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Jurnal Sendratasik
Published by Universitas Negeri Padang
ISSN : -     EISSN : 23023201     DOI : 10.24036
Core Subject : Science, Education, Art, Social,
Arts Education Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Social Sciences
Jurnal Sendratasik diterbitkan 4 (empat) kali pada bulan S Maret, Juni, September, dan December denganmemuat artikel / artikel penelitian di bidang musik, tari, dan drama serta pembelajarannya. Memuat teks yang dihasilkan oleh kelompok penyunting, naskah yang digunakan adalah naskah yang lolos dan tidak pernah / tidak akan pindah ke jurnal lain. Jurnal Sendratasik menerima naskah yang memberikan wawasan tentang isu-isu terkini, dan terutama berhubungan dengan studi Seni Pertunjukan dan Pembelajarannya(Seni Drama, Tari dan Musik) dengan menyebar luaskan pengetahuan di bidang-bidang yang muncul dan berkembang. Hasil riset, terdiri dari laporan ilmiah yang meningkatkan pengetahuan tentang seni secara umum, seni pertunjukan, dan pendidikan seni. Baik dalam bentuk artikel yang melaporkan hasil studi penelitian kuantitatif atau kualitatif. Artikel secara konseptual harus relevan untuk memajukan Seni Pertunjukan dan Pembelajarannya, menyajikan teori tentang seni, model, posisi filosofis, dll. Artikel juga dapat mengacu pada teori-teori ataupun materi- materi yang dikembangkan dalam praktik dan pendidikan seni pertunjukan. Bahasa naskah yang dikirimkan dalam bahasa Indonesia. Harus membahas tentang masalah serta kontribusi baru yang signifikan untuk bidang praktik dan pendidikan seni pertunjukan. Artikel dapat berasal dari salah satu bidang berikut: - Drama - Tari - Musik dan / atau Musik Tradisional - dan Pembelajarannya
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 13 Documents
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Search results for , issue "Vol 12, No 4 (2023)" : 13 Documents clear
Metode Pelatihan Tari pada Pengembangan Diri di SMP Negeri 40 Padang Fanny Syafitri; Afifah Asriati
SENDRATASIK UNP Vol 12, No 4 (2023)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v12i4.121731

Abstract

This study aims to identify and describe the dance training model for dance self-development at SMP Negeri 40 Padang. This type of research is a qualitative research with descriptive method. Research instruments, researchers themselves and assisted with supporting instruments such as laptops, stationery and cameras. Observation and documentation data collection techniques. The steps to analyze the data are data reduction, data presentation and conclusion. The results showed that the peer tutoring method, the demonstration method, and the dance training group method for the self-development of the art of dance at SMP N 40 Padang had produced student activities and skills well. This is evident from the results of observing student activity from the first meeting to the last meeting. There was an increase in student activity from the first meeting to the fourth meeting. Likewise with students' skills in performing motion in terms of technique and memorization of motion.
Faktor Konsistensi Sahilin dalam Kesenian Tembang Batanghari Sembilan Feri Firmansyah; Irfan Kurniawan
SENDRATASIK UNP Vol 12, No 4 (2023)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v12i4.125815

Abstract

This article is the result of research which aims to describe one of the Tembang Batanghari Sembilan artists named Sahilin. The research is based on the Sahilin phenomenon which is consistent with the art of Tembang Batanghari Sembilan from early to old age. To describe Sahilin's consistency, data collection was carried out by observation, interviews and documentation. Next, the data will be presented descriptively, through the results of interpretive analysis. The research results showed that there were 4 main factors that influenced Sahilin's consistency in this art, namely; artistic talent, encouragement and upbringing from his father, social support, enjoyment because of function.
Representasi Laki-laki Ladyboy dalam Karya Tari SHEMALE: Satu Anomali dalam Prilaku Laki-laki Minangkabau Dendi Chairi; Indrayuda Indrayuda
SENDRATASIK UNP Vol 12, No 4 (2023)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v12i4.127426

Abstract

This article aims to reveal the problem of deviant behavior in Minangkabau men. According to tradition and culture, Minangkabau men are men who are based on traditional behavior coded as syarak and syarak coded as khitabullah, meaning that Minangkabau men are men who behave according to Islamic customs and norms. In the dance work entitled "SHEMALE" Minangkabau men are represented as ladyboys, which in the current era are often found in urban areas, but do not apply in rural areas, because of the strong confines of village customs and norms, this behavioral anomaly cannot grow and develop. The creation method in the dance work "SHEMALE" is divided into 3 (three), namely the concept of creation, the process of creation, and the composition of the work (form structure). In the dance work "SHEMALE" it can be seen that every standard and deeply rooted social system, if maintained collectively, will be able to resist various external interventions. Apart from that, another message is that information technology can make people poisoned logically and intuitively, so that they deviate from their actual behavior. The third message is that there is no human being who cannot change, as long as the human being himself is willing to change.
Koreografi Tari Galuik Salendang Sanggar Tuah Sakato di Kota Padang Siti Aisah; Susmiarti Susmiarti
SENDRATASIK UNP Vol 12, No 4 (2023)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v12i4.121459

Abstract

This study aims to reveal and describe the Choreography of the Galuik Salendang Sanggar Tuah Sakato Dance in the City of Padang. This type of research is qualitative research with descriptive methods of analysis. This research instrument is the researcher himself and is assisted by supporting instruments in the form of stationery, cameras and audio recording devices. Data collection techniques are carried out by means of literature studies, observations, interviews and documentation. The steps of analyzing data are data collection, data reduction, data presentation and drawing conclusions. The results showed that the creation of Galuik Salendang dance consisted of 2 aspects, namely the content aspect and the form aspect. The content aspect consists of ideas, atmospheres and functions. The idea of creating Galuik Salendang dance was inspired by the Sofyani Umbrella dance and the pre-existing Galuik Salendang dance. The atmosphere of this dance is a joyful and passionate atmosphere. The function of Galuik Salendang dance is as an entertainment dance. While the form aspect consists of movement, dancers, floor design, dramatic design, group composition, costumes, props and dance accompaniment
Hubungan Bernyanyi Gaya Dendang Terhadap Popularitas Lagu “Bayang-Bayang Rindu” Ciptaan Edi Elmitos Anggi Azhari Lubis; Yos Sudarman
SENDRATASIK UNP Vol 12, No 4 (2023)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v12i4.121359

Abstract

This research aims to determine the relationship between singing in the singing style and the popularity of the song "Bayang-Bayang Rindu" created by Edi Elmitos. This type of research is descriptive quantitative research. The population in this study were Padang State University Sendratasik students who took Vocal and Dandrum courses with the research instrument in the form of a questionnaire. Data collection techniques were carried out by distributing questionnaires and taking questionnaires. The data analysis technique is carried out using a percentage formula. The research results show that the relationship between the song and the creator's background is 37.68%, the relationship between the song and the vocalist is 39.56%, the relationship between the song being sung differently by Rayola and its predecessor singer (Anroys) is 39.51%, the relationship between the song and the singing style sung by Rayola 41.09%, there is a match between the lyrics and the way the vocalist expresses the song 39.07%, the relationship between the song and the strategy of popularizing the song through social media Youtube 40.61%. Tujuan penelitian ini adalah untuk mengetahui hubungan bernyanyi gaya dendang terhadap popularitas lagu “Bayang-Bayang Rindu” ciptaan Edi Elmitos. Jenis penelitian ini adalah penelitian kuantitatif deskriptif. Populasi di dalam penelitian ini adalah mahasiswa Sendratasik Universitas Negeri Padang yang mengambil mata kuliah Vocal dan Dendang dengan instrumen penelitian ini berupa angket (kuesioner). Teknik pengumpulan data dilakukan dengan cara penyebaran angket (kuesioner) dan pengambilan angket. Teknik analisis data dilakukan menggunakan rumus persentase. Hasil penelitian menunjukan bahwa hubungan lagu dengan latar belakang pencipta 37,68%, hubungan lagu dengan vocalist 39,56%, hubungan lagu dinyanyikan secara berbeda oleh Rayola dengan penyanyi pendahulunya (Anroys) 39,51%, hubungan lagu dengan gaya dendang yang dinyanyikan Rayola 41,09%, adanya kesesuaian antara lirik dengan cara mengekspresikan lagu oleh vocalist 39,07%, hubungan lagu dengan strategi mempopulerkan lagu melalui media social Youtube 40,61%.
Tari Piriang Lenggang Manatiang di Sanggar Anjuang Siriah Kota Padang: Tinjauan Koreografi Leri Yano Wardana; Nerosti Nerosti
SENDRATASIK UNP Vol 12, No 4 (2023)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v12i4.121562

