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Department of Drama, Dance and Music, Faculty of Language and Arts, Universitas Negeri Semarang, Indonesia B2 Building, 2nd Floor, Sekaran Gunungpati, Semarang 50229, Central Java, Indonesia
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JSM (Jurnal Seni Musik)
Published by Universitas Negeri Semarang
ISSN : 23014091     EISSN : 25032860     DOI : 10.15294/JSM.V8I1
Core Subject : Art,
Arts
a peer reviewed journal publishing original research and conceptual papers on music, music education, music performance [see Focus and Scope]. It is publishes by Department of Drama, Dance, and Music Education (Sendratasik), Semarang State University (UNNES) two time a year, June and December, in cooperation with Asosiasi Profesi Pendidik Sendratasik Indonesia (AP2SENI)/The Association of Profession for Indonesian Sendratasik Educators Research, comprises scholarly reports that enhance knowledge regarding art in general, performing art, and art education. This may include articles that report results of quantitative or qualitative research studies. Conceptual Idea, publishes articles conceptually relevant to advancing the practice of music and learning, present theories of music, models, or philosophical position, etc. Articles may draw upon theory/or material developed in educational practice that recognize and address a wide range of pedagogical approach that would interest members from a variety of countries and teaching setting, including activities and art materials to help internationalize art curricula.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 10 Documents
 1 
Search results for , issue "Vol 5 No 2 (2016): December 2016" : 10 Documents clear
Lagu Slompret-slompret Sebagai Pemicu Trance Pada Penari Jaran Kepang Turonggo Seto Irawan, Yusuf Rizki
Jurnal Seni Musik Vol 5 No 2 (2016): December 2016
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (325.733 KB) | DOI: 10.15294/jsm.v5i2.10666

Abstract

There is always trance in the show of Jaran Kepang Turonggo Seto. Music is one of the way to become trance, it’s song Slompret-slompret. This research to purpose of; Describe forms of performance Jaran Kepang Turonggo Seto; Knowing how the process of trance the dancers Jaran Kepang Turonggo Seto; to know how the purpose of song Slompret-slompret. The conclusion is; the performing of Jaran Kepang Turonggo Seto consists of many factor, there is a story, dancer, dance property, costume, make up, dance, stage, sound system, and music illustration; before the trance is happen, the dancer of Jaran Kepang Turonggo Seto have to through of lelaku, sikap and ritual jamasan, it’s the adult dancer will; the fuction of the song Slompret-slompret use to medium dancer to trance. In the song have composition lyrics, composition, melody and garap ricikan.
Kajian Psikologi Para Pemain Band Sakadathu Dalam Musik Club Malam Di Liquid Semarang. Adhadiantin, Ajeng
Jurnal Seni Musik Vol 5 No 2 (2016): December 2016
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (318.32 KB) | DOI: 10.15294/jsm.v5i2.10901

Abstract

Masalah yang muncul dari penelitian ini adalah bagaimanakah psikologi para pemain band Sakadathu dalam musik club malam Liquid Semarang dilihat dari gaya hidup dan gaya bermusiknya. Mengetahui dan mendeskripsikanpsikologi para pemain band Sakadathu. Penelitian ini menggunakan metode penelitian kualitatif dengan memaparkan hasil penelitian secara deskriptif. Teknikpengumpulan data yang digunakandalampenelitianiniadalahobservasi,wawancara,dokumentasi, dan studi pustaka.Teknik analisis penelitian ini terbagi dalam tiga tahap yaitu reduksi data, penyajian data, menarik kesimpulan.Sakadhatu beranggotakan Inu sebagai pemegang Drum, Pungky (bass), Adhi ( gitar), Vientan (keyboard), Dino, Girda, Helga ( vocal).Psikologiparapemain band Sakadathudalam music duniamalam Liquid Semarang dilihatdarigayabermusikcukupfleksibel, tiappemainmempunyaikarakterdiridankaraktermusik yang berbeda. Intigritas yang tinggipadapekerjaannyadanmemilikisikapkesetiakawananantarsesamaanggota band.Sakadathuterbilangkurangstabildilihatdarigayahidup. Lingkungansehari-hari yang berinteraksidengankalanganatasduniamalam, hidupnyacederungmenjadiborosdanhedonis. Kata kunci: Psikologi, Gaya Hidup, Gaya Bermusik Abstract. Problems that arise from this research is how the psychology of the players Sakadathu band in the music club nights Liquid Semarang views of lifestyle and musical styles. Knowing and psychology description players Sakadathu band. This study uses qualitative research methods to explain the results descriptively. Data collection techniques used in this study is observation, interview, documentation, and literature. Mechanical analysis of this study is divided into three stages: data reduction, data presentation, draw conclusions. Sakadhatu consists Inu as the holder Drum, Pungky (bass), Adhi (guitar), Vientan (keyboards), Dino, Girda, Helga (vocal). The psychology of the players in the music duniamalam Sakadathu band Liquid Semarang views of musical styles are quite flexible, each player has a character and character of different music. Intigritas high on the job and have an attitude of solidarity among fellow band members.Sakadathu somewhat less stable views of the lifestyle.Everyday environments that interact with the world on the night, his life tended to be extravagant and hedonist.
PROGRAM KERJA DIKLATSAR DALAM MENINGKATKAN KEMAMPUAN BERMAIN MUSIK SABDA KINNARA UNNES MARCHING BAND Nugroho, Christian Adi
Jurnal Seni Musik Vol 5 No 2 (2016): December 2016
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v5i2.11264

