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Jurnal Sendratasik

sendratasik
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Published by Universitas Negeri Padang

ISSN : - EISSN : 23023201 DOI : 10.24036

Core Subject : Science, Education, Art, Social,

Arts Education Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Social Sciences

Jurnal Sendratasik diterbitkan 4 (empat) kali pada bulan S Maret, Juni, September, dan December denganmemuat artikel / artikel penelitian di bidang musik, tari, dan drama serta pembelajarannya. Memuat teks yang dihasilkan oleh kelompok penyunting, naskah yang digunakan adalah naskah yang lolos dan tidak pernah / tidak akan pindah ke jurnal lain. Jurnal Sendratasik menerima naskah yang memberikan wawasan tentang isu-isu terkini, dan terutama berhubungan dengan studi Seni Pertunjukan dan Pembelajarannya(Seni Drama, Tari dan Musik) dengan menyebar luaskan pengetahuan di bidang-bidang yang muncul dan berkembang. Hasil riset, terdiri dari laporan ilmiah yang meningkatkan pengetahuan tentang seni secara umum, seni pertunjukan, dan pendidikan seni. Baik dalam bentuk artikel yang melaporkan hasil studi penelitian kuantitatif atau kualitatif. Artikel secara konseptual harus relevan untuk memajukan Seni Pertunjukan dan Pembelajarannya, menyajikan teori tentang seni, model, posisi filosofis, dll. Artikel juga dapat mengacu pada teori-teori ataupun materi- materi yang dikembangkan dalam praktik dan pendidikan seni pertunjukan. Bahasa naskah yang dikirimkan dalam bahasa Indonesia. Harus membahas tentang masalah serta kontribusi baru yang signifikan untuk bidang praktik dan pendidikan seni pertunjukan. Artikel dapat berasal dari salah satu bidang berikut: - Drama - Tari - Musik dan / atau Musik Tradisional - dan Pembelajarannya

Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan

Articles 48 Documents

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Search results for , issue "Vol 10, No 1 (2021)" : 48 Documents clear

Tinjauan Koreografi Tari Balanse Madam Di Kota Padang Yolanda Putri; Herlinda Mansyur
SENDRATASIK UNP Vol 10, No 1 (2021)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v9i2.110544

This research aims to explain and describe the Balanse Madam dance in Padang City. This type of research is descriptive qualitative research with descriptive methods of analysis. The main instruments in this study are researchers themselves and assisted with supporting instruments such as stationery and mobile phones. Data types are based on primary data and secondary data. Data collection techniques are obtained from library studies, observations, interviews and documentation. Data is analyzed with data collection, data reduction, data collection and conclusion drawing approaches. The results of this study showed that Balanse Madam Dance was based on the results of cultural acculturation between the Portuguese and Nias people in Padang city. The source of the motion is based on dance dance which is a Portuguese culture that is often seen by nias people in Padang city. In terms of form there is a pure motion that is simple but done on a repetitive way. floor design that tends to be straight and circular. The composition of the group used by the large group. Dancers must be even because this dance is a dance performed in pairs. The costumes used are for male dancers wearing bay stripes and batik pants or black base pants coupled with sarong and peci fabric. For female dancers using malay clothes, batik fabrics coupled with scarves that are covered in shoulders and gloves, female dancers wear beautiful makeup while male dancers do not use special makeup. The music used in this dance uses gamad music using the accompaniment of violin instruments, guitars, drum sets, tambur, and tamburin.. So it is concluded that Balanse Madam dance is a traditional dance that already has aspects of choreography in it so that it can be researched using choreography.

Peranan Randai Ulu Ambek Dalam Acara Ulu Ambek Di Korong Kampuang Guci Pucuang Anam Kenagarian Tandikek Selatan Kecamatan Patamuan Kabupaten Padang Pariaman Sintia Anisa; Darmawati Darmawati
SENDRATASIK UNP Vol 10, No 1 (2021)
Publisher : FBS Universitas Negeri Padang

