry woven structures combined using patchwork. (2) 3 of the 6 alternative design developments will be realized by using a patchwork material of polyester type, as well as using an earth tone reference.
Perancangan Busana Pesta Anak Perempuan Usia 8 – 10 Tahun Menggunakan Teknik Canadian Smock Abdullah Rosidin; Sarah Rum Handayani
Ornamen Vol 19, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i2.3900

Abstract

The design background of this work is to create design innovations by applying the canadian smock technique which is applied to girls' party clothes. This design is also intended to make the millennial generation re-recognize smock as a part of the craft art which is now rarely encountered, especially in Indonesia. In addition, this design will produce a product that is different from other party clothing products, by prioritizing aesthetic elements in children's party clothing.
Studi Kasus Serat Eceng Gondok Pada Produk Kerajinan Di Industri Kreatif Bengok Craft Aisyah Aisyah; Felix Ari Dartono
Ornamen Vol 19, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i2.4593

Abstract

Rawa Pening has many benefits as farming abd fishery resources. But now, the whole surface is covered by weeds like the water hyacinth. The water hyacinth utilized have been applied in the Rawa Pening area by using it to be a crafstmen product. To become a craft product of work, the water hyacinth must go through many processes. This study focused on analysis of the waterc hyacinth fiber in the creative industry Bengok Craft. Industrial materials produced by Bengok Craft have their own signature. This research ids descriptive qualitative research using method or way of thinking M.A.C.A.K from Guspara. The result of this study can be concluded several things: 1) the water hayicnth fiber can be served as materials hand made of many processes. The material of a product is closely related to the creation of works/products. The water hyacinth fiber is processed with various techniques/processed affect the characteristics/uniqueness of the Bengok Craft products. 2) the implementation of the water hyacinth fiber in the creative industry Bengok Craft in some products in the form of home decor, fashion, and merchandise products. 
PERANCANGAN TEKSTIL PAKAIAN DENGAN PEWARNA DARI SAMPAH MANGROVE DAN PENERAPAN MOTIFNYA DENGAN PADUAN TEKNIK IKAT CELUP DAN ECO PRINTING Dewi Diana Safitri; Tiwi Bina Affanti
Ornamen Vol 19, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i2.4590

Abstract

The background of this design, there is an exploration of manual textile techniques among textile designers, this is in line with the demands of the times, namely, the development of existing trends in order to meet the needs of consumers and the market. The combination of tie-dying and eco-printing techniques attracts attention to be explored again using natural dyes with the addition of embroidery techniques on Bemberg cloth media, which will produce textiles with novelty in their aesthetic motifs. The purpose of this design is to produce clothing textiles with novelty in their unique motif aesthetics among textile designers to meet the needs of consumers and the market. The novelty value offered in this design is the design of clothing textiles according to fashion patterns with a combination of dyeing and eco printing techniques with embroidery techniques. Natural coloring using extraction from mangrove waste. Composing motifs using natural dyes from mangrove waste with two fixations of quicklime and tunjung to obtain varied visual aesthetics in one natural coloring. The media used in this blend of tie-dying and eco-printing techniques is bemberg cloth. Bemberg cloth material was chosen because it has very good absorption. The design method uses the SP Gustami theory. This design produces 6 unique designs with visual ideas of line, plane and color, which can be achieved by a combination of tritik, jumputan tie-dyed and eco printing techniques, three of which are applied to sheets of cloth measuring 200cm long and 120cm wide. It is hoped that the "Design of Clothing Textiles with Dye from Mangrove Waste and the Application of its Motifs with a Combination of Ikat Dip and Eco Printing Techniques" can add variety to fashion products that have unique, distinctive and limited edition characters.
PENERAPAN MOTIF TRENGGILING PADA KERIS DHAPUR BETOK PAMOR UDAN MAS Ari Harmawan; Kuntadi Wasi Darmojo
Ornamen Vol 19, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i2.3259

Abstract

Traditional weapons, especially kris, have developed from their shape and character along with the times. In this final project, the writer makes a new keris, combining the pangolin motif on the kris with the chopping technique in the work. The Pangolin motif gives inspiration to the author, because it has a shape on the scales that is attractive and represents a symbol of self-protection. Pangolins are the only mammals that have scales to protect themselves from predators or predators in the wild. The pangolin motif is adapted to the design and will be applied to tosan aji's work in the form of a kris. The creation methods applied in the creation process are the exploration stage, the design stage, and the embodiment stage. Exploration includes observations, literature study and interviews. The design includes analysis and alternative sketches. The embodiment includes the application of the material that is in accordance with the selected sketch, which produces three kris, namely: Dhapur Trenggiling Sisik Waja, Dhapur Trenggiling Lingkaring Urip, Dhapur Manis Javanica. The creation of this final project rests on the application of the Pangolin motif to the kris using the tinatah technique. The Pangolin motif inspires the writer, because it has an interesting, unique character, and represents a symbol of self-protection. It is hoped that they will produce new kris creations without leaving the tradition that can build the meanings and help preserve works of art.
KONSEP ESTETIKA ALUSAN DAN KASARAN PADA PERHIASAN CINCIN DI KABUPATEN JEPARA Mohammad Ubaidul Izza
Ornamen Vol 19, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i2.4532

Abstract

This paper attempt to construct an aesthetic concept that is stored behind the Alusan predicate as justification the beauty of ring jewelry in Jepara. The revealing uses ethnoart paradigm to trace at once gather Craftsmen’s knowledge about the aesthetic parameters of ring jewelry. The operational uses ethnographic method that focused on participant observation and interview techniques. The research result shows that the concept of aesthetic of alusan was built by three interrelated aesthetic criteria. The parameter evaluation of aesthetics alusan is seen by fulfilled criteria Apik as evaluation of quality crafting, criteria Pantês as matching evaluation between ring shape with gemstones also user, and criteria pénak as comfortable evaluation by indicator user.
Perancangan Pelengkap Interior Dengan Inspirasi Interior Maroko (Studi Kasus Ruang VIP Marakez Cafe & Resto) Yashifa Anindita Imani; Ratna Endah Santoso
Ornamen Vol 19, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i2.3827

Abstract

Marakez Café & Resto is a restaurant that serves Middle Eastern specialties in Surakarta. Carrying the Café & Resto, Marakez has several spots and rooms, one of which is a VIP room provided for guests with facilities that can be considered exclusive compared to other rooms. The shape of this VIP room is actually very supportive, with a short sofa that allows customers to enjoy their food in a lesehan style, just like Middle Eastern culture, but unfortunately the interior elements in this room do not reflect the Moroccan feel as the name suggests. Based on the description that has been explained, it is necessary to design interior textile elements to build a Moroccan atmosphere because it has been supported by the shape of the room. This design uses the design method presented by Colin Clipson. The results of this design produce complementary interior styles that are based on ideas from the Moroccan interior, namely arch, zellij and mashrabiya. This design also combines two techniques in surface design, namely digital printing and embroidery, the product is an interior complement in the form of sofa upholstery, curtains and pillowcases.

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