cover
Contact Name
Maltha Kharisma
Contact Email
psrunp@gmail.com
Phone
+6282284572574
Journal Mail Official
maltha.kharisma@fbs.unp.ac.id
Editorial Address
Universitas Negeri Padang Fakultas Bahasa dan Seni Departemen Seni Rupa Jl. Prof Dr. Hamka Kampus UNP Air Tawar, Padang
Location
Kota padang,
Sumatera barat
INDONESIA
Serupa : The Journal of Art Education
ISSN : -     EISSN : 23023236     DOI : https://doi.org/10.24036/stjae
Core Subject : Education, Art,
Serupa: The Journal of Art Education menyambut baik kiriman yang memberikan wawasan tentang isu-isu terkini dan utama yang berhubungan dengan studi pendidikan maupun seni rupa. Jurnal ini menyediakan tempat bagi para peneliti dan praktisi pendidikan dan seni rupa untuk berdiskusi, mengejar dan mempromosikan pengetahuan di bidang yang muncul dan berkembang dalam studi pendidikan dan seni rupa. Bahasa naskah bisa dalam bahasa Indonesia. Harus ada diskusi kritis tentang masalah dan kontribusi baru dan signifikan untuk bidang terkait. Artikel dapat berasal dari salah satu bidang berikut: Pendidikan seni rupa, Seni Rupa, Kriya, Seni Grafis, Seni Patung, Seni Lukis, Seni Ukir Kayu,.
Articles 11 Documents
Search results for , issue "Vol 5, No 1 (2016): Seri A" : 11 Documents clear
KEHIDUPAN AYAM DALAM KARYA SENI LUKIS KONTEMPORER Eki Sajri, Drs. Idran Wakidi, Drs. Abd. Hafiz, M.Pd.
Serupa The Journal of Art Education Vol 5, No 1 (2016): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (698.813 KB) | DOI: 10.24036/sr.v5i1.8181

Abstract

Purpose raised chicken’s life is to visual and inform the public about the life of chickens that leads to a lot of people’s lives. Creating a work, there are several stages, namely : Preparation ( tools and materials ), the stage of elaboration, synthesis, the realization of the concept, and settlement. This thesis describes the behavior more chickens that tends to lead to a lot of people's lives from how chickens lay eggs, caring for the children to raise with patience and compassion. Visual form of the work is packed with the title : Telur, Menggeram, Menetas, Perhatian, Mencari Makan, Anak Ayam, Makan, Berkokok, Berkelahi, and Sihidung Belang.Kata kunci:hasil belajar, pembelajaran Seni rupa,model pembelajaran Problem Solving.
Pengaruh Model Pembelajaran Problem Solving terhadap Hasil Belajar Seni Budaya Sub Bidang Studi Seni Rupa Siswa Kelas VIII SMP Negeri 21 Padang Yumadiska Rahmadani, Dr. Ramalis Hakin, M.Pd., Drs. Suib Awrus, M.Pd.
Serupa The Journal of Art Education Vol 5, No 1 (2016): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (357.016 KB) | DOI: 10.24036/sr.v5i1.8204

Abstract

This study aims to determine the results studied art students taught using problem solving learning model is different compared with the results studied art students taught using conventional teaching methods. Hypothesis tested in this study is result of learning. Type of study is a quasi-experiment. Data collection was done through achievement tets is a test article ( theory ), a test used to be seen fist difficulty indek, distinguishing, and rehabilitation. Findings showed that; the learning outcomes of students in learning art taught using problem solving learning model is different from the learning outcome of students taught using conventional teaching methods. This is shown from the calculation of statistical tets used was the t-test which saw the average calculated in the same group with a level of 95%.Kata kunci : hasil belajar, pembelajaran Seni rupa, model pembelajaran Problem Solving.
BATAGAK PENGHULU DI NAGARI PANINGGAHAN DALAM KARYA SENI LUKIS REALIS Afandy, Drs. Efrizal, M.Pd., Drs. Irwan, M.Sn.
Serupa The Journal of Art Education Vol 5, No 1 (2016): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (845.039 KB) | DOI: 10.24036/sr.v5i1.8172

Abstract

This thesis aims to visualize of batagak penghulu in Nagari Paninggahan into realist painting. In determining the candidates to inherit the title of the families of the pusako in Nagari Paninggahan currently hard to get an agreement, because of the loss of a sense of mutual cooperation. It is interesting for the author to be appointed in a painting titled Batagak Penghulu in Nagari Paninggahan Realist Art in the Work. In the embodiment of ideas, the author subjects featuring human figures and other support that describes the activities Batagak penghulu. The author uses five stages in the creation of works of art, the preparation stage, the stage of elaboration, synthesis stage, the stage of realization of the concept, and the completion stage in the form of an exhibition of works end. Ten present writer created works with titles, namely: 1) “Musyawarah Kaum”, 2) “Pangulu”, 3) “Mambantai Kabau”, 4) “Maantan Jamba”, 5) “Hidangan Bajamba”, 6) “Pidotoa Pasambahan”, 7) “Pitunggua Laki-Laki”, 8) “Pitunggua Padusi”, 9) “Sumpah Janji Jabatan”, 10) “Baarak”. Each work displayed an activity of batagak penghulu in Nagari Paninggahan.Kata kunci: Batagak penghulu, seni lukis, realis
KEDONDONG, DURIAN, DAN MANGGIS SEBAGAI IDE UNGKAPAN DALAM SENI LUKIS SUREALIS Asep Kurniawan, Drs. Erfahmi, M.Sn., Yasrul Sami, S.Sn., M.Sn.
Serupa The Journal of Art Education Vol 5, No 1 (2016): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (571.747 KB) | DOI: 10.24036/sr.v5i1.8177

Abstract

The purpose of this final project is to explore the problem of hypocritical, honesty, and persistence through metamorphosis of Kedondong, Durian, and Mangosteen fruits into artwork of Surealist. The manifestation of art idea and supportive element as a subject matter which has sense and philosophy in that object. In its creating process, writer is using oil, and acrylic paint on the canvas by using Realist technique. The style that is used here is Surealist, a style that shows a freedom of creativity beyond the imagination, one of the characteristic is the change on the object. All 10 of the writer works have meaning about hypocritical, honesty and persistence in political environment and all of the works meaning appear in both positive and negative way.Key-Term : Kedondong, Durian, Mangosteen, Fine Art, Surealist
1FENOMENA LINGKUNGAN DAN KUPU-KUPU DALAM LUKISAN REALIS Drs. Irwan, M.Sn., Agung Kurnia, Drs. Erfahmi, M.Sn.,
Serupa The Journal of Art Education Vol 5, No 1 (2016): Seri A
Publisher : Jurusan Seni Rupa FBS UNP Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (457.162 KB)

Abstract

The purpose of this final project is to explore butterfly and environment phenomenon which is being threaten to be destroyed due to human activity on the earth through realist artwork. In its concept of manifestation, writer actualizes butterfly as main subject which illustrates the life of that insect. Writer illustrates butterfly and its environment that is contra with the real condition, writer presents artwork that relates to that problem in order to strengthen the concept. There are ten artworks in which explained the environment and butterfly phenomenon. That are: 1).Mulai Terhapus dari Tanah Tandus, 2). Tergusur, 3). Bisik yang Terusik (Bagian 1), 4). Bisik yang Terusik (Bagian 2), 5). Bisik yang Terusik (Bagian 3), 6). Sisa-Sisa Kebebasan, 7). Kisah Klasik, 8). Ironi Hidup, 9). Disingkir atau Menyingkir?, dan 10). Asa yang Sirna. Those artworks will apreciates the relation of environment and butterfly in order to educate people.Kata Kunci : Lingkungan, Kupu-Kupu, Seni Lukis, Realis
Visualisasi Bunga Mawar Melalui Teknik Sulam Pita Dan Bordir Sebagai Hiasan Dinding CINDY MEUTHIA FARIZA, Dra. Minarsih, M.Sn., Drs. Erwin A, M.Sn.
Serupa The Journal of Art Education Vol 5, No 1 (2016): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (457.28 KB) | DOI: 10.24036/sr.v5i1.8178

Abstract

Roses are also known as rose or the "queen of flowers". The roseis one of ornamental crops, which can be made into a beautifulyard. The beauty contained in the form of roses expressive andvisualize them via ribbon embroidery techniques and embroidery, will be born expressive forms show the personality style that creates the artwork. The work in the form Fine-Craft that prioritizes individual expression. Thus, the title of this thesis is "Visualization roses Through Ribbon embroidery techniques and embroidery as Wall Hanging". The creation of this work aims to visualize the beauty of roses with ribbon embroidery techniques and embroidery as wall hangings. Time in making this thesis starts from May to July 2016. The resulting work is as much as 7 work wall hangings, with the theme of roses displayed in a variety of species of roses. The title of the work produced is courage, gratitude, happiness, gratitude, joy, passion and harmony.Keywords: Roses, Ribbon Embroidery, Embroidery
EKSPRESI KEBEBASAN DIRI DALAM KARYA SENI LUKIS KONTEMPORER ALLEN SAPUTRA, Drs. Abd. Hafiz, M.Pd, Drs. Erfahmi, M.Sn.
Serupa The Journal of Art Education Vol 5, No 1 (2016): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (988.61 KB) | DOI: 10.24036/sr.v5i1.8174