The research aims to reveal, describe and analyze about Randai's role in the event Ulu Ambek Korong Kampuang Guci Pucuang Anam kenagarian Tandikek Selatan District Patamuan Padang Pariaman Regency. This type of research is qualitative research with descriptive methods of analysis. The object of this research is the art of Randai Ulu Ambek in Kenagarian Tandikek Selatan District Patamuan Padang Pariaman Regency. The types of data in this study are primary data and secondary data. The main instrument is the researcher himself. Data collection techniques are performed by literature, observation, interview and documentation. The data is collected in the analysis with interpretation techniques so that it can be obtained the truth. The results of this study show that the role of Randai Ulu Ambek is very important in Ulu Ambek Event, it can be seen from the same conditions of Randai Ulu Ambek as Ulu Ambek. In randai ulu ambek movement are the basics of Ulu Ambek, as well as the accompaniment music in Randai Ulu Ambek is the same as Ulu Ambek. Randai Ulu Ambek performance venue is also the venue of Ulu Ambek which is called the matches. The dancers in Ulu Ambek are dancers who are already proficient in Randai Ulu Ambek as well as baligh. So the role of Randai Ulu Ambek is very important in ulu ambek performance, if randai ulu ambek performance is not performed then Ulu Ambek event does not take place because Randai Ulu Ambek as the opener asks permission to niniak mamak nagari respectively.

Analisis Garapan Tari Sanggar Seni Sarai Sarumpun Di Kota Padang Nur Na’afi Putri; Darmawati Darmawati
SENDRATASIK UNP Vol 10, No 1 (2021)
Publisher : FBS Universitas Negeri Padang

This research aims to find out the dance work of Sarai Sarumpun Art workshops in Padang City. This type of research is qualitative research, and the method used is a description of the analysis. The instruments in this study are the researchers themselves and assisted with supporting instruments such as stationery and mobile phones. The data type uses primary data and secondary data. Data collection techniques are carried out by library studies, observations, interviews, recording and shooting. The steps for analyzing the data are data reduction, data presentation and withdrawal of conclusions. The results showed that the dance work of Sarai Sarumpun Art workshops seen in his three dances is Hoyak Badarai Plate dance, Indang Sarumpun dance, Rampak Nuri Shawl dance. Of these three dances found the wiggle room is dominated by large wiggle room, and the time of movement implementation is dominated by medium time, as well as the use of energy in motion dominated by medium-sized energy. More dance moves are used in curved zig-zag line patterns that produce emotional touches full of feeling (joy). Thus the supporting elements such as the joyous sense of music presented by the variety of sounds and costumes with colorful and varied floor patterns that all reinforce the joyous atmosphere that is presented in the dance of entertainment.

Penerapan Metode E-Learning Dalam Pembelajaran Seni Budaya (Tari) Kelas XI MIA Di SMA Dian Andalas Padang Yonela Putri Agustin; Fuji Astuti
SENDRATASIK UNP Vol 10, No 1 (2021)
Publisher : FBS Universitas Negeri Padang

This research aims to see the application of online methods in the learning of cultural arts (dance) class XI MIA at SMA Dian Andalas Padang. The type of research used is qualitative research with descriptive methods. The instruments in this study are the researchers themselves and assisted with supporting instruments in the form of documentation from the recording tools in the field. Evaluation of learning outcomes consists of knowledge (cognitive) and skills (psychomotor). Data collection techniques are carried out by means of library studies, observations and documentation. The steps to analyze data are data collection, clarifying data and making conclusions. The results showed that the application of online methods in cultural art learning class XI MIA at Sma Dian Andalas Padang is quite good. This can be seen from the planning and implementation of learning carried out by cultural arts teachers. However, judging by the students' grades there are some students who have grades less than KKM in practical learning. Meanwhile, on cognitive understanding each student gets good results. The provision of practical materials at the second meeting with the giving of demonstration videos makes students less able to imitate the given movement by reaching an average of 80.5 with good criteria. Meanwhile, on the provision of cognitive materials at the third meeting with the provision of knowledge tests in cultural arts learning with online methods already running by reaching an average of 94.5 with excellent criteria.

Analisis Komposisi Adelita Karya Francisco Tarrega Adi Marianto; Esy Maestro
SENDRATASIK UNP Vol 10, No 1 (2021)
Publisher : FBS Universitas Negeri Padang

This study aims to describe the results of an analysis of Adelita's music composition in terms of melody, rhythm, and harmony analyzed based on motives, themes, phrases, and periods. It aims to find out the creation concept made by the composer. This research belongs to a qualitative descriptive analysis research. The main instrument in this study was the researcher itself. The researcher processed the data by doing some steps such as reading scores from Adelita's material, then classifying the data from understanding music theory, from the structural aspect, as well as the melody, rhythm, and harmony, so that the researcher can make a summary of the data found in the form of writings which describe an understanding of music theory. Then, the researcher conducted a feasibility test on the song with the aim that the song analyzed can be used as a learning material for students studying classical guitar material and as an eligibility to be taken as musical knowledge. The results show that Adelita's work is unique in terms of playing techniques and ornamentation. By using simple melody, rhythm, and harmony, Adelita can be accepted as a reference for learning classical guitar. The assessment was obtained from simple melody, rhythm, and harmony analysis. Thus, it can be used as a reference for learning classical guitar for students who take the course of classical guitar major instrument.

