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All Journal Humaniora Abdi Seni Acintya Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya Pendhapa PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT International Journal of Educational Research and Social Sciences (IJERSC) Sanggitarupa Indonesian Proceedings and Annual Conference of Islamic Education (IPACIE) Social Science Academic Sirajuddin : Jurnal Penelitian dan Kajian Pendidikan Islam Sirajuddin: Jurnal Penelitian dan Kajian Pendidikan Islam

Tri Prasetyo Utomo

Fakultas Seni Rupa Dan Desain, Institut Seni Indonesia Surakarta

Author-ID : 409198

Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Education Environmental Science Law, Crime, Criminology & Criminal Justice Social Sciences Other

Published : 29 Documents Claim Missing Document

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Articles

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Estetika Arsitektur Dalam Perspektif Teknologi Dan Seni Utomo, Tri Prasetyo
Pendhapa Vol 1, No 1 (2009)
Publisher : Pendhapa

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (35.059 KB)

Philosophical Aesthetics here is considered to center on these latter-day developments. Some aesthetic effects available in architecture, technology, and visual arts include tonal variation, juxtaposition, repetition, field effects, symmetry/asymmetry, perceived mass, subliminal structure, linear dynamics, tension and repose, pattern, contrast, perspective, 3 dimensionality, movements, rhythm, unity, and proportion. An aesthetic experience is just the experience of aesthetic properties and formal relations of a work. But this leads to problems concerning the attribution of aesthetic properties and whether we detect them or they are merely projected. Carroll suggests that the mere fact that we disagree about the attribution of aesthetic properties gives us at least some minimal reasons to presume that aesthetic properties are objective. Our response to art is unique and not precisely intellectual; beauty and perfection that we find in works of art do not consist of concepts but sense impressions. Key words : aesthetics, architecture, technology, art.

NILAI KEARIFAN LOKAL RUMAH TRADISIONAL JAWA Djono Djono; Tri Prasetyo Utomo; Slamet Subiyantoro
Humaniora Vol 24, No 3 (2012)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Java has the values that can be taken in relation to the value of the benefits of ethics and aesthetics. One farm of those values are joglo art that have the local knowledge of Javanese culture. Model approach in this research is leading to a descriptive qualitative ethnographic, in which the empirical reality a result, demanding researchers go directly to the location of the study, to be able to live up to their tradition, and the symptoms of everyday life that is full of social phenomena local culture. This research firms a single case study stuck. In the context of this case study, a traditional Javanese home visits as a sub unit of analysis, but its existence still viewed/reviewed as a place that is part of the social system of the larger society around Surakarta. Java house building structure is one that reflects the composition of space like typical building pendhapa, pringgitan, dalem, kitchen, or gadri gandhok. The relation between this structure is a structure which is strongly influenced by the manifestation process mythology and cosmology Java). This means that the traditional Javanese house is not just a place to shelter (practical function), but also understood as a manifestation of the ideals and outlook on life or a symbolic function. In this case the traditional Javanese houses are not only placed as an autonomous element, a separate stand alone, but being seen in context, particularly relevant to the context of allied Javanese cosmology that underlie the view that the Javanese philosophy of Iife.

TIPOLOGI DAN PELESTARIAN BANGUNAN BERSEJARAH; Sebuah Pemahaman melalui Proses Komunikasi Tri Prasetyo Utomo
Ornamen Vol 2, No 1 (2005)
Publisher : Institut Seni Indonesia Surakarta

The historic building forms are a facility for communication media in architecture. In architecture, the building forms have mean a sentence for a message and an expression. The building form are form elements, there are door, window, wall, roof, and floor, then to unite with form that a total architecture design. The building form element canâ€™t explain a message if itâ€™s a single building. Whatever, if it are unite, then the elements can become a communication media for to explain a message to observer.Keyword: architecture, building, elemen, communication

Perkembangan Arsitektur Kolonial Di Indonesia Tri Prasetyo Utomo
Ornamen Vol 4, No 2 (2007)
Publisher : Institut Seni Indonesia Surakarta

The presence of Dutch in Indonesia resulted in the acculturation between two different cultures. Colonial culture (European) and Indonesian culture, each of them is supported by different ethnic has also different social structure and encounters the long assimilation process. The convergence of two cultures leads indigenous culture (Indonesian) to encounter a significant cultural transformation, this occurs because there is colonial (European) cultureâ€™s influence entering Indonesia. The influence gradually becomes greater and the effect is widespread reaching various sectors and cultural elements. Among colonial effects evolving in Indonesia there is the effect in architecture development.Key word : architecture, Colonial