Abstract

The last few years in Semarang emergence a phenomenon of marching band unit raging from community organizations, universities and school environment, so that the unit of the newly established marching band can manage their unit. This study aims to: (1) knowing the purpose, methods and materials Diklatsar SKUMB; (2) Determine the ability to play music SKUMB members after attending basic training. The method used is a qualitative method, so this is a descriptive study that provides an overview as carefully as possible about matters under investigation. Data collection techniques in this study using observation, interview and documentation. Technique authenticity of data is done by triangulation techniques, and data analysis conducted in stages, data reduction, data presentation and conclusion or verification. The results showed that (1) Interest Diklatsar SKUMB is Increasing levels of experience and knowledge of students about the marching band; Improving student knowledge about management and the implementation of UKM’s; Improving the quality of work of the marching band; Improving leadership for participants of activities. (2) Educational materials basic training SKUMB includes elements of appearance (display and charts) as well as the skills of playing music (rhythm, melody, and harmony; (3) Ability to play music member SKUMB after attending basic training is successfully playing songs training materials in which includes the ability plays rhythm, melody and harmony.
AMBIENT SONG KARYA KELOMPOK MUSIK DINDING KOTA KAJIAN TENTANG PROSES PEMBUATAN DAN PEMANFAATAN SEBAGAI MEDIA MEDITASI Wangsa, Ciptaning Indra; Susetyo, Bagus
Jurnal Seni Musik Vol 5 No 2 (2016): December 2016
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (316.004 KB) | DOI: 10.15294/jsm.v5i2.11265

Abstract

Meditation is a step to know yourself for the good and balance life. It’s can be helped with used music for media called ambient music. In Semarang there is a musical group that plays ambient music named Dinding Kota. The purpose of this study to describe how to create an ambient that can be used as a medium meditation which has benefited as information for the public to know the ambient function. This research uses qualitative descriptive method with data collection in the form of interview, observation, and documentation. In making the ambient group has nine steps Dinding Kota in the form of contempatation, choose a background, choose themes and concept, choose an instrument, select pedal effect, set the pedal effect, set amplifier, and make ambientpart and ambient notes. The use of ambient as a medium of meditation done using headphone or a headset with a body sitting cross legged posisition or lying down and focus on listening to ambient music. Ambient is a type of music which resulted in another dimension there that may effect one’s thoughts and suggestios with the sound echoing hum’s that can be used as a medium of meditation.
ANALISIS BENTUK DAN MAKNA SYAIR LAGU GEREJA KRISTEN DALAM BUKU NYANYIAN PUJIAN DI GEREJA BAPTIS INDONESIA WANAMUKTI SEMARANG Saputra, Oktavian Harys
Jurnal Seni Musik Vol 5 No 2 (2016): December 2016
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (295.632 KB) | DOI: 10.15294/jsm.v5i2.11266

