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Pendhapa
Published by Institut Seni Indonesia Surakarta
ISSN : 20868138     EISSN : 27457249     DOI : https://doi.org/10.33153
Core Subject : Humanities, Art, Social, Engineering,
Arts Humanities Civil Engineering, Building, Construction & Architecture Environmental Science Social Sciences
Jurnal Desain Interior, Seni dan Budaya adalah jurnal yang mempublikasikan wacana dan hasil penelitian berterkiat dengan desain, desain interior dan diskursus desain interior terhadap kajian seni dan budaya. Pendhapa dalam susunan rumah tradisional Jawa merupakan ruang terbuka untuk menerima tamu, tempat pertemuan, tempat pertunjukan. Pendhapa memiliki fungsi yang cukup kompleks yakni fungsi sakral maupun profan, ritual sekaligus seremonial, publik sekaligus privat, meleburnya bagian luar dan bagian dalam interior-arsitektur bangunan, bertemunya tamu dan tuan rumah. Pendhapa sebagai paseban, merupakan medium bagi bertemu, bertukarnya ide, pemikiran, gagasan, informasi, strategi maupun formulasi menyangkut banyak hal untuk kemaslahatan. Selaras dengan fungsi pendhapa yang strategis hadir Pendhapa: Jurnal Desain Interior, Seni dan Budaya terbit berkala setahun dua kali pada bulan Juni dan Desember sebagai media penyaluran dan publikasi ide, gagasan, inovasi, hasil penelitian para ilmuwan desainer dan desainer ilmuwan.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 9 Documents
 1 
Search results for , issue "Vol 1, No 1 (2010)" : 9 Documents clear
FENOMENA BUDAYA DESAIN MINIMALIS MASYARAKAT KOTA Siti Badriyah
Pendhapa Vol 1, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (67.949 KB) | DOI: 10.33153/pendhapa.v1i1.1685

Abstract

Solo (Surakarta) is a cultural city showing a significant progress. Although its transmission process is completely influenced by a cultural border, which is considered by the people as a great matter, the acculturation process that influences a visual culture cannot be ignored. The significant progress can be observed from its physical structure of site plan and other factors. While the city visualization that shows a crowd of business and trade community as well as education reflects its rapid progress.  A variety number of cultural products inevitably support the city visualization, which attract its people’s consumptive behavior. The writer is interested in choosing the phenomenon of the presence of minimalist-style housing complex that is like an epidemic in this city, especially in Adisucipto region and other strategic regions.Observation and interview were used as the methods of this study. The techniques used in this study were content analysis and data analysis using a procedure of:  an analysis done when the process of data collecting was done (Miles and Hubermen, 1984: 21-25) with some steps: (1) data reduction, (2) data reporting, and (3) verification. Those methods were applied by the writer to discuss the phenomenon of minimalist-style housing complex in Surakarta, which focuses on the things that give a background of the presence of it. It consists an interaction between traditional and modern ambivalence as well as between the maintained aspects and conditioned aspects. The two aspects will be mediated with a given concept that is agreed by the visual culture consumers, so that an unwritten agreement that brings the identity of Solo city itself can be obtained in the future in line with the demand of the era. Keywords : phenomenon, minimalist, epidemic.
MELIHAT PEMANDANGAN KOTA DALAM FOTOGRAFI URBAN LANDSCAPE Anin Astiti
Pendhapa Vol 1, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1672.174 KB) | DOI: 10.33153/pendhapa.v1i1.1677

Abstract

Urban landscape is a term refers to something related to urban exploration. Urban itself means an area that has a function as a living area, the distribution centre that has its own governance, and an economic activity that is based not only on agriculture. It might be said that urban landscape photography showed an image from that area with the situation at the urban or suburban living area. By seeing the urban landscape photography we can see the record of happenings and atmosphere in the area which consists of streets, buildings, parks, and the infrastructures that support the people inside.Keywords: Seeing, Photography, Urban, Landscape. 
ESTETIKA ARSITEKTUR DALAM PERSPEKTIF TEKNOLOGI DAN SENI Tri Prasetyo Utomo
Pendhapa Vol 1, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (360.425 KB) | DOI: 10.33153/pendhapa.v1i1.1687

Abstract

Philosophical Aesthetics here is considered to center on these latter-day developments. Some aesthetic effects available in architecture, technology, and visual arts include tonal variation, juxtaposition, repetition, field effects, symmetry/asymmetry, perceived mass, subliminal structure, linear dynamics, tension and repose, pattern, contrast, perspective, 3 dimensionality, movements, rhythm, unity, and proportion. An aesthetic experience is just the experience of aesthetic properties and formal relations of a work. But this leads to problems concerning the attribution of aesthetic properties and whether we detect them or they are merely projected. Carroll suggests that the mere fact that we disagree about the attribution of aesthetic properties gives us at least some minimal reasons to presume that aesthetic properties are objective. Our response to art is unique and not precisely intellectual; beauty and perfection that we find in works of art do not consist of concepts but sense impressions. Key words : aesthetics, architecture, technology, art.
BENTUK, STRUKTUR DAN MAKNA RAGAM HIAS SINGEP TUMPANGSARI RUANG PENDAPA HOTEL SAHID KUSUMA Eko Sri Haryanto
Pendhapa Vol 1, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (263.185 KB) | DOI: 10.33153/pendhapa.v1i1.1679

Abstract

Dalem Kusumayudhan is a part of the Sahid Kusuma Hotel in Surakarta, and was formerly the residence of Kanjeng Gusti Pangeran Harya Kusumayudha, son of Paku Buwana X. It has changed ownership several times and been renovated on a number of occasions, and the last renovation was in the middle of 2008, as part of the owner’s strategy to attract more tourists to visit and stay in the Sahid Kusuma Hotel.The aim of this research is to discover the style and structure of the ornament variations of the singep tumpangsari in the Sahid Kusuma Hotel, and also the philosophical meaning contained in these ornaments in relation to the culture of the surrounding community. It is hoped that the results of this research will be beneficial for current efforts to preserve and encourage the use of traditional Javanese ornament variations on buildings today. The process for collecting and analyzing data and information uses a qualitative research method. The description of the style, structure, and the meaning of the ornament variations uses Gadamer’s hermeneutic phenomenological approach.In general, the structure of the ornament variations on the object of the research complies with the structural norms of the fine arts discipline, namely: unity, pressure, and balance. It is hoped that the discovery of the meaning of these ornament variations will enable others to benefit from the philosophical values contained in the ornament variations in the Sahid Kusuma Hotel, namely: leadership, superiority, determination, strength, and the essence of discovering the meaning of a perfect life. Key words: style, structure, meaning, ornament 
INTERIOR DALEM SASONO MULYO DAN PURWODININGRATAN SURAKARTA DIKAJI DALAM KONTEKS KONSERVASI Agung Purnomo
Pendhapa Vol 1, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (917.225 KB) | DOI: 10.33153/pendhapa.v1i1.1671

Abstract

The government and society should pay special attention to the existing historical and old buildings and keep them eternal. The rapid and dynamic development in every field can sometimes put forward a policy that does not support their existence. Some old buildings like Sasono Mulyo and Purwodiningratan buildings are Javanese traditional buildings existing in the milieu of Kasunanan palace of Surakarta. The interiors of the two buildings have different conditions. Some objectives of conservation among others are to return to the origin, to make use of the conserved object to support the present life, to lead the present development harmonized with the plan in the past reflected in the conversed object, and to present the history of growth/surroundings in three dimension physical appearance. Through descriptive qualitative approach, it is known that generally the condition of the interior of Sasono Mulyo is maintained more than that of Purwodiningratan. In view of the condition, it is hoped that the government and those involved pay attention to and provide funds for culturally protected buildings such as Sasonomulyo, Purwodiningratan buildings and many others. Key words: old and historical buildings, conservation, Sasono Mulyo, Purwodiningratan.
MAKNA PENATAAN INTERIOR RUMAH TRADISIONAL JAWA Joko Budiwiyanto
Pendhapa Vol 1, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (384.299 KB) | DOI: 10.33153/pendhapa.v1i1.1681

