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Serupa : The Journal of Art Education

serupa
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Published by Universitas Negeri Padang

ISSN : - EISSN : 23023236 DOI : https://doi.org/10.24036/stjae

Core Subject : Education, Art,

Arts Education

Serupa: The Journal of Art Education menyambut baik kiriman yang memberikan wawasan tentang isu-isu terkini dan utama yang berhubungan dengan studi pendidikan maupun seni rupa. Jurnal ini menyediakan tempat bagi para peneliti dan praktisi pendidikan dan seni rupa untuk berdiskusi, mengejar dan mempromosikan pengetahuan di bidang yang muncul dan berkembang dalam studi pendidikan dan seni rupa. Bahasa naskah bisa dalam bahasa Indonesia. Harus ada diskusi kritis tentang masalah dan kontribusi baru dan signifikan untuk bidang terkait. Artikel dapat berasal dari salah satu bidang berikut: Pendidikan seni rupa, Seni Rupa, Kriya, Seni Grafis, Seni Patung, Seni Lukis, Seni Ukir Kayu,.

Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)

Articles 10 Documents

Search results for , issue "Vol 4, No 1 (2015): Seri A" : 10 Documents clear

STUDI TENTANG KECENDERUNGAN OBJEK RUMAH GADANG PADA KARYA LUKISAN NATURALIS KAMAL GUCI ANITA GUSTINA, Ir. Drs. Heldi, M.Si, Drs. Efrizal, M.Pd
Serupa The Journal of Art Education Vol 4, No 1 (2015): Seri A
Publisher : Universitas Negeri Padang

This research aims (1) to describe the background of naturalist’s painting Kamal Guci which tend to visualize the object Rumah Gadang, (2) to describe the symbolic meaning of Kamal Guci’s painting which tend to visualize the object of Rumah Gadang, (3) to know the process of creating Kamal Guci’s painting which tend to visualize the object of Rumah Gadang. This research is using the qualitative methods with descriptive approach through snowball technique. The data sources of the research are paintings, written notes (recordings and photos) as the primary source, and the review of literature as secondary source. The procedure of collecting the data is conducted by doing observation, interview, and documentation. The research finding, that is, the background of Kamal Guci’s painting that tend to visualize the object of Rumah Gadang which is affected by anxiety and restlessness feeling to the culture and environment of Minangkabau. Generally, the meaning of Rumah Gadang on a painting is that to describe the changed that happens in Minangkabau as being identity of Minangkabau itself. The process of producing is exploration, improvisation, forming, and finishing.Kata kunci : Background of naturalist’s painting, symbolic meaning, process of creating.

AKTIVITAS PEMETIK KOPI DALAM SENI LUKIS JEMI KARDILA, Drs. Erfahmi,M.Sn, Yasrul Sami, S.Sn., M.Sn
Serupa The Journal of Art Education Vol 4, No 1 (2015): Seri A
Publisher : Universitas Negeri Padang

The purpose of the creation of this thesis to visualize the activity of coffee pickers in contemporary realist painting. The ten works are completed to the fullest have represented the themes raised. The ten works are: 1) Departing, 2) Chain Ban, 3) Grazing and gleaning, 4) Waiting Red, 5) Still Bit, 6) Too Heavy, 7) Exchange of Information, 8) Drying Coffee, 9) Green and red, 10) Wet milling. Tenth these works provide an overview of the process of the activities of the coffee pickers who have worked so hard for the sake of taking daily wages earned but not in accordance with the minimum wage should be.Keywords: coffee pickers activity, realist painting, contemporary.

STUDI TENTANG ANYAMAN LAPIAK PANDAN DI NAGARI MUARO PINGAI, KECAMATAN JUNJUNG SIRIH KABUPATEN SOLOK CHYINTIA MELLI SETIADI, Dra. Minarsih, M.Sn, Drs. Erwin, M.Sn
Serupa The Journal of Art Education Vol 4, No 1 (2015): Seri A
Publisher : Universitas Negeri Padang

This research has a purpose to describe 1) form; 2) function; 3) significance of woven screw pine lapiak woven motif, in order to be known by people both local and outside community. The theory which is used are culture, custom, significance, woven, the elements and principle of art. The source that is taken by the researcher such as: note (recordings, picture) which is gotten from, the informant by doing the interview, documentation, literature study. Motif woven screw pine lapiak comes from flora, fauna, and geometrical, the function of consist of physical, personal and social, in general the meaning of woven screw pine lapiak describes the philosophy of Minangkabau, “Alam Takambang Jadi Guru.”Kata kunci: Motif, Bentuk, Fungsi, Makna

PEREMPUAN MINANGKABAU DALAM KARYA LUKIS DEKORATIF JULIUS HADE PUTRA, Drs. Abd. Hafiz, M.Pd, Drs. Erfahmi, M.Sn.
Serupa The Journal of Art Education Vol 4, No 1 (2015): Seri A
Publisher : Universitas Negeri Padang

The purpose of this last work is visualize women of Minangkabau in the work of decorative art, to reach comprehension about women of Minangkabau position that have and should be a example. Realization of decorative art is dominate of elementshape and colour like a simplify shape objeck with distortion by acrilyk at canvas on decorative design. This metode and step in process of making work began from preparations, elaboration, synthetic, realization consep until present to publick with exhibition. This last work give information to people enjoying the work art about the valve that in women Minangkabau position is very much and safelly by culture, this describable in tens themes work of decorative art.Kata Kunci: women, Minangkabau, Art, Dekorative

STUDI TENTANG BENTUK, FUNGSI, DAN MAKNA MONUMEN PERJUANGAN DI MATUR KABUPATEN AGAM DIAN ADI PRASTIYO, Drs. Erfahmi,M.Sn, Dra. Ernis, M.Pd
Serupa The Journal of Art Education Vol 4, No 1 (2015): Seri A
Publisher : Universitas Negeri Padang

The purpose of this research was to reveal the form, the functions and the meaning on Perjuangan Monument build as historical buildings. The monuments could be used as the source of learning and enrich the knowledge of the current and the next generation to thr memorize what had been done by Indonesian heroes to get and maintain Indonesian Independence implied in Perjuangan Monument. This was a qualitative research which used descriptive analysis approach. The data were collected through observation, interview, stationary and camera. The result of the research indicated that the perjuangan Monument in Matur Kabupaten Agam was build to memorize the struggle of Matur people to get and maintain Indonesian Independence. Behind its building, the monument has a heroic story. The feet, body, and the top of the monument had forms, functions and meaning.Key terms: form, function, meaning, monument, history

FENOMENA PERILAKU MODERNISASI DALAM CORAK SENI LUKIS REALIS KONTEMPORER M. KHALIFATUL SYUHADA, Ir. Drs. Heldi, M.Si, Drs. Idran Wakidi, M.Pd
Serupa The Journal of Art Education Vol 4, No 1 (2015): Seri A
Publisher : Universitas Negeri Padang

The work of the end of aims to visualization on the phenomena modernization pattern behavior in the painting of art realists contemporary, idea the creation of work painting of art through the phenomenon of the incident what is seen, felt and observed environment social, culture in the community. The impact of and a change that occurs in community social environment run in significant, so that can be perceived now, good positively and the impact a negative. A pattern the art of painting realists contemporary tended to be visualization portrait social life the community and young generation that experienced phenomena modernization as the principal subject who was poured through canvas with medium paint acrylic and oils and paints in pattern realists contemporary. Methods and approach of ideas via inspiration phenomenon thriving now. Phase and the process work started with a preparation, elaboration ideas, synthesis, and realize the concept, expressed concern for the next generation, The positive and negative impact modernization. Transformation change modernization this visualization through 10 ( ten ) the title of a work the art of painting in realist contemporary pattern.Keywords : The Phenomenon of Modernization, Contemporary Realist Painting

STUDI TENTANG KAIN TENUN SERAWAI KOTA BENGKULU ELIZA DWI MAYYANTI, Drs. Erwin, M.Sn, Drs. Abd. Hafiz,M.Pd
Serupa The Journal of Art Education Vol 4, No 1 (2015): Seri A
Publisher : Universitas Negeri Padang

The purpose of this study is to describe the motive’s shape, placement, meaning, and function of Serawai woven cloth. The method used is qualitative one with the descriptive approach. The results shows that the shape of weaving motifs composed of vertical stripes, horizontal, curved, zigzag, and flat plane. The forms are derived from the shape of the flora, fauna, nature, and geometric. The placement motifs on Serawai woven cloth namely: 1) The head cloth, 2) Edge of cloth, 3) Bottom cloth, and 4) Field of cloth. The meaning of Serawai decorative woven cloth is symbolic, natural evironment, means of livelihood, and customs and the ideals of life of local residents. It’s function is divided into a social function, culture, and life functions.Keywords: Form, Placement, Meaning and Function of Woven Fabrics Serawai Bengkulu City.

