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Department of Drama, Dance and Music, Faculty of Language and Arts, Universitas Negeri Semarang, Indonesia B2 Building, 2nd Floor, Sekaran Gunungpati, Semarang 50229, Central Java, Indonesia
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INDONESIA
JSM (Jurnal Seni Musik)
ISSN : 23014091     EISSN : 25032860     DOI : 10.15294/JSM.V8I1
Core Subject : Art,
a peer reviewed journal publishing original research and conceptual papers on music, music education, music performance [see Focus and Scope]. It is publishes by Department of Drama, Dance, and Music Education (Sendratasik), Semarang State University (UNNES) two time a year, June and December, in cooperation with Asosiasi Profesi Pendidik Sendratasik Indonesia (AP2SENI)/The Association of Profession for Indonesian Sendratasik Educators Research, comprises scholarly reports that enhance knowledge regarding art in general, performing art, and art education. This may include articles that report results of quantitative or qualitative research studies. Conceptual Idea, publishes articles conceptually relevant to advancing the practice of music and learning, present theories of music, models, or philosophical position, etc. Articles may draw upon theory/or material developed in educational practice that recognize and address a wide range of pedagogical approach that would interest members from a variety of countries and teaching setting, including activities and art materials to help internationalize art curricula.
Articles 11 Documents
Search results for , issue "Vol 11 No 2 (2022): December 2022" : 11 Documents clear
Hermeneutic Study: The Meaning of Lyric From Kebalai Singing In Rote Ndao Society
Jurnal Seni Musik Vol 11 No 2 (2022): December 2022
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v11i2.54004

Abstract

Traditional art through music, dance and even traditional rituals becomes a symbol and identity of the community because it is a reflection of collective thoughts and also regional solidarity. Kebalai is a dance danced by the people of Rote and is very famous. The kebalai does not only contain dances but also songs in the form of rhymes which are performed together in every event, from big events such as when. The poetry uses the Rote regional language and the meaning of each song is different. This makes researchers interested in looking at oral literature through the songs from the balai and efforts to document the meaning of the poem from the kebalai entitled "Susue Lain" which means brotherly love. This study uses a hermeneutic study according to Ricoeur. The research method uses qualitative methods and literature studies, data collection techniques. Data collection in this study is by observing and unstructured interviews. The results of the Kebalai research are a dance that is often danced together by the people of Rote, in every event or activity that exists. The conclusion in this study is that Kebalai is a performing art, which in the way of interpreting it uses poetry to convey messages.
Reading Books While Listening Music: Case Study To Students Of Universitas Negeri Semarang
Jurnal Seni Musik Vol 11 No 2 (2022): December 2022
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v11i2.58368

Abstract

Researchers conducted a case study on reading while listening music in Universitas Negeri Semarang students. The purpose of this study is to find out and explain what types of music students listen to while reading and to find out and explain how the functions of music that students listen to while reading. This study used Mix Method Research (MMR), which is a research method that combines qualitative and quantitative methods with a phenomenological approach. Data collection techniques used in this study were questionnaires and interviews. Data validity uses source triangulation. The results of this study indicate that the types of music that can be used as a medium to increase students' reading concentration are popular types of music, and also types of music with the same theme as the reading books they are reading. From the percentage, it can be concluded that music has an influence when it is listened to along with reading activities. The influence felt by respondents when listening to music together with reading activities is that it can make them comfortable, focus, and support the story or book they are reading.
Music As A Social Emotional Therapy Media For Mentally Retarded Children At Yayasan Pembinaan Anak Cacat (YPAC) Semarang
Jurnal Seni Musik Vol 11 No 2 (2022): December 2022
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v11i2.58653

Abstract

The purpose of this study was to identify and describe the music used as social-emotional therapy for mentally retarded children at YPAC Semarang and its application. This research uses a qualitative approach.Technique of data collection through observation, interview and documentation. The validity of the data was checked by triangulation, data sources, adequacy of references, and extension of participation. Data analysis was carried out using an interactive data analysis model which was taken through the process of data reduction, data presentation, and drawing conclusions/verification. The results showed that the music used as a medium for emotional social therapy was divided into two, namely music whose sound source came from the body and music whose sound source came from musical instruments. Both are divided into pitchless music and pitched music. The application of music as a medium of emotional social therapy is carried out through several stages, namely, In the first therapeutic process, students are not directly given material about music. The next stage of therapy refers to the psychomotor domain, and the next stage, after the students are considered capable, teacher begins to teach simple musical instruments to students.
The Enculturation Sasando At Haleluya Music Course Institute East Nusa Tenggara
Jurnal Seni Musik Vol 11 No 2 (2022): December 2022
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v11i2.59552