Abstract

Interest visualize the freedom of self expression in the works of contemporary painting. Humans are given the freedom of expression in any circumstances affect their lives. By expressing man makes the burden of thinking becomes lighter and can even find the solution of the problems it faces. In essence, no man is free, because human beings are bound in their activities. Ten paintings contemporary style that is created through a process that begins with the search for ideas, and the idea gained poured out in the form of sketches, followed by visualizing the form of painting.1). "Tumbuh dari Dalam", 2). "Bayangan", 3). "Control", 4). "Sendiri", 5). "Untitled" 6). "Tenang", 7). "Passion", 8). "Freedom", 9). "Brain # 1", 10). "Brain # 2". Visualization idea pour writer is the freedom of self expression and how this writer a freedom based on the experience that the author experienced.Kata kunci : Seni Lukis, Kontemporer, Ekspresia
VISUALISASI EKSPRESI WAJAH DALAM KARYA LUKIS REALIS DEDE KURNIAWAN, Ir. Drs. Heldi, M.Si., Drs. Abd. Hafiz, M.Pd.
Serupa The Journal of Art Education Vol 5, No 1 (2016): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (819.914 KB) | DOI: 10.24036/sr.v5i1.8179

Abstract

This thesis aims to meaning of various human facial expressions into the media of painting through a different perspective in a non-verbal language. Behavior through mind giving motion effects that can be read, the theoretical study of the motion comes as spontaneous thoughts due to certain conditions.Variety of facial expressions which appear in everyday not only be passed or ignored, but after exploration of facial expressions can be appreciated by a work of art that can be enjoyed by many people, so the meaning behind facial expressions can be known through the media of painting, there are 10 tittles of thesis there are: 1. Happiness, 2. Appreciations, 3. Sad, 4. Repugnant, 5. Surprised, 6. Shock, 7. Thinking, 8. Search, 9 tired, and 10. AngryKata Kunci : Mengungkap berbagai makna ekspresi wajah manusia ke dalam media lukis melalui perspektif yang berbeda dalam bahasa rupa.
PERBEDAAN HASIL BELAJAR PRAKTIKUM CETAK SARING YAN MENGGUNAKAN METODE KERJA KELOMPOK DENGAN PEMBERIAN TUGAS INDIVIDU PADA SISWA KRIYA TEKSTIL SMKN 4 PADANG Aminur Miswah, Drs. Eswendi, M.Pd., Drs. Wisdiarman, M.Pd.
Serupa The Journal of Art Education Vol 5, No 1 (2016): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (385.323 KB) | DOI: 10.24036/sr.v5i1.8175

Abstract

The purpose of this study was to examine differences in learning outcomes practicum screen printing between ( 1 ) a method of group work by giving individual assignments in SMKN 4 Padang, ( 2 ) group work method with the conventional method in SMKN 4 Padang, ( 3 ) the provision of individual tasks with methods conventional SMKN 4 Padang. Samples were students of class XI Textile Craft SMKN 4 Padang taken by purposive sampling technique. Data collected by using the performance test. The findings of the study are ( 1 ) There are differences in learning outcomes between methods practicum Screen Printing group work by giving individual assignments at the Department of Textile Craft SMKN 4 Padang. ( 2 ) There are differences in learning outcomes between the Screen Printing lab group work method with conventional methods SMKN 4 Padang. ( 3 ) There is no difference in learning outcomes between the administration practicum Screen Printing individual tasks to conventional methods in SMKN 4 Padang.Kata kunci: metode kerja kelopok, pemberian tugas
STUDI TIPE RUMAH GADANG DAN PENEMPATAN MOTIF UKIR PADA KAWASAN SARIBU RUMAH GADANG DI NAGARI KOTO BARU KABUPATEN SOLOK SELATAN DOSI YULINA FITRI, Drs. Erfahmi, M.Sn., Eliya Pebriyeni, S.Pd., M.Sn.
Serupa The Journal of Art Education Vol 5, No 1 (2016): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (313.493 KB) | DOI: 10.24036/sr.v5i1.8180

Abstract

The purposes of research are describing: 1) types of rumah gadang 2) placements of wood carving 3) differences of wood carving placement atrumah gadang gonjong anam baanjuang and rumah gadang gonjong tujuah. Theory that used are theory about culture, rumah gadang, types of rumah gadang, carving, tradition, and placements.This research using qualitative method with descriptive approach. Type of data are primary and secondary data which the source of primary data is getting directly from informan statements while secondary data from the books and study literature, data are collecting through observation, interview, and documentation.Kata Kunci: Tipe dan Penempatan Motif Ukir

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