Abstract

his research aims to describe and analyze the choreography of the Piriang Lenggang Manatiang Dance at the Anjuang Siriah Studio, Padang City. This type of research is qualitative research using descriptive analysis methods. The instrument for this research is the researcher himself and is assisted by supporting instruments in the form of writing instruments, books, recording equipment and audio-visual equipment. Data collection techniques were carried out using literature study, observation, interviews and documentation. The steps for analyzing data are data collection, data reduction, data presentation and conclusion. The results of the research show that the choreography process for the Piriang Lenggang Manatiang Dance starts from determining the idea/theme, then exploration, improvisation and composition. The choreography process produces the following form aspects: movement, space design, time design, energy design, top design, dramatic design, floor design, group composition, equipment and music. The movements of the Piriang Lenggang Manatiang Dance are the saayun steps, buai ayun movements, lenggang mantiang movements, manyabiak movements, rampak movements, saayun saangkat movements, Baginjai movements, ayun ma ayun movements, lenggang sway movements. The spatial aspect in the Piriang Lenggang Manatiang Dance uses straight, oblique and curved lines. The group compositions performed by dancers include unison (union), alternating, broken, alternating (canon), and balanced (balance). The Piriang Lenggang Manatiang Dance Costume is a garment that was developed and created by the Baju Kurong. The musical instruments used are Gandang, Bansi, Sarunai, Canang and Talempong Pacik. Meanwhile, the property used is piriang tujuah.
Meningkatkan Hasil Belajar Tari Melalui Metode Tutor Sebaya bagi Kelas VIII MTsN 11 Agam Radhia Hanifa
SENDRATASIK UNP Vol 12, No 4 (2023)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v12i4.121474

Abstract

This study aims to explain and describe how to improve student dance learning outcomes using the peer tutor method in class VIII MTsN 11 Agam. This type of research carried out is class action research (PTK) which is carried out in 2 cycles. The subjects of the research were students of class VIIIF MTsN 11 Agam totaling 23 people. The data collection techniques used are observation and documentation. The results of this study show that dance learning using the peer tutor method is successful in improving the learning outcomes of class VIIIF MTsN 11 Agam students. It can be proven that before using the peer tutor method, the average score of students in the first cycle under KKM, which is 74.78 with KKM 78. Meanwhile, in cycle II, student learning outcomes with the peer tutor method increased by an average of 82.39.  So it can be concluded that the application of learning through this peer tutor method can improve the learning outcomes of MTsN 11 agam students.
Analisis Komponen Melodi, Ritme, dan Harmoni dalam Lagu “Tan Malaka” Karya Geliga: Tinjauan Musik Konvensional Randi Restu Hadi; Robby Ferdian
SENDRATASIK UNP Vol 12, No 4 (2023)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v12i4.125764

Abstract

This research is an analysis of the song "Tan Malaka" by the band Geliga from Pekanbaru City. The name "Geliga" which is taken from the Malay expression for a gem or mystical stone that exudes brilliance, reflects their aspiration for their music to be a shining and timeless work. This research aims to find out the tips and methods they use in working on each of the basic elements in their music so that each work they create has its original character. The focus of the analysis includes elements of melody, rhythm and conventional harmony. This research is a type of qualitative research with a case study approach. Data was collected through observation, interviews and document study. Geliga is known for its ability to combine traditional and modern musical influences, creatively combining Riau Malay musical idioms with contemporary elements in their musical compositions. This research concludes that Geliga applies and develops harmony, rhythm and melody which are commonly found in jazz music. Through this research, it is hoped that it can provide motivation and insight for music activists and performers in their work. Penelitian ini adalah analisis terhadap lagu “Tan Malaka” karya group band Geliga asal Kota Pekanbaru. Nama "Geliga" yang diambil dari ekspresi Melayu untuk permata atau batu mistik yang memancarkan kegemilangan, mencerminkan aspirasi mereka agar musik mereka menjadi karya yang bersinar dan abadi. Tujuan dari penelitian ini untuk mengetahui kiat beserta metode yang mereka gunakan dalam menggarap setiap unsur-unsur mendasar yang ada di dalam musiknya, sehingga setiap karya yang mereka ciptakan memiliki karakter asli tersendiri. Fokus analisis meliputi unsur melodi, ritme dan harmoni konvensional. Penelitian ini adalah jenis penelitian kualitatif dengan pendekatan studi kasus. Data dikumpulkan melalui observasi, wawancara, dan studi dokumen. Geliga dikenal melalui kemampuannya menggabungkan pengaruh musik tradisional dan modern, menggabungkan dengan kreatif idioma musik Melayu Riau dengan unsur-unsur kontemporer dalam komposisi musik mereka. Kesimpulan dari penelitian ini yaitu Geliga menerapkan sekaligus melakukan pengembangan harmoni, ritme, melodi yang biasa ditemukan dalam musik jazz. Melalui penelitian ini diharapkan dapat memberikan motivasi beserta wawasan bagi para pegiat dan pelaku seni musik dalam berkarya.
Kemampuan Mendengar Ritme dalam Solfegio Maria Klara Amarilis Citra Sinta Dewi Tukan; Wilfridus Beda Nuba Dosinaeng
SENDRATASIK UNP Vol 12, No 4 (2023)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v12i4.105623

