cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Nita Mustikawati
Contact Email
arifabadi15071978@gmail.com
Phone
+6289648003473
Journal Mail Official
jurnalpantunisbi@gmail.com
Editorial Address
Jl. Buahbatu no. 212 Bandung 40265
Location
Kota bandung,
Jawa barat
INDONESIA
Pantun: Jurnal Ilmiah Seni Budaya
Published by Institut Seni Budaya Indonesia Bandung
ISSN : 24077143     EISSN : 27157350     DOI : 10.26742/pantun
Core Subject : Humanities, Art,
Arts Humanities
Pantun merupakan jurnal ilmiah seni dan budaya, ilmu pengetahuan, dan disiplin ilmu yang berkaitan dengan kedua wilayah kajian tersebut. Pantun memiliki tanggung jawab untuk mengembangkan seni dan budaya lokal-tradisi, sekaligus perhatian terhadap dinamika seni dan budaya mutakhir (kontemporer) yang berlangsung di tengah-tengah tradisi kosmopolit.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 7 Documents
 1 
Search results for , issue "Vol 2, No 2 (2017): Konservasi, Visualisasi, Tradisi, dan Mitos" : 7 Documents clear
Selisik Leluhur Lagu Anak Sunda Untuk Prestasi Belajar Siswa Hendy Yuliansyah
PANTUN Vol 2, No 2 (2017): Konservasi, Visualisasi, Tradisi, dan Mitos
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (197.5 KB) | DOI: 10.26742/pantun.v2i2.756

Abstract

A song is one of the universal human products. As the work of art, a folk song is rarely appreciated by the public. However, it saves signifcance which can certainly be applied for the beneft of education. The research tries to disclose three children Sundanese songs, they are, ucang-ucang angge, cing caripit kajapit, and oray-orayan. The lyrics and the song embody the creativity that can help children learning. Although not directly related to religious teachings, this song becomes a good stimulus for the students to be consistent in learning.Keyword: Culture, Creativity, Song, Work of Art
Pengenalan Cagar Budaya Pasar Gede Harjonagoro Surakarta Bagi Generasi Muda Melalui Video Time Lapse Rudy W Herlambang; Mohammad Suharto; Jauhari .; Nadia Sigi Prameswari
PANTUN Vol 2, No 2 (2017): Konservasi, Visualisasi, Tradisi, dan Mitos
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (911.615 KB) | DOI: 10.26742/pantun.v2i2.761

Abstract

Cultural heritage which refers to objects among others are culturally protected materials, buildings, sites, and areas either in the land or in the water. Those culturally protected materials have signifcant values for history, knowledge, education, religion, and culture through the statement process. Surakarta City Planning Service owns 127 culturally protected buildings. Pasar Gede Harjonagoro is one of the cultural heritage functioning as the oldest traditional market; the centre of the people’s economic activities; and the sociocultural sphere of Surakarta society. Introducing cultural heritage to the youthcan be done by utilizing the technology sophistication. One of them is by designing audio visual by time lapse technique. Time lapse technique is the process of taking sequence frames of Surakarta cultural heritage with a certain duration. Audiovisual media are expected to increase new atraction and interest for the spectators. The result of the study is aimed to share knowledge and cultural education to all society in general and the youth in specifc.Keywords: Time lapse, culturally protected objects, cultural heritage, Pasar Harjonagoro Surakarta
Mitos Tradisi Perayaan Tahun Baru Imlek Jepriyanti Br Tambunan; Sridevi Hutauruk; Zeco Hamos Sianno Pardede
PANTUN Vol 2, No 2 (2017): Konservasi, Visualisasi, Tradisi, dan Mitos
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (373.283 KB) | DOI: 10.26742/pantun.v2i2.757

Abstract

Indonesian has about 300 ethnic groups. Each ethnic groups has an ethnic heritage developed over the centuries that is infuenced by Indian, Arabic, European and Chinese culture, that is Chinese New Year. The celebrations of Chinese Lunar New Year are held by the farmers in China on the first day of the frst month at the beginning of the new year. This celebration is also closely related to the spring festival that begins on the 30th of the 12th month and ends on the first 15th of the month or better known as Cap Go Meh. This Lunar New Year tradition falls in February. Imlek began to be known since the time of the Xia Dynasty. At the celebration of Chinese New Year, many myths are still believed by the Chinese community. Myths are believed to be something that some people believe, commonly used to frighten, warn, or tell them in a sustainable way. This study tries to fnd out the myths of Chinese New Year tradition. The study applies the theory of Bronislaw Malinowski. The result of the study shows the myth of tradition from the Chinese New Year celebrations in Chinese society.Keywords: Chinese New Year, tradition, myth
Konservasi Kesenian Goong Gede pada Masyarakat Desa Citorek, Lebak-Banten Wisnu Wirandi
PANTUN Vol 2, No 2 (2017): Konservasi, Visualisasi, Tradisi, dan Mitos
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (314.247 KB) | DOI: 10.26742/pantun.v2i2.762

Abstract

Goong Gede art communicates the old history of the ancestors of the people. The event is the belief manifestation toward the relationship from the past until the present and the future. The belief forms the basis of the people’s expressions to ward the phenomena in the socio cultural surrounding by obeying the customary rules in Citorek village either related to the agricultural or daily life maters. The values convinced by the people become the media of the sociocultural and the environment conservation of the society. The conservation of Goong Gede is the manifestation of identity protection of surrounding culture from the e?ect of globalization. This study is aimed to analyze and interpret the myth of Goong Gede as the identity of Citorek People in Lebak Banten.Keywords: Conservation, Goong Gede, identity, myth
Perkembangan Fungsi dan Pertunjukan Tradisi Kuda Renggong di Sumedang Utara Memed Ruswandi
PANTUN Vol 2, No 2 (2017): Konservasi, Visualisasi, Tradisi, dan Mitos
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (304.842 KB) | DOI: 10.26742/pantun.v2i2.759