Abstract

This article is a part of the result of the research on the function and meaning of interior design of dalem pangeran. This research aims at finding out the meaning contained in the interior design of Javanese houses. The result of the research shows that in case of the interior design, dalem pangeran is always oriented towards symbolic classification based on two, four, and eight. The outlook on classification two often manifested in kiwo-tengen (left-right), atas-bawah (top-down), or loroning atunggal (two in one) is always integrated into something greater and absolute. This view is not a contrast but a relation of two different things which is harmonious. The symmetric concept in designing interior elements shows the existence of the symbolic and harmonious meanings. The concept is the manifestation of balance aiming at attaining the harmony of life, that is, to live harmoniously with each other, with nature, and with God. Key words : Javanese house, interior, meaning
ASPEK AKSIOLOGIS PENDIDIKAN DALAM NOVEL LASKAR PELANGI KARYA ANDREA HIRATA Ana Rosmiati
Pendhapa Vol 1, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (68.067 KB) | DOI: 10.33153/pendhapa.v1i1.1673

Abstract

Education is the most important thing in life. An Indonesian person of good quality will only be obtained with education. Andrea Hirata, the author of Laskar Pelangi, explored the problems of education which made reader be fascinated. Andrea told real facts and imagination into a beautifully flowing story. The composition containing the integration of plot, characterizing, theme, and setting is thought to be very good. The language flows beautifully. Andrea told the condition of SD Muhammadiyah with its very alarming facilities. This condition is much different from that of SD Penambangan timah which has complete utilities and facilities. The difference of the two schools is obvious. Key words : Value, Education
BATIK ENCIM PEKALONGAN, KEHALUSAN BATIK GAYA CINA DI PESISIR JAWA Muh Arif Jati Purnomo
Pendhapa Vol 1, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (308.201 KB) | DOI: 10.33153/pendhapa.v1i1.1683

Abstract

Batik encim is the term used to be worn by married Chinese ladies. The term batik encim is very popular, especially for Javanese people in northern beach, such as Pekalongan. The existence of batik encim coincides with the trend of batik style that develops in Indonesia, especially in Java. The batik encim is usually the cloth or sarong. It has the function to be matched with the kebaya cloth. In this case, the batik encim style consists of decoration kind or pattern, making region, technique or making process and coloring. Batik encim appears as the expression of people of Chinese descent in coastal area by batik media. Kinds of decorations or patterns on batik encim are taken from the cultural background of Chinese descent, for example Hong bird, dragon, kilin, and butterfly with special coloring suitable with their desire. Visually the product quality of batik encim is very perfect, complicated and soft. The beauty of batik encim is without doubt. The making of batik encim takes a very long process and time: from pretreatment cloth, painting, coloring, and the last processing. Keywords : Batik encim, style, and motif
SEMIOTIKA DALAM PERIKLANAN Sri Hesti Heriwati
Pendhapa Vol 1, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (64.871 KB) | DOI: 10.33153/pendhapa.v1i1.1675

Abstract

To send the message of communication by entrusting it on an object, in this case advertisement or an event in which many people show interest, should use accurate words. Using words inaccurately,  the message can not be understood well. A language as a means of communication and communication itself is self-expression. Not only can each language be used to analyze structurally but also using semiotic approach, especially to advertisements. Besides an activity of communication, advertising is an activity of marketing. Basically an advertisement is the product of mass culture and of industrial society culture indicated by mass production and consumptions. It means that the mass are only viewed as consumers. Communication activity creates personal interactions using clear signs. Communication is also the division of behavioral elements or life style with a set of rules and the use of signs. From communication point of view, the manipulation of elements of a message depends on who the target is and through what media the advertisement should be expressed.The presence of advertising as  public service is meant to counter commercial advertisements because  they are often accused of increasing consumerism. Apart from that, advertising as a public service advertisement can be viewed using semiotic approach. Key words: language, advertisement, semiotics

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