PERKEMBANGAN BENTUK PRODUK, MOTIF DAN FUNGSI PRODUK SONGKET MELAYU PEKANBARU RIAU MULYETI MARZAL, Drs. Erwin, M.Sn, Drs. Yusron Wikarya, M. Pd
Serupa The Journal of Art Education Vol 4, No 1 (2015): Seri A
Publisher : Universitas Negeri Padang

The purpose of this study is to describe the development of shape, motif, and function of songket’s product in Melayu Pekanbaru Riau. The method of this reseach is qualitative with descriptive approach. The result shows that the product of traditional Malay’s songket expand from clothes only to other house wear. The forms of the product are derived from the pattern of flora (55 motifs), fauna (14 motifs), and nature (11 motifs). The physical function of songket’s product in Melayu Pekanbaru Riau develops in terms of function from life function which develop to various types of Malay songket’s product.Keywords: Product’s shape, Motif, Function, Songket’s product in Melayu Pekanbaru Riau

PENGARUH METODE DEMONSTRASI TERHADAP HASIL BELAJARSENI RUPA SISWA KELAS XI SMA N 15 PADANG AGUNG SAPUTRA, Dr.Ramalis Hakim, M.Pd. Drs. Abd. Hafiz,M.Pd
Serupa The Journal of Art Education Vol 4, No 1 (2015): Seri A
Publisher : Universitas Negeri Padang

The research is intendend to describe the differences of learning outcomesof students who are taught by using demonstration learning methods than those who are taught by using conventional in class XI SMA N 15 Padang. The data are taken from eleven grade student’s score. Data were analyzed by using a quasiexperimental research methodsthe technique of sampling of this research is purposive sampling. Results of experimental studies using the method of demonstration classes have an average higher than the control class using conventional methods. Based on t-test calculations obtained t = 5434 and table = 2,037 on the level of alpha = 0.05. it Show that are significant differences between the two classes in the second semester of the academic year 2014/2015.Kata Kunci: Metode Demonstrasi, Hasil Belajar, Seni Rupa

STUDI TENTANG BATIK TANAH LIEK CITRA MANDIRI KECAMATAN SITIUNG KABUPATEN DHARMASRAYA PROVINSI SUMATERA BARAT ERIT FAJRI, Drs. Erwin, M.Sn, Drs. Ir. Heldi, M.Si
Serupa The Journal of Art Education Vol 4, No 1 (2015): Seri A
Publisher : Universitas Negeri Padang

The purpose of this research was to (1) identify the term Batik Tanah Liek, (2) describe the forms of motives, and (3) describe the technique and process of making Batik Tanah Liek Citra Mandiri Kecamatan Sitiung. This was a qualitative research which applied descriptive approach. The source of the research was the product of Batik Tanah Liek (primary data) and library study (secondary data). The data were collected through observation, interview and documentation. The research findings revealed that the term Batik Tanah Liek was derived from the color of batik cloth which was the color of tanah liek (clay). The motives of Batik Tanah Liek Citra Mandiri Sitiung were in the form of geometric and were adopted from flora and fauna. Batik was made by using batik tulis technique. Batik was made in three phases covering preparation, pembatikan, and finishing.Kata Kunci : The term Batik Tanah Liek, forms of motives, technique and process

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Home Page

OAI Link

Editorial Team

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Reviewer

Google Scholar

Contact Name
Maltha Kharisma

Contact Email
psrunp@gmail.com

Phone
+6282284572574

Journal Mail Official
maltha.kharisma@fbs.unp.ac.id

Editorial Address
Universitas Negeri Padang Fakultas Bahasa dan Seni Departemen Seni Rupa Jl. Prof Dr. Hamka Kampus UNP Air Tawar, Padang

Location
Kota padang,

Sumatera barat

INDONESIA

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Maltha Kharisma

Contact Email psrunp@gmail.com

Phone +6282284572574

Journal Mail Official maltha.kharisma@fbs.unp.ac.id

Editorial Address Universitas Negeri Padang Fakultas Bahasa dan Seni Departemen Seni Rupa Jl. Prof Dr. Hamka Kampus UNP Air Tawar, Padang

Location Kota padang, Sumatera barat INDONESIA

Abstract

Abstract

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Abstract

Abstract

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Abstract

Contact Name
Maltha Kharisma

Contact Email
psrunp@gmail.com

Phone
+6282284572574

Journal Mail Official
maltha.kharisma@fbs.unp.ac.id

Editorial Address
Universitas Negeri Padang Fakultas Bahasa dan Seni Departemen Seni Rupa Jl. Prof Dr. Hamka Kampus UNP Air Tawar, Padang

Location
Kota padang,

Sumatera barat

INDONESIA