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INDONESIA
Besaung : Jurnal Seni Desain dan Budaya
Published by Universitas Indo Global Mandiri
ISSN : 25028626     EISSN : 25494074     DOI : -
Core Subject : Art, Social,
Arts Social Sciences
Besaung is a scientific journal Visual Communication Design Study Program, Faculty of Government and Culture of the University of Indo Global Mandiri which includes the results of research, meetings, community service, conceptual coordination (thinking), and analytical studies in the fields of art, design and culture. Besaung is expected to be a medium for writers to publish their works, so publishing this journal can help in advancing science in the fields of art, design and culture. This journal is published twice in one year in March and September.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 6 Documents
 1 
Search results for , issue "Vol 2, No 2" : 6 Documents clear
KAJIAN SEMIOTIKA PADA IKLAN TELEVISI OLX.CO.ID “BEKAS JADI BERKAH” Bobby Halim
Besaung : Jurnal Seni Desain dan Budaya Vol 2, No 2
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (498.436 KB) | DOI: 10.36982/jsdb.v2i1.277

Abstract

The purpose of this research is to know the semiotics of an OLX commercial named with “Former became Blessing”. It examined the relationship of laying camera angle in influencing message delivered by a TVC and how the cinematography is used as a visual rhetoric. The study was conducted qualitatively by semiotic analysis approach to the film. Itanalyzed by using a diachronic view of signifier and the signified. This study reveals the meanings contained in the TVC OLX.co.id “Former became Blessing”. By using one of the theories of Ferdinand de Saussure, TVC is the subject of the study authors described a scene. Presented through tables and also in the form of a paragraph so that the reader can follow the process of analysis that has been done by researchers. Keywords : commercial, semiotics, film, cinematography
MAKNA AYUNAN REJUNG PADA MASYARAKAT PULAU BERINGIN Silo Siswanto
Besaung : Jurnal Seni Desain dan Budaya Vol 2, No 2
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (705.024 KB) | DOI: 10.36982/jsdb.v2i1.278

Abstract

Rejungan is the another name of batanghari sembilan based on the writing of firmansyah the name of batang harii sembilan music as a new thing for listener and actor the society pagaralam and semende its not only as same as melody but it has philosophy is in the music . it can clarified that rejung is not only a art of music based on art experienced only but rejung as a result of representation or reflection from society habitual in semende ethnic.Ayunan umak and ayunan anak in the music rejung became a media of communication for society of semende ethnic either as a medium of entertainment or as a medium of learning to aquentance value of religion whereas the value of customs for childern and society semende ethnic with the religious leaders although the customary leaders because of ayunan became important thing to rejung it means the word ayunan has own meaning for society semende ethnic. The result of research that got comprehesion to philosophy ayunan rejung it has the value of localwisdomKeywords : Rejung – ayunan – meaning – society of pulau beringin
MAKNA DAN NILAI SIMBOLIS UPACARA KEMATIAN YANG DILAKSANAKAN OLEH MASYARAKAT DESA SELEMAN KABUPATEN KERINCI-JAMBI Mukhsin Patriansyah
Besaung : Jurnal Seni Desain dan Budaya Vol 2, No 2
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (424.55 KB) | DOI: 10.36982/jsdb.v2i1.274

Abstract

Human beings are cultured, this is manifested because of an interaction between humans and the universe in which it is located On that basis then the diversity of cultures of ethnic groups around the world according to their mindset by learning from the environment in which they live. Culture is created by human activity. This human activity can be seen from various aspects such as marriage, ceremonies of death, art, customs and so forth. Man as a creature that creates culture is an inseparable unity, although man will die later, but what he has obtained will be passed on to his future generations. For the villagers of Seleman, death is not just a matter of the exodus of the spirit, but it is also a sacred event that becomes the entrance of man to the next. Death is not the end of the journey of human life, but it is the beginning of another life. As the beginning of a new life, it is natural to prepare all the necessities needed in a new life. The ceremony of death conducted by the community of Seleman Village Kerinci-Jambi Regