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Serupa : The Journal of Art Education
Published by Universitas Negeri Padang
ISSN : -     EISSN : 23023236     DOI : https://doi.org/10.24036/stjae
Core Subject : Education, Art,
Arts Education
Serupa: The Journal of Art Education menyambut baik kiriman yang memberikan wawasan tentang isu-isu terkini dan utama yang berhubungan dengan studi pendidikan maupun seni rupa. Jurnal ini menyediakan tempat bagi para peneliti dan praktisi pendidikan dan seni rupa untuk berdiskusi, mengejar dan mempromosikan pengetahuan di bidang yang muncul dan berkembang dalam studi pendidikan dan seni rupa. Bahasa naskah bisa dalam bahasa Indonesia. Harus ada diskusi kritis tentang masalah dan kontribusi baru dan signifikan untuk bidang terkait. Artikel dapat berasal dari salah satu bidang berikut: Pendidikan seni rupa, Seni Rupa, Kriya, Seni Grafis, Seni Patung, Seni Lukis, Seni Ukir Kayu,.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 10 Documents
 1 
Search results for , issue "Vol 3, No 1 (2014): Seri A" : 10 Documents clear
BUNGA MAWAR SEBAGAI SIMBOL WANITA DALAM KARYA SENI LUKIS HARLIANA, Drs. Erfahmi,M.Sn, Drs. Yusron Wikarya, M. Pd
Serupa The Journal of Art Education Vol 3, No 1 (2014): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/sr.v3i1.5527

Abstract

The purpose of this thesis is to visualize the rose as a symbol of women in the works of surrealist art with the flow, so that people are more responsive to women's behavior that exist at the present time. The method of painting creation through small sketches on paper and translated into media canvas with objects displays of roses, with staining technique that accentuates the colors monochromatic, as well as the creator's imagination combines with the elements and principles of art so produced ten paintings by surrealist stream, with the title: (1) Rose Thorns, (2) your Eye Ball, (3) Women's Tough, (4) Hurt, (5) Load, (6) Thy Shadow, (7) Blooming, (8) Caught, (9) Confined, (10) Unrestricted.keyword: Roses, Symbol, Women, Art, Surrealists
SIMBOLISASI PERILAKU SEKSDALAM ”DIGITAL PAINTING ART” AHMAD BAKRI PULUNGAN, Hendra Afriwan, S.Sn., M.Sn., Dr. Yahya, M.Pd
Serupa The Journal of Art Education Vol 3, No 1 (2014): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/sr.v3i1.5518

Abstract

Sex is the most controversial topics in the community. Most people view sex as something negative. Evensex is considereda taboo anddo not deserve tobe discussed openlywithout anyapparent reason. Sexual Behavior Problemsthe author adopted in the form of digital painting with acontemporary realiststyle. This work dealt with the applicationsusing the application adobephotoshop andillustrator. The purposeof creating the worktoexplainto the public about the dangers, the factors that influence, to determine the characteristics and developmenta lpatterns ofsexual behavior, know the sex behaviorin term soft the health aspects of sexual behavior and visualize symbolizationKata Kunci: Sexual Behavior symbolization, Digital Painting Art
PENERAPAN MODEL PEMBELAJARAN KOOPERATIF TIPE STAD (STUDENT TEAM ACHIEVEMENT DIVISION) UNTUK MENINGKATKAN HASIL BELAJAR PADA MATERI SENI RUPA SISWA KELAS VIII B SMP NEGERI 03 RENGAT DWI RISMAWATI, Drs. Eswendi,M.Pd, Dr. Yahya, M.Pd
Serupa The Journal of Art Education Vol 3, No 1 (2014): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/sr.v3i1.5523