Abstract

Haleluya Music Course Institute is a music course intitute located in Kupang, East Nusa Tenggara province which provides Sasando lessons and opportunities for students to take part in Sasando performances at festivals, government events and other events. This study aimed to investigate the history and enculturation of Sasando performances. The qualitative research method was implemented with these data collecting techniques, i.e., observation, interview, documentation and document study. The results of the initial research showed the functions of Sasando as an auxiliary, support or accompanist in a poetry reading (Sasando gives life to the poem being read). Mr. Djony Theedens is interested to develop the use of Sasando through a course institute to bestow the musical instrument for the younger generations and avoid its extinction. It is done through the teaching of this instrument from the older generation to the younger one. The teaching is done to prevent its extinction and pass on the knowledge to future generations. Apart from that, the enculturation process of Sasando is also carried out through Sasando performances by the students from the course institute. Through the performances, the enculturation of Sasando occurs. Further, the distribution of cultural values ​​also happens through the performances.
Implementation Of Problem Based Learning Method In Manual Harmony Course At The Music Education Study Program Of FSP ISI Yogyakarta
Jurnal Seni Musik Vol 11 No 2 (2022): December 2022
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v11i2.60504

Abstract

The materials of Manual Harmony course are a combination of harmony science class materials and basic piano practice class materials. The subject is aimed to train students to play four-part harmony on pianos and accompany a melody using the correct chords. Regarding the lectures, it is necessary to modify the teacher-centered to student-centered method to help students better understand the materials. It is also expected that the student-centered method will give the students opportunities to explore their skills and express their ideas during classes. The aim of this research was to improve students’ skills in playing four-part harmony correctly, accompanying songs or melodies with correct chords, building problem solving as well as thinking skills in Harmony Manual class which will benefit them in the future. The researcher implemented qualitative method. The data were obtained from Manual Harmony class at the Undergraduate Program of Music Education FSP ISI Yogyakarta. They were taken from literary studies, observations, and interviews. The data were then analyzed through data reduction, data display, and conclusion drawing. The findings revealed that problem-based learning method was highly effective in teaching Manual Harmony subject.
The Development Of The Song “Jangan Kawin Muda” For Postpone Of Early Marriage In Adolescent
Jurnal Seni Musik Vol 11 No 2 (2022): December 2022
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v11i2.61134

Abstract

Early marriage is one of the problems faced by the Indonesian people, because it has a negative impact on the increase in the divorce rate for young couples. Furthermore, divorce will suffer children, because they do not get the attention and love of their parents, so they become neglected children. One of the causes of early marriage is the lack of information about the bad effects of early marriage. On this basis, this research is a development of previous research (Dariyo, Rahaditya & Hadiati, 2020) with the aim of providing information about the dangers of early marriage, which is realized with the song "Do not marry young". The research method uses the ADDIE approach (Analysis, Design, Development, Implementation & Evaluation). The results of the research that the birth of the song “ Jangan Kawin Muda” was carried out through the ADDIE process. The poems and songs Jangan Kawin Muda have been validated by a music psychologist and 74 teenagers. The song "Jangan Kawin Muda" has fulfilled the rhythm, melody, style, instrument and beat that can be felt positively by teenagers, so that they can understand, memorize and sing the song well. In the end, they are motivated to delay early marriage. On the other hand, the video display still needs improvement with the thematic video clip display of the song.
Learning Models To Increase Learning Motivation Through The Application Of Bandlab Hery Budiawan Budiawan; Siti Pujawati Nurmalasari
Jurnal Seni Musik Vol 11 No 2 (2022): December 2022
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v11i2.61627

Abstract

The purpose of this study is to determine whether there is a difference in the level of student learning motivation between classes and the use of application-based learning media, namely bandlabs with classes without the use of bandlab learning media at SMPN 24 Jakarta. And the second is the supporting factor and inhibition of class VII learning motivation at SMPN 24 Jakarta. The method used quantitative research method with Post Test Only Control Group Design. Data that has been distributed is processed and processed using the Likert scale. The data analysis techniques used in this study are t test analysis and homogeneity test. The results of this study show that there is no significant difference in student learning motivation between classes and the use of application-based learning media, namely bandlabs with classes without the use of bandlab learning media. This is supported by research data on significance values of 0.856 > 0.05. The research was conducted online from their respective homes through online media Whatsapp and Zoom Meeting
Music Creativity In The Brascong Vijaya Kusuma Keroncong
Jurnal Seni Musik Vol 11 No 2 (2022): December 2022
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v11i2.64235

Abstract

Creativity in music can be formed by observing, studying, and understanding existing creative works or creating new music. In the city of Salatiga, there is a keroncong orchestra called "Brascong Vijaya Kusuma." This study aimed to determine, analyze, and describe the musical creativity in the brascong keroncong orchestra Vijaya Kusuma in Salatiga. The method used in this study is a qualitative research method that presents a descriptive analysis. This research approach uses musicology. The results of this study indicated that creativity in brascong keroncong Orchestra Vijaya Kusuma transpired because of the encouragement of Ajenrem 073 Salatiga, which, indeed, Brascong has the task of providing entertainment to the soldiers in Ajenrem 073 Salatiga. Musical creativity that exists in brascong Orchestra keroncong Vijaya Kusuma includes: (1) the arrangement of the addition of wind instruments such as trumpet, tenor horn, and trombone into keroncong music inspired by the Corsican in unit Ajenrem 073 Salatiga; (2) the creation of the song "Kr. Tanah Airku" did not use flute/violin prospels instead uses trumpet instruments; (3) in the interlude, brass instruments play blocking notes and play imitations of the main melody; (4) in the coda brass instruments play passing notes and blocking notes and at the end get ritardando;(5) the use of chords in the arrangement of the song "Kr. Tanah Airku" added a chord outside the original keroncong standard chord. Kreativtas music in brascong through the stages of creativity which consist of; aspects of personality, drivers, processes, and products.
Development Of Music Aptitude Test Instruments For The Student Of Music Education Departement
Jurnal Seni Musik Vol 11 No 2 (2022): December 2022
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v11i2.63713

Abstract

It is necessary to develop a music aptitude test instrument as students, basic music knowledge is not optimally developed yet. Due to the inavailability of such instruments in the music education department, this study saimed to design and develop music aptitude test. The tests in used to measure students skills in understanding basic musical skills. This study used experimental quantitative approach. The findings resulted in 40 test items covering 8 teaching goals and 35 indicators aligned to the Semester Learning Plan (RPS) of solfeggio class. Further, the future research will focus on music aptitude test in audio form for the students.
Laras Slendro In Traditional Music Gamelan Banyuwangi Changes
Jurnal Seni Musik Vol 11 No 2 (2022): December 2022
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v11i2.63113

Abstract

A traditional music group from the Banyuwangi region with unique qualities is called Gamelan Banyuwangi. The peculiar laras known as the slendro sliring that distinguishes the Banyuwangi gamelan from other gamelan is one of its distinguishing features. The laras slendro sliring, however, became less common as time went on due to changes. This study set out to identify the variables that affected how the laras slendro changed in relation to the Banyuwangi gamelan. Descriptive qualitative research methodology was employed in this study. The laras on the Banyuwangi gamelan serve as the study's formal and material objects, respectively, together with the notion of change. Secondary information was gathered from records, such as old music videos and some pictures of previous forms of gamelan music. Data collection techniques used in this study include observation, interviews, and document studies. To get the validity of the data the author triangulated the sources. The analysis technique used by the author includes data reduction, data presentation, and drawing conclusions. The results of the study, there are two factors that affect the change in the laras of the Banyuwangi gamelan slendro, namely changes in evolution and acculturation. Evolutionary changes occur in the decrease in the tone of the laras slendro sliring to the slendro that is used today because the younger generation cannot follow the use of the laras slendro sliring so there is an evolution in Banyuwangi gamelan music. Second, there are changes due to acculturation factors that occur during tuning, so Banyuwangi gamelan craftsmen use standard Western music tuners to make tuning easier.

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