Perkembangan Tari Marcok Di Sanggar Seni Ilok Rupo Kota Sungai Penuh Provinsi Jambi Inessya Lelioritha NS; Desfiarni Desfiarni
SENDRATASIK UNP Vol 10, No 1 (2021)
Publisher : FBS Universitas Negeri Padang

The research aims to reveal, describe, and analyze the development of Marcok Dance at Ilok Rupo Art Studio, Sungai Penuh City. This research belongs to a qualitative research using a descriptive analysis method. The types of data in this study were primary and secondary data. The main instrument was the researcher itself, and it was assisted by supporting instruments such as writing tools and cameras. The data were collected through literature, observation, interviews, and documentation. The data analysis was done through data collection, data reduction, data presentation, and conclusions drawing. The results show that the traditional Marcok Dance had developed into a creation Marcok Dance. This development can be seen from the management of movements, dancers, floor patterns, accompaniment music, clothing, time performance, and place of performance. In motion, there are 2 new motion additions. Related to the floor pattern, there is a reduction from 26 to 14 creation Marcok dance floor patterns. Costumes have developed in terms of accessories used. In addition, there is an additional musical instrument called gong. The development process of Marcok Dance at the Ilok Rupo Art Studio, Sungai Penuh City is supported because of the desire of Ilok Rupo Art Studio to keep the traditional Marcok Dance by develop it so it is attractive for the community to use. Moreover it is useful as a forum for young people to learn how to maintain cultural heritage, and it becomes an identity in the local area.

Minat Belajar Musik Instant Akibat Respon Berulang Dan Menyenangkan Pada Ajang Pentas Kompetisi Musik Populer; “Studi Kasus Pendidikan Musik Nonformal dalam Sudut Pandang Teori Belajar Operant Conditioning BF. Skinner” Esy Maestro; Mudjiran Mudjiran
SENDRATASIK UNP Vol 10, No 1 (2021)
Publisher : FBS Universitas Negeri Padang

Thedevelopment of music in modern and urban society today is not always driven by the awareness of the importance of formal education in the field of music itself. The behavior of the community that develops in the surrounding environment, psychologically has triggered the interest of some individuals to engage in the phenomenon of populist music culture, one of which is budaya K-pop who participated in fertilizing music talent search competitions such astelevision, initiated bylocalgovernments, and certain nongovernmental organizations. Many parents consider that their children need to take part either as serious participants or just perform in the event. Many young people and their parents are willingto spendmoney, time, energy, and cost in order to be exposed to the event that is considered prestigious. The continuation is predictable, while the prizes are obtained,of coursepopularity follows, because they will be widely published by the services of the media and television. A number of thesefinancial r ewards and popularity will be enjoyable. The behavior to repeat and keep repeating the participation ofchildren in this event , aslong asitcauses them to havebeen trapped in the behavior of operant conditioning. So BF. Skinner has explained that if a stimulus produces a pleasant reward support capacity,there will be consequences for repeated behavioral responses. Because it will repeat itself, some young people are trying to develop their musical interests by learning music from an early age or studying it in formal education. But the irony for some of them is that it synergizes with the impatience of their parents, to learn music in more results-oriented and instantaneous music courses. The managers of this kind of non-formal music education institutions seem to also care about the quality of music education, unless they also feel equally profiting momentarily from this phenomenon. Eventually many participants of the courseand tutors were disappointed at the incompatibility of the results obtained with all the power that had been sacrificed. In fact, it is still the really talented children who continue to advance to win this talent search competition, even though there are actually some of these champions who learn or do not need to study in courses and less private music.

Bentuk Penyajian Gordang Sambilan Pada Upacara Pesta Pernikahan Di Kelurahan Kota Siantar Kecamatan Panyabungan Kota Kabupaten Mandailing Natal Rafsanjani Rafsanjani; Marzam Marzam
SENDRATASIK UNP Vol 10, No 1 (2021)
Publisher : FBS Universitas Negeri Padang

