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Studi Budaya Nusantara
Published by Universitas Brawijaya
ISSN : -     EISSN : 26211068     DOI : -
Core Subject : Religion, Humanities, Art, Social,
Religion Arts Humanities Environmental Science Social Sciences
Jurnal Studi Budaya Nusantara (SBN) adalah media komunikasi ilmiah yang diterbitkan oleh Jurusan Seni dan Antropologi Budaya, Fakultas Ilmu Budaya, Universitas Brawijaya Malang. Jurnal ini dimaksudkan untuk mewadahi hasil penelitian dan kajian ilmiah di bidang seni dan budaya Nusantara sebagai bentuk sumbangan masyarakat ilmiah bagi pengembangan wawasan seni dan budaya dalam kehidupan masyarakat yang lebih luas. Terbit 2 kali setahun (Juni dan Desember).
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Articles 6 Documents
 1 
Search results for , issue "Vol. 3 No. 1 (2019)" : 6 Documents clear
"MBLANDONG" UNTUK MENOPANG PEREKONOMIAN MASYARAKAT PINGGIR HUTAN : SUATU PENDEKATAN HISTORIS ANTROPOLOGIS (Kasus : Di Desa Kawengen Kabupaten Semarang) Hendro, Eko Punto
Studi Budaya Nusantara Vol. 3 No. 1 (2019)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2019.003.01.02

Abstract

Abstract In the people of Kawengen Village, "mblandong" is the best economy activity. They have ignored legal or illegal rules, because at the reality, mblandong can develop of the other sector of economy at their village, to the agriculture, carbon industies, industries of handicraft and furniture. Beside that, mblandong also can available to the building material. In this case, mblandong very important for economic, and than mblandong will be custom or folkways of The Kawengen people.
FUNGSI TRADISI BEDAH BLUMBANG DALAM PELESTARIAN AREA KONSERVASI AIR DI KAKI GUNUNG UNGARAN KABUPATEN SEMARANG Wiyatasari, Reny; Lathifah, Afidatul
Studi Budaya Nusantara Vol. 3 No. 1 (2019)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2019.003.01.01

Abstract

Abstract Bedah Blumbang carried out in Dusun Gintungan, Semarang District that near from Ungaran Mountain is a series of merti desa ceremonies or often known as the cleaning village tradition. This article discusses how the role of the bedah blumbang in the practice of water resources conservation at the Ungaran Mountain and the meaning of the tradition in the Gintungan Hamlet community. The practice of bedah blumbang has undergone a variety of changes and improvisations, ranging from procedures, completeness of ceremonies, to community involvement. Not only the Gintungan?s community is involved, but also the stakeholders at the government level. Bedah blumbang is also one of the tourist attractions in Dusun Gintungan . The abundance of water in Dusun Gintungan has also not been well managed, people thinking that water is a resource that will not run out so people tend to use it without limits. However, the myths that develop in the community around the source of the spring become the control of the community in utilizing the natural resources around them, especially water resources. Bedah blumbang functions as a guardian of tradition, guards of harmony between residents, a tour event, and as a reminder of their ancestors. The process of environmental conservation indirectly occurs when remembering myths about ancestors, thus residents continue to maintain the sustainability of blumbang which is a source of water for residents of Gintungan Hamlet and its surroundings. This research is qualitative research with data collection techniques in the form of in-depth interviews and participant observation. In-depth interviews and observations are intended to obtain primary data.
KESADARAN EKOLOGI DALAM MITOS DI TELAGA RAMBUT MONTE DESA KRISIK, KECAMATAN GANDUSARI, KABUPATEN BLITAR Fitrahayunitisna, Fitrahayunitisna
Studi Budaya Nusantara Vol. 3 No. 1 (2019)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2019.003.01.03

Abstract

Abstract Myth as a folklore is a genre of oral literature. Myth on Java is a story that contains Javanese beliefs about occult things. The interesting thing about the myths of Rambut Monte is the values impicitly related to ecological consciousness. It is also related to consciousness of society about sustainably environment. The myths that people believe in Rambut Monte implicate for sustainability of nature. This is related to the roles and functions of the myth. This research is a descriptive qualitative study. The qualitative data collected by interview, observation, and study of documentation. Step of analizing data started by transcribing the result of interview from informants. Then, the results of the transcript were translated. Data from observation and documentation are reorganized as a secondary data. The myths found in this study are the myths about origins name of Rambut Monte, holy lake water, the God fish, old trees, and the danyang of Rambut Monte. The ecological consciousness are found in the myths are about the value of respecting nature, conservation values, the value of respecting living things, and the value of ecological harmony. The myths are play the role and function as a media to educate and spread a message to community abaut the ecological consciousness. Therefore, these myths are also has a role as disequilibrium decomposer between human and nature.
SUBJEKTIVITAS KOLEKTIF : KRISIS EKSISTENSI DALAM KARYA SENI Iksan, Nur
Studi Budaya Nusantara Vol. 3 No. 1 (2019)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2019.003.01.04

Abstract

Abstract As dynamic humans beings who are obliged to always improve the quality of their life, they should not adjust and neutralize about their value for the outside offer. Ideally, human must engaged in every process and be the subject for it if they want to be a true self. A process that undertake to get a holistic knowledge as a perfection foundation for the meaning of their life. Being themself and be men that freely and be aware of all their actions. A consequence must faced with put the choice based on the autonomous authority, for a faith and appreciation in the activity. However, in the global mode for this time, we will very difficult to find the human of life that are able to reach into authenticity in themself. In the reality, through the mass media the authoritarian rule legal and illegal have created mass culture in a view. This phenomenon can be seen in the work of the mass media that presents the imagination that artificial continuously with mechanisms of hypnosis as injection technique awareness. A uniformity system that offers “ established ” with basic systems of material, imaging, social status and even morality. The offering above without based of knowledge about subjectively will increasingly the encourage individuals in experiencing an identity crisis, aware for media massa presenting and the end it’s make a majority view of society. The phenomenon described above as an idea of the creation printmaking art works with an autocriticism charge of the human condition is experiencing an existential crisis, by using the method of creation: exploration, brainstorming, and shaping or embodiment.the process of assembling the excess of graphic work through reproduction into the canvas medium with puzzele techniques. Art work of the collective subjectivity theme is expected to be a reflective media of humans in an existential crisis.
KAJIAN ESTETIKA SENI BATIK KONTEMPORER MELALUI KARYA KOLABORASI SENIMAN AGUS ISMOYO-NIA FLIAM Ernawati, Ernawati
Studi Budaya Nusantara Vol. 3 No. 1 (2019)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2019.003.01.05

Abstract

Abstract The purpose of this research is to understand batik art contemporary aesthetics created by collaboration of artists Agus Ismoyo-Nia Fliam. This research use qualitative description method using art criticism and aesthetics approach from meaning and fungction of the work aspect. The result of this research, show that the meaning of batik art contemporary contain aesthetic values include cosmological cultural values that is manifested bt visual form and inspired by nature/cosmos. Symbolic value that is an image that contains the meaning and ethical values or attitudes of a cultured life orientation. Work art has personal and social fungtions. This is important in addressing the work of artists as intangible knowledge, knowledge transfer method by local basis and value of main tradition as a concept of growth in work art.
PEREMPUAN DAN PANGGUNG DIALOG KEINDAHAN DUA SISI DUNIA PERAN Rohman, Muh Fatoni
Studi Budaya Nusantara Vol. 3 No. 1 (2019)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2019.003.01.06

Abstract

Abstract This article is about women's relations and the stage in performing arts. So far the relationship between the two has been read through internal readings that reveal the existence and dominance of gender. So in this paper, the external context is presented in analyzing the relationship between women and the performing arts stage. In this context, the process of reading relations between women and performing arts can be done by putting these two variables in the function of subjects and objects so that in this paper two reading perspectives are produced, namely: (a) The role of women in the stage, and (b) Functions stage for women. In the part of women's role on the stage can be seen in the analysis of female figures of performing arts (actress R.A. Srimulat and Tjijih) and women's functions in the performance stories (in the story of Sarip Tambak Oso). Whereas on the stage function for women, it can be seen that as a means of movement, the stage gives the same proportion between men. But as a means of expression, the stage provides more open space for women.

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