Abstract

The researcher wants to know about the form and purpose of the ryhme of those songs that still being used at GBI Wanamukti, the problem formulation of this research are : (1). what type of song structure analysis of The Book of Nyanyian Pujian that is still being used at GBI Wanamukti Semarang? (2). what is the meaning that lies behind the rhyme in The Book of Nyanyian Pujian that is still being used at GBI Wanamukti Semarang?. The researcher used Qualitative Descriptive as the research method. The result of this research aim to know that "Jangan Aku Dilalu" NP 129, "Berkati Persembahanku" NP 359, "Bapa, Antarlah Kami" NP 360 are the songs that often being used at GBI Wanamukti Semaarang. "Jangan Aku Dilalui" NP 129 is a song with 2-piece structured pattern A (a a') and B (a b'). "Berkati Persembahanku" NP 359 has 1-piece with pattern A(a a'). "Bapa, Antarlah Kami" has 1-piece with pattern A (a a'). The meaning of the song "Jangan Aku Dilalui" NP 129 is about request to God to hear the church prayers as well as the recognition of God as the only hope of giving relief to the church. The meaning of "Berkati Persembahanku" song NP 359 is about regarding the request to God to bless the offering made for the church, as well as an acknowledgment that God is the main factor determining the success of the community. The song "Bapa, Antarlah Kami" NP 360 has the meaning of a request to the Lord to be with the congregation as they finished worship and will return to their respective homes.
Lagu Slompret-slompret Sebagai Pemicu Trance Pada Penari Jaran Kepang Turonggo Seto
Jurnal Seni Musik Vol 5 No 2 (2016): December 2016
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v5i2.10666

Abstract

There is always trance in the show of Jaran Kepang Turonggo Seto. Music is one of the way to become trance, it’s song Slompret-slompret. This research to purpose of; Describe forms of performance Jaran Kepang Turonggo Seto; Knowing how the process of trance the dancers Jaran Kepang Turonggo Seto; to know how the purpose of song Slompret-slompret. The conclusion is; the performing of Jaran Kepang Turonggo Seto consists of many factor, there is a story, dancer, dance property, costume, make up, dance, stage, sound system, and music illustration; before the trance is happen, the dancer of Jaran Kepang Turonggo Seto have to through of lelaku, sikap and ritual jamasan, it’s the adult dancer will; the fuction of the song Slompret-slompret use to medium dancer to trance. In the song have composition lyrics, composition, melody and garap ricikan.
Kajian Psikologi Para Pemain Band Sakadathu Dalam Musik Club Malam Di Liquid Semarang.
Jurnal Seni Musik Vol 5 No 2 (2016): December 2016
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v5i2.10901

Abstract

Masalah yang muncul dari penelitian ini adalah bagaimanakah psikologi para pemain band Sakadathu dalam musik club malam Liquid Semarang dilihat dari gaya hidup dan gaya bermusiknya. Mengetahui dan mendeskripsikanpsikologi para pemain band Sakadathu. Penelitian ini menggunakan metode penelitian kualitatif dengan memaparkan hasil penelitian secara deskriptif. Teknikpengumpulan data yang digunakandalampenelitianiniadalahobservasi,wawancara,dokumentasi, dan studi pustaka.Teknik analisis penelitian ini terbagi dalam tiga tahap yaitu reduksi data, penyajian data, menarik kesimpulan.Sakadhatu beranggotakan Inu sebagai pemegang Drum, Pungky (bass), Adhi ( gitar), Vientan (keyboard), Dino, Girda, Helga ( vocal).Psikologiparapemain band Sakadathudalam music duniamalam Liquid Semarang dilihatdarigayabermusikcukupfleksibel, tiappemainmempunyaikarakterdiridankaraktermusik yang berbeda. Intigritas yang tinggipadapekerjaannyadanmemilikisikapkesetiakawananantarsesamaanggota band.Sakadathuterbilangkurangstabildilihatdarigayahidup. Lingkungansehari-hari yang berinteraksidengankalanganatasduniamalam, hidupnyacederungmenjadiborosdanhedonis. Kata kunci: Psikologi, Gaya Hidup, Gaya Bermusik Abstract. Problems that arise from this research is how the psychology of the players Sakadathu band in the music club nights Liquid Semarang views of lifestyle and musical styles. Knowing and psychology description players Sakadathu band. This study uses qualitative research methods to explain the results descriptively. Data collection techniques used in this study is observation, interview, documentation, and literature. Mechanical analysis of this study is divided into three stages: data reduction, data presentation, draw conclusions. Sakadhatu consists Inu as the holder Drum, Pungky (bass), Adhi (guitar), Vientan (keyboards), Dino, Girda, Helga (vocal). The psychology of the players in the music duniamalam Sakadathu band Liquid Semarang views of musical styles are quite flexible, each player has a character and character of different music. Intigritas high on the job and have an attitude of solidarity among fellow band members.Sakadathu somewhat less stable views of the lifestyle.Everyday environments that interact with the world on the night, his life tended to be extravagant and hedonist.
PROGRAM KERJA DIKLATSAR DALAM MENINGKATKAN KEMAMPUAN BERMAIN MUSIK SABDA KINNARA UNNES MARCHING BAND
Jurnal Seni Musik Vol 5 No 2 (2016): December 2016
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v5i2.11264