Abstract

This research is a quantitative study conducted to determine the effect of the ability to hear rhythm on students' solfeggio learning achievement. The research population was 83 second-semester students of the Sendratasik Study Program FKIP Unwira Kupang. Based on the Slovin formula with a significance level of 5%, 69 students were randomly selected using a simple random sampling technique. There are two variables in this research, namely the ability to hear rhythm as the independent variable and solfeggio learning achievement as the dependent variable. Data for these two variables were obtained from the results of students' rhythm listening ability tests and solfeggio learning achievement tests. After the data was collected, the data was then analyzed using simple regression analysis. From the statistical calculations carried out, the values obtained were F count =68.383 and F table = F (0.05)(17.40) =1.885. Because F count < F table then Ha is accepted so it can be concluded that there is a significant influence on the ability to hear rhythm on students' solfeggio learning achievement. The RSquare value = 0.505 indicates that the ability to hear rhythm 50.5% influences the solfeggio learning achievement of students in the second semester of the Sendratasik Study Program, FKIP Unwira Kupang.
Estetika Komoditas pada Opera Batak Si Mardan Ilham Rifandi; Susandro Susandro; Ikhsan Satria Irianto
SENDRATASIK UNP Vol 12, No 4 (2023)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v12i4.126093

Abstract

Globalization affects every line of human cultural life, including theatre arts. As an important subsystem in culture, art is a manifestation of the complexity of human culture which is embedded coherently in its cultural identity. The city of Medan is a city with relatively dynamic theater development which has various groups with various theater genres. This tendency also gives rise to a tendency to use traditional culture as the basic material for creating theatrical works, for example, the Bandar Peran group. This group staged the work "Opera Batak Si Mardan" which involved the charm of Batak Toba and Malay culture simultaneously. In this research, it was found that the Bandar Peran group used a dual orientation imagination in its creation process and the traditional idiom used led to postmodern aesthetic tendencies. This research uses qualitative research methods to understand in depth the conditions and phenomena in the field. Apart from that, this article is also intended as a form of inventive criticism so that the content of the article uses the critical framework explained by Benny Yohanes.Globalisasi mempengaruhi setiap lini kehidupan kebudayaan manusia, termasuk seni teater. Sebagai subsistem penting dalam kebudayaan, seni merupakan wujud kompleksitas kebudayaan manusia yang tertanam secara koheren dalam identitas budayanya. Kota Medan merupakan kota dengan perkembangan teater yang relatif dinamis yang mempunyai berbagai kelompok dengan genre teater yang beragam. Kecenderungan tersebut juga memunculkan kecenderungan untuk menggunakan budaya tradisional sebagai bahan dasar penciptaan karya teater, misalnya kelompok Bandar Peran. Kelompok ini mementaskan karya “Opera Batak Si Mardan” yang melibatkan budaya Batak Toba dan Melayu secara bersamaan. Maka dalam artikel ini ditemukan hasil bahwa kelompok yang menggunakan imajinasi orientasi ganda dalam proses penciptaannya dan idiom tradisional yang digunakan mengarah pada kecenderungan estetika postmodern. Penelitian ini menggunakan metode penelitian kualitatif untuk memahami secara mendalam kondisi dan fenomena di lapangan. Selain itu, artikel ini juga ditujukan sebagai bentuk kritik inventif agar isi artikel menggunakan kerangka kritis yang dijelaskan oleh Benny Yohanes.

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