Transformasi Nilai Estetika Rumah "Joglo" Di Kawasan Kotagede Yogyakarta Tri Prasetyo Utomo
Ornamen Vol 3, No 2 (2006)
Publisher : Institut Seni Indonesia Surakarta

Rumah Tradisional Jawa, khususnya Rumah Joglo merupakan cermin nilai budaya Jawa yang masih amat jelas nampak dalam perwujudan bentuk, struktur, tata ruang dan ragam hiasnya. Bentuk fisik Rumah Joglo, selain memiliki rasa keindahan (estetika), ia juga terikat nilai-nilai budaya yang berlaku dalam masyarakat khususnya masyarakat Jawa. Pembagian ruang pada Rumah Tradisional Jawa, amat jelas dikerjakan sesuai dengan nilai-nilai budaya yang berlaku. Sementara itu bentuk dan pola ragam hias rumah juga tidak bebas dari pengaruh nilai budaya dan keyakinan yang mendominasi masyarakat. Kenyataan ini menunjukkan betapa penting artinya rumah tradisional sebagai salah satu cermin kebudayaan, sekurang-kurangnya mengandung nilai yang berlaku dalam masyarakat. Pada masa sekarang nilainilai yang berkembang dalam masyarakat semakin beragam dan terbuka (open society). Pada masyarakat demikian, beragamnya nilai-nilai yang berkembang disebabkan oleh kebutuhankebutuhan dari anggota masyarakatnya yang semakin beragam pula. Nilai-nilai budaya masyarakat yang beragam ini memberi peluang pada berubahnya nilai-nilai budaya Jawa. Demikian juga nilai-nilai estetika Rumah Tradisional Jawa, khususnya Rumah Joglo yang berkembang pada masyarakat beragam dan terbuka seperti ini, besar kemungkinan akan mengalami perubahan dan perkembangan. Oleh karena itu, berdasarkan pada perkembangan dan perubahan kebutuhan masyarakat pada masa sekarang, terjadi pula perubahan pada arsitektur bangunan Rumah Joglo. Perubahan-perubahan itu antara lain meliputi perubahan fungsi dan status, proporsi dan skala/dimensi, sifat dan ciri khas, sistem struktur dan bahan, penampilan serta setting.Key Word : Aesthetic, Rumah Joglo, transformation

Estetika : Antara Desain, Teknologi Dan Arsitektur Tri Prasetyo Utomo
Ornamen Vol 5, No 2 (2008)
Publisher : Institut Seni Indonesia Surakarta

Aesthetic experience just is experience of a workâ€™s aesthetic properties and formal relations. But this leads into problems concerning the attribution of aesthetic properties and whether we detect them or they are merely projected. Carroll suggests that the mere fact that we disagree about the attribution of aesthetic properties gives us at least some minimal reason to presume that aesthetic properties are objective. Our response to art is unique and not precisely intellectual, beauty and perfection that we find in works of art do not consist of concepts but sense impressions. Some aesthetic effects available in design, technology and architectural include tonal variation, juxtaposition, repetition, field effects, symmetry/asymmetry, perceived mass, subliminal structure, linear dynamics, tension and repose, pattern, contrast, perspective, 3 dimensionality, movement, rhythm, unity and proportion.key word : aesthetic, design, technology, architecture.

PERANCANGAN INTERIOR RESTORAN JUNG JAVA DI PESISIR PANTAI JEPARA Ahmad Abdur Rois; Tri Prasetyo Utomo
Pendhapa Vol 9, No 2 (2018)
Publisher : Institut Seni Indonesia Surakarta

ABSTRACTThe restaurantâ€™s interior design Jong Java will be designed with the theme â€œShip Jung Javaâ€ which takes the form of objects that were on board until the vessel Jung Java it self, and packed with style metaphor. The style can be identified by visual metaphor real and philosophically in the shape that gives an appropriate form of intact objects analogy. Making style is an embodiment of architectural styles to provide imagery on a building along with presented nuance ship Jung Java along with the history of the town of Jepara in an Interior Design Jung Java Restaurants in Coastal Jepara. Advantages in terms of facilities and style, â€œ Perancangan Interior Restoran Jung Java di Pesisir Pantai Jepara â€œ more interesting to be one of the culinary tourism in Jepara, as well as an effort to preserve one of the seafood dishes typical Jepara and Jepara maritime history.Keywords: Interior Design, Jung Java, Coastal Restaurant, Jepara

ESTETIKA ARSITEKTUR DALAM PERSPEKTIF TEKNOLOGI DAN SENI Tri Prasetyo Utomo
Pendhapa Vol 1, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Philosophical Aesthetics here is considered to center on these latter-day developments. Some aesthetic effects available in architecture, technology, and visual arts include tonal variation, juxtaposition, repetition, field effects, symmetry/asymmetry, perceived mass, subliminal structure, linear dynamics, tension and repose, pattern, contrast, perspective, 3 dimensionality, movements, rhythm, unity, and proportion. An aesthetic experience is just the experience of aesthetic properties and formal relations of a work. But this leads to problems concerning the attribution of aesthetic properties and whether we detect them or they are merely projected. Carroll suggests that the mere fact that we disagree about the attribution of aesthetic properties gives us at least some minimal reasons to presume that aesthetic properties are objective. Our response to art is unique and not precisely intellectual; beauty and perfection that we find in works of art do not consist of concepts but sense impressions.Â Key words : aesthetics, architecture, technology, art.