Abstract

Kuda Renggong is an art growing and developing from Sumedang regency which has function as ritual means of circumsicion, gusaran, and welcoming guests. Nowadays, the functions also develop as entertainment in the context of circumsicion party, welcoming guests, birthday, and festival. The performance of Kuda Renggong contains the elements of music, dance, and costumes. This study is about the changing of the community and the culture toward the tradition of Kuda Renggong arts in North Sumedang. Diachronically, the analysis is based on the interviews to the players/performers of Kuda Renggong from the youngest to the oldest, penanggap (the host inviting or paying for the performance), the community fgure, and the spectators. The changes are shown on the musical instruments, costumes, the dancers atraction, and the technology. Besides, it is now also supported by the city community. In other words, Kuda Renggong is in?uential to the changing of the culture and the people.Keywords: development, function, society, Kuda Renggong
Visualisasi Seni Keramik Karya F. Widayanto Yuda Nugraha Jamaludin
PANTUN Vol 2, No 2 (2017): Konservasi, Visualisasi, Tradisi, dan Mitos
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (504.597 KB) | DOI: 10.26742/pantun.v2i2.764

Abstract

The polemic on the ceramic is a form of the artists’ explorations as their personal expression media. Generally, ceramic tends to be part of an applied art. The anxiety is related to the view that ceramic is a usable thing. F Widayanto popularizes the ceramic art to the world of fne art exhibition. His artwork has distinctive characteristic on the tradition with detail curve and the coloring glaze which tends to be eye-fascinating. The visualization on his works is beyond the function rules tied to ceramic.This study is aimed at in-depth analysis on the visualization of F. Widayanto’s ceramic artworks. The method applied is qualitative by using Clive Bell aesthetic approach, in which started by datacollection and then analysis of F. Widayanto’s ceramic artworks. Basically, ceramic art is not merely about moving the word “ceramic” to the arts. Ceramic, although labelled as traditional arts, is proved to be existed among other contemporary artworksKeywords: F. Widayanto, ceramic art, visualization, aesthetic
Simbol Diskursif dan Presentasional Dalam Video Clip Tongtolang Sambasunda Anggit Surya Jatnika
PANTUN Vol 2, No 2 (2017): Konservasi, Visualisasi, Tradisi, dan Mitos
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (827.902 KB) | DOI: 10.26742/pantun.v2i2.755

Abstract

Video clip is one of symbolic media functioning to deliver information to public. The research focuses on analysing the audio visual of Sambasunda’s video clip Tongtolang. The research aims to uncover the discursive and presentational symbol of Sambasunda’s video clip Tongtolang. The research applies Susanne K. Langer’s symbolic approach that is discursive and presentational. Discursive symbol is analyzed through music, lyric, and the visual of Sambasunda’s video clip Tongtolang. The presentational symbol is analyzed through the whole discursive symbols in the video clip. The result of the analysis shows that discursive and presentational symbol of Sambasunda’s video clip Tongtolang is a paradox expression of the Tongtolang lyric. When the character Bapa in the video clip practices or falls down to the polygamy, he actually goes up because of geting the girl he wants. The man falls to the above, meaning that he denies the truth he has been holding. He tries to fnd ‘the way to the above’. He actually goes up when he falls down.Keywords: Discursive and presentational symbol, video clip, tongtolang, Sambasunda

Page 1 of 1 | Total Record : 7

 1 

Filter by Year

2017 2017


Reset
Filter By Issues
All Issue Vol. 10 No. 1 (2025): Interdisciplinary Approaches to Cultural Expression in Modern Art, Media, and Vol. 9 No. 2 (2024): The Role of Art and Culture in Shaping Social, Historical, and Psychological Di Vol 9, No 1 (2024): Interdisciplinary Explorations in Cultural Expression: From Traditional Arts to Vol. 9 No. 1 (2024): Interdisciplinary Explorations in Cultural Expression: From Traditional Arts to Vol. 8 No. 2 (2023): Exploring Cultural Narratives and Artistic Expressions Vol 8, No 2 (2023): Exploring Cultural Narratives and Artistic Expressions Vol 7, No 2 (2022): Keragaman Seni Tradisional & Media Baru Vol 7, No 1 (2022): Ritual, Seni, dan Rekayasa Budaya Vol 6, No 2 (2021): Karakter Seni Lokal Untuk Penguatan Budaya Nusantara Vol 6, No 1 (2021): Glokalisasi Seni Budaya dalam Tranformasi Mitos dan Spiritualitas Vol 5, No 2 (2020): Kolaborasi Seni Desain, Film, dan Media Digital Vol 5, No 1 (2020): Kolaborasi Seni Vol. 4 No. 2 (2019): Kuasa Seni Tradisi Dalam Dialektika Modern Vol 4, No 2 (2019): Kuasa Seni Tradisi Dalam Dialektika Modern Vol 4, No 1 (2019): Fenomena Kultural Dalam Paradigma Multikultural Vol 3, No 2 (2018): Kreatif, Inovatif, dan Industri Kreatif Vol 3, No 1 (2018): Estetika Budaya Urban Vol 2, No 1 (2017): Media Dalam Dinamika Seni Vol 1, No 2 (2016): Dialektika, Seni Budaya Nusantara Vol. 3 No. 1 (2018): Estetika Budaya Urban Vol 2, No 2 (2017): Konservasi, Visualisasi, Tradisi, dan Mitos Vol 1, No 1 (2016): Pra Modern, Modern, Post Modern Vol. 1 No. 1 (2016): Pra Modern, Modern, Post Modern More Issue