Abstract

The last few years in Semarang emergence a phenomenon of marching band unit raging from community organizations, universities and school environment, so that the unit of the newly established marching band can manage their unit. This study aims to: (1) knowing the purpose, methods and materials Diklatsar SKUMB; (2) Determine the ability to play music SKUMB members after attending basic training. The method used is a qualitative method, so this is a descriptive study that provides an overview as carefully as possible about matters under investigation. Data collection techniques in this study using observation, interview and documentation. Technique authenticity of data is done by triangulation techniques, and data analysis conducted in stages, data reduction, data presentation and conclusion or verification. The results showed that (1) Interest Diklatsar SKUMB is Increasing levels of experience and knowledge of students about the marching band; Improving student knowledge about management and the implementation of UKM’s; Improving the quality of work of the marching band; Improving leadership for participants of activities. (2) Educational materials basic training SKUMB includes elements of appearance (display and charts) as well as the skills of playing music (rhythm, melody, and harmony; (3) Ability to play music member SKUMB after attending basic training is successfully playing songs training materials in which includes the ability plays rhythm, melody and harmony.
AMBIENT SONG KARYA KELOMPOK MUSIK DINDING KOTA KAJIAN TENTANG PROSES PEMBUATAN DAN PEMANFAATAN SEBAGAI MEDIA MEDITASI
Jurnal Seni Musik Vol 5 No 2 (2016): December 2016
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v5i2.11265

Abstract

Meditation is a step to know yourself for the good and balance life. It’s can be helped with used music for media called ambient music. In Semarang there is a musical group that plays ambient music named Dinding Kota. The purpose of this study to describe how to create an ambient that can be used as a medium meditation which has benefited as information for the public to know the ambient function. This research uses qualitative descriptive method with data collection in the form of interview, observation, and documentation. In making the ambient group has nine steps Dinding Kota in the form of contempatation, choose a background, choose themes and concept, choose an instrument, select pedal effect, set the pedal effect, set amplifier, and make ambientpart and ambient notes. The use of ambient as a medium of meditation done using headphone or a headset with a body sitting cross legged posisition or lying down and focus on listening to ambient music. Ambient is a type of music which resulted in another dimension there that may effect one’s thoughts and suggestios with the sound echoing hum’s that can be used as a medium of meditation.
ANALISIS BENTUK DAN MAKNA SYAIR LAGU GEREJA KRISTEN DALAM BUKU NYANYIAN PUJIAN DI GEREJA BAPTIS INDONESIA WANAMUKTI SEMARANG
Jurnal Seni Musik Vol 5 No 2 (2016): December 2016
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v5i2.11266

Abstract

The researcher wants to know about the form and purpose of the ryhme of those songs that still being used at GBI Wanamukti, the problem formulation of this research are : (1). what type of song structure analysis of The Book of Nyanyian Pujian that is still being used at GBI Wanamukti Semarang? (2). what is the meaning that lies behind the rhyme in The Book of Nyanyian Pujian that is still being used at GBI Wanamukti Semarang?. The researcher used Qualitative Descriptive as the research method. The result of this research aim to know that "Jangan Aku Dilalu" NP 129, "Berkati Persembahanku" NP 359, "Bapa, Antarlah Kami" NP 360 are the songs that often being used at GBI Wanamukti Semaarang. "Jangan Aku Dilalui" NP 129 is a song with 2-piece structured pattern A (a a') and B (a b'). "Berkati Persembahanku" NP 359 has 1-piece with pattern A(a a'). "Bapa, Antarlah Kami" has 1-piece with pattern A (a a'). The meaning of the song "Jangan Aku Dilalui" NP 129 is about request to God to hear the church prayers as well as the recognition of God as the only hope of giving relief to the church. The meaning of "Berkati Persembahanku" song NP 359 is about regarding the request to God to bless the offering made for the church, as well as an acknowledgment that God is the main factor determining the success of the community. The song "Bapa, Antarlah Kami" NP 360 has the meaning of a request to the Lord to be with the congregation as they finished worship and will return to their respective homes.

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