PENGEMBANGAN DESAIN PRODUK KERAJINAN BERBAHAN LIMBAH KAYU DI KLATEN Tri Prasetyo Utomo; I Nyoman Suyasa; Eko Sri Haryanto
Abdi Seni Vol 9, No 1 (2018)
Publisher : Institut Seni Indonesia Surakarta

quantity of products. improving the competitiveness of partners in facing the global market. The intended development includes; design, HRM, tools, management, strategy and marketing materials. Partners of this devotion activity is Haryono Wood Craft in Serenan, Kalten and Luphy craft located in Pedan Klaten, Central Java Province. The prospect of product development of wood-based wasted fabrics is very good and in demand by consumers widely. The limited ability of human resources, business networks, and the limited equipment and dependence of the finishing process on the weather cause the partners are less able to take advantage of opportunities to develop this business with the maximum. After accompaniment, the partners are expected to be able to become more powerful craftsmen, so as to increase the production, design quality, to increase the selling value of the product, so as to increase the familyâ€™s income, then more to absorb the labor that comes from the surrounding community. Community service activities are carried out during the period of one year. The planned activities are; workshop on the use of production tools with appropriate technology, management training, marketing-making workshop, and product development design workshops that are in demand by the market. After getting a good touch of design, proper management, modernization of production tools, attractive promotional media is expected to increase the competitiveness of partners in the face of the market.Keywords: design development, handicraft, wood waste

Mengembangkan Kecerdasan Kinestetik Anak SD dengan Pelatihan Pembuatan Jumputan Untuk Asesoris Interior Putri Sekar Hapsari; Siti Badriyah; Tri Prasetyo Utomo
Abdi Seni Vol 11, No 1 (2020)
Publisher : Institut Seni Indonesia Surakarta

This community service activity aims to improve children's kinesthetic intelligence and to introduce local cultural arts to children from an early age, by taking partnersin two state primary schools in Serengan district at the age of 7-12 years.The reason for taking samples at this age is because children of that age have entered a concrete operational stage, where children have the ability to group,arrange and connect / count numbers or numbers. The training that will be carried out is to provide provision of batik practice learning with jumputan techniques to increase children's experience, knowledge and creativity, especially in the areaof handicraft skills. Children aged 7-12 years tend to have a high level of activity, so this activity if directed properly will be able to increase the kinestheticintelligence it has. There are limitations to the lack of class hours to learnvarious skills, especially batik because it is incorporated into SBDP subjects. The absence of optimizing the kinesthetic intelligence in the batik making field and the lack of insight and knowledge of teachers about the practice of makingbatik. Based on these findings, training needs to be held, one of them is the practice of batik making to optimize the potential of kinesthetic intelligence. So that children can be trained which later can bring up student creativity.Besides that, children have more insight and understanding of local culturalarts by producing a product that can be efficient. This activity is planned fora period of six months, planned activities in the form of: counseling about batikas a legacy of local cultural arts, training in pattern making / design, practice ofusing practical and appropriate tools, coloring practices, then training in developing batik patterns / designs that in the market right now. Keyword : Develop kinesthetic intelligence, batik jumputan, elementary school

Co-Authors Ahmad Abdur Rois Aulia, Rachel Diyan Asmawati Sya’ban Djono Djono Eko Sri Haryanto Eko Sri Haryanto Fahmi, Hanan Ari Fernanda Dwi Cahyani Galih, Maria Candhika Wening Haryanto, Eko sri Herry Prilosadoso, Basnendar Hesti Heriwati, Sri I Nyoman Suyasa Laksani, Hening Maqnunah, Lu'luil Mardjono, M., Muslihah, Isnawati Nurhadi Panindias, Asmoro Nuriz, Adib Fuadi Putri Sekar Hapsari Putri Sekar Hapsari Rahmat Ardi Candra Dwi Atmaja, Nur saleh, ragil amiruddin Siti Badriyah Siti Badriyah Slamet Subiyantoro Sulistyani, Harmilyanti Uddin Haq, Ahmad Rafi Yiyik Nurdiana

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