Abstract

Subjects listed in the Cultural Arts Curriculum SMP 2006 is one of the subjects that must be followed in junior high school students. This course contains the course materials: Visual arts, music, dance and theater. During the implementation of learning goes well, but specifically for students in grade 03 Rengat VIII.B State Western District of Indragiri HuluRengat found various obstacles, which the students have problems in mastering the art of learning materials, which resulted in low yields of art study materials obtained by students.Variousfactors canlead tothe study of studentsto be low, one of whichisthe learningstrategiesused by teachers. Tosolvetheproblemof learningactionusingCooperative Learning ModelSTAD(Student Teams Achievement Division).The hypothesisof thisstudyis: "The application of STAD cooperativelearning modelto improve learning outcomesartseighth grade studentsof SMP Negeri03RengatBWest. OnceimplementedTODfor twocycles, the results obtained: "Application of Cooperative Learning ModelSTADcanimprove learning outcomesVIII.Bartclass studentsof SMP Negeri03RengatWest. Ttablevaluewith31dfsignificance level of05is equal to2.042whiletcountgreaterthanthet-tablevalue, namely: (1) Differences inlearning outcomesprasiklusthefirst cycleof learningoutcomeswithtcount-14 506. (2) The difference inlearning outcomeswith thefirst cycleto thesecond cycleof learningoutcomestcount-9197; and(3) Differences inlearning outcomeswithlearning outcomesprasiklussecond cyclewithtcountof-12 870. The level ofmastery learninghas also beenhigh, the average scoreobtainedat theend of the activitywas80.78. The average scoreis alreadylarger than theKKMSubjectsArtCultureat 75.Kata kunci: Kooperatif Tipe STAD, Pembelajaran Seni Rupa.
PENINGKATAN AKTIVITAS DAN HASIL BELAJAR KETERAMPILAN KERAJINAN DENGAN MENGGUNAKAN PENDEKATAN PEMBELAJARANKOOPERATIF TIPE STAD DI KELAS VII SMP N 3 KUBUNG AKHDARIATI, Dr.Ramalis Hakim, M.Pd. Drs. Efrizal, M.Pd
Serupa The Journal of Art Education Vol 3, No 1 (2014): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/sr.v3i1.5519

Abstract

This research is motivated by the lack of student learning outcomes in making handicraft skills and students tend to be lazy when learning skills, do not bring material and tool skills, students do not understand the work in the group. This study aims to improve student learning outcomes in making the craft skills of artificial materials is by using STAD cooperative learning model. This research is research class action, the research was conducted on half of January to June 2014 class VII SMP N 3 lemur solok district with the number 19 in the learning material making crafts artificial ingredients. This classroom action research carried out by 2 cycles. For the observed ability is the result of learning the craft skills of artificial materials in the first cycle is averaging 76.11. While in the second cycle of learning outcomes mengg craft skills with artificial materials using cooperative learning model STAD increased by an average of 82.84. So, skill kerjinan artificial materials using cooperative learning model STAD in class VII SMP N 3 Kubung Solok successfully and can improve student learning outcomes. The results of this study indicate that the use of cooperative learning model STAD can improve student learning outcomes in making handicraft artificial ingredients. This is evident from the increase in learning outcomes of each cycle are executed.Keywords: Results of learning, craft skills, approach STAD
FENOMENA KEHIDUPAN SOSIAL MASYARAKAT DALAM SENI LUKIS SOCIETY SOCIAL LIFE PHENOMENON IN PAINTING BURHANI ANAS, Drs. Idran Wakidi, Drs. Ajusril S
Serupa The Journal of Art Education Vol 3, No 1 (2014): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/sr.v3i1.5524

Abstract

Not all people are lucky in life. Not a few who live with limitations, alienatedfrom the environment and even neglected. Faced with a prolonged economic crisis, social in equality and the development of technology, gave birth to conflicts in life. The author tried to illustrate this problem in a surrealistic contemporary painting. Contemporary art is no longer considering the ethics pre-existing. The creation from the idea to a work of art, passing through along process and a lot of observation. From this main ideas or general idea, will be developed into ten itles of paintings,such as: 1) "The Forgotten", 2) "Consequences", 3) "Controlled by Era", 4) "Street Children", 5) "Children Exploitation", 6)" Chasing a Dream", 7)" Don’t Call Them Waste of Society", 8)" Indecision", 9)" Hedonism(Adore Luxury) ", 10)"Wasted Dream". Each work displayed is a picture of the conflict and the occured phenomenon in living human’s life.Keywords: conflict, social life, art of painting.
STUDI TENTANG MOTIF, WARNA DAN TEKNIK BATIK KERINCI DI KOTA SUNGAI PENUH SUCI PERMATA SARI, Drs. Erwin, M.Sn, Drs. Ajusril S
Serupa The Journal of Art Education Vol 3, No 1 (2014): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/sr.v3i1.5520

Abstract

This study aims to Describe: the form of motive 1), staining 2), and the technique 3) of batik Kerinci. This research is descriptive qualitative. The data sources are the primary source directly by the informant, source data taken in the form of written notes (image recording) derived from informants interviewed, documentation and literature study. Kerinci motif derived from the shape of the flora, fauna and writing (literacy) incung, Kerinci batik colors have a tendency to dark colors such as dark red and black, the technique used is the technique of batik and batik techniques.Kata kunci: Motif, Warna, Teknik, Batik
ASMAUL HUSNA DALAM LUKISAN KALIGRAFI ARAB DENGAN KHAT FARISI DAN KHAT TSULUTS FINA SAPRIANI, Dr. Budiwirman, M.Pd, Drs. Syafei,M.Ag
Serupa The Journal of Art Education Vol 3, No 1 (2014): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/sr.v3i1.5525

Abstract

Humans have a different view of life, but human life should have the same guidelines. Especially man must believe in Allah. Beautiful Names are good names for Allah, as proof of his kemahaagungan and perfection. The purpose and goal of his is to visualize the Beautiful Names in Arabic Calligraphy Painting by KhatKhatTsuluts Pharisee And, with the aim that people always remember his greatness through Arabic calligraphy and handwriting khat- know about the beauty of Arabic calligraphy, especially the Pharisees and KhatkhatTsuluts. The techniques or methods used to mature the use of color to reinforce the character on the object itself and based on the elements and principles of art using calligraphy handwriting on each work with one verse AsmaulHusna. The author expects the presence of works made can increase knowledge and insight on the author himself, armed from existing experiences that gave birth to works of Arabic calligraphy painting with its main object clause is Beautiful Names.Kata Kunci : Allah, Asmaul Husna, Lukisan, Kaligrafi.
SIFAT WAJIB BAGI ALLAH DALAM LUKISAN KALIGRAFI ARAB IKE YULIANA, Drs. Syafei, M.Ag, Drs. Jamilus,M.Pd
Serupa The Journal of Art Education Vol 3, No 1 (2014): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/sr.v3i1.5521

Abstract

Sifat wajib bagi Allah adalah segala sifat sempurna yang pasti ada pada Allah, yang berjumlah 20 sifat.Karya akhir ini bertujuan untuk memperkenalkan sifat-sifat yang haq yang dimiliki oleh Allah, yang dituangkan dalam sebuah lukisan kaligrafi Arab sebagai bentuk dakwah. Sehingga bagi siapapun yang menikmati lukisan ini lebih mengetahui sifat-sifat wajib bagi Allah, lebih mengenal Allah atas segala kebesaran yang dimiliki-Nya, sehingga keimanan yang dimiliki bertambah kuat dan sempurna.Selanjutnya dalam pembuatan karya yang bertemakan “Sifat wajib bagi Allah dalam lukisan kaligrafi Arab” ini, penulis akan menghadirkan bentuk-bentuk, cara ungkap, konsep dan media yang lebih menekankan pada makna warna yang dihasilkan dari pencampuran warna pokok untuk menghasilkan warna dari gelap ke terang namun tetap memperhatikan unsur-unsur dan prinsip-prinsip seni guna menghasilkan karya yang bersifat religius dan mengandung nilai keindahan.
AYAT-AYAT TENTANG KESABARAN DALAM LUKISAN KALIGRAFI ARAB FITRI RUSLIYANI, Drs. Yusron Wkarya,M.Pd, Drs. Abd. Hafiz,M.Pd
Serupa The Journal of Art Education Vol 3, No 1 (2014): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/sr.v3i1.5526

Abstract

The purpose of this paper is to describe the verses about patience. It literally contains about keistiqomaan with faith and devotion in carrying out a series of trials that God gave human life as well as the rewards for those who are patient. The final works convey the intent and purposes contained in the verses of patience through the works of art of calligraphy as a well to better undestand and explore the greatness and power of God through the work of calligraphy. In making the work with the theme “patience verses in Arabic calligraphy painting”, the authors present aconcept forms, how said, and the media put more emphasis on the meaning of color resulting from mixing the basic colors for the display of color from dark to light will regard to the elements and priciples of art, so that the resulting ten work entitled: The rewards for those who are patient, God is with those who patiently, Leaders who provide guidance, Allah loves those who are patient, Patient and devoted, On the border land, God news, signs of God's power, People who win, and Patient.Keywords: Verses about patient, Arabic caligraphy
EKSPRESI WAJAH SEBAGAI SUMBER PENCIPTAAN KARYA SENI LUKIS DEDI CHANDRA, Yasrul Sami, S.Sn., M.Sn, Drs. Suib Awrus, M.Pd
Serupa The Journal of Art Education Vol 3, No 1 (2014): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/sr.v3i1.5522

Abstract

The purpose of this thesis is revealing facial expressions in paintings in the style of post-IMPRESIONIST. The final work of the theme "Facial Expression as a Source of Creation Art Work", originated from the interest of authors see facial expressions gestures that appear every individual such as; feeling happy, sad, angry, moody, yelling and so forth. As it is applied in the creation of this work is through the assessment phase, the experimental phase, phase formation, and the finishing stage, to realize a 10 (ten) works of art in accordance with the desired theme.

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