This research aims to describe the presentation form of Gordang Sambilan at wedding ceremony in the village of Kota Siantar, Panyabungan Kota district, Mandailing Natal Regency. This research belongs to a qualitative research using descriptive method. The main instrument in this study was the researcher itself and was assisted by supporting instruments such as stationery and cameras. The data were collected through literature study, observation, interview, and documentation. The data were analyzed by describing and concluding the data. The results show that Gordang Sambilan is a traditional art from Mandailing land, North Sumatra, in the form of a mixed tradition ansamble band played by twelve to fourteen male players. Gordang Sambilan is performed on the arena stage where people watching the show surround the group of Gordang Sambilan who are performing. The main musical instrument of this art is Gordang Sambilan which is nine large drums played by being hit by using sticks. In addition, there are other supporting instruments namely ogung, salempong, tali sasayap, saleot, and flute. Gordang Sambilan was once believed to have supernatural or magical power and was used as a medium to ask for help to the spirits of ancestors and jinn on various problems faced by society. In the past, gordang art performances could only be played at Horja Bolon wedding(traditional ceremonies of massive wedding parties). However, nowdays it is freely performed or played serving as entertainment for the People of Mandailing. It can be openly witnessed and performed aiming solely to preserve Mandailing's original culture or art and to keep Gordang Sambilan alive. It is still played and not extinct in the middle of increasingly modern era.

Pemusik Jalanan Studi Deskriptif Pemusik Jalanan Di Daerah Pulai Lubuk Minturun Kota Padang Wirvan Andika; Esy Maestro
SENDRATASIK UNP Vol 10, No 1 (2021)
Publisher : FBS Universitas Negeri Padang

This research aims to find and describe Rian's activities as one of the street musicians in Padang City. This type of research is Qualitative Research. The main instruments in the study were researchers themselves and assisted with supporting instruments such as stationery, recording devices and cameras. Data collection techniques are carried out by observation, interview, library study and documentation. The steps to analyze the data are to collect data and describe the data and draw conclusions. The results showed that there are still many lay people who think street musicians or worshippers are interfering with comfort and even being indifferent to them. Street musicians or performers are a profession run by art actors or art workers who display and sell their talents to the public. They're not beggars or anything like that. They are the perpetrators of art who are on the streets, they are arguably disadvantaged because of weak economic factors and forcing them to express themselves on the streets. They should get better treatment and apresization from society in general, because there are still many people who have talent and are very much worthy of our appreciation, because with the appreciation that we give can support their lives

Pelaksanaan Pembentukan Kegiatan Ekstrakurikuler Drum Band SMP Negeri 5 Kerinci Egi Yonil; Erfan Erfan
SENDRATASIK UNP Vol 10, No 1 (2021)
Publisher : FBS Universitas Negeri Padang

This study aims to identify and describe the implementation of Drum Band extracurricular activity at SMP Negeri 5 Kerinci. This is a qualitative research using descriptive method. The data were collected through literature study, observation, interview, and documentation. The research instrument used was the researcher itself. It was also supported by supporting instruments such as notebooks, stationaries, and a cellphone camera. From the results of the study, it can be described that there are some stages in the implementation of Drum Band Extracurricular activity at SMP Negeri 5 Kerinci. The stages start from selecting members, determining practice materials, determining practice schedules, doing rehearsals, and performing the Drum Band. To get maximum results, the coach creates two forms of training. One is the routine exercises carried out on Saturdays during self-development lessons, and another is the additional exercises carried out two weeks before participating in the competition. The first exercise begins with a group practice of musical instruments and is continued with a combined practice of all musical instruments.

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Contact Name
Hengki Armez Hidayat

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hengkiarmez@fbs.unp.ac.id

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+6281363124849

Journal Mail Official
sendratasikfbsunp21@gmail.com

Editorial Address
Jurusan Sendratasik FBS Universitas Negeri Padang Jl. Belibis Air Tawar Padang 25171

Location
Kota padang,

Sumatera barat

INDONESIA

Abstract

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Hengki Armez Hidayat

Contact Email hengkiarmez@fbs.unp.ac.id

Phone +6281363124849

Journal Mail Official sendratasikfbsunp21@gmail.com

Editorial Address Jurusan Sendratasik FBS Universitas Negeri Padang Jl. Belibis Air Tawar Padang 25171

Location Kota padang, Sumatera barat INDONESIA

Abstract

Abstract

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Abstract

Abstract

Abstract

Abstract

Abstract

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Abstract

Contact Name
Hengki Armez Hidayat

Contact Email
hengkiarmez@fbs.unp.ac.id

Phone
+6281363124849

Journal Mail Official
sendratasikfbsunp21@gmail.com

Editorial Address
Jurusan Sendratasik FBS Universitas Negeri Padang Jl. Belibis Air Tawar Padang 25171

Location
Kota padang,

Sumatera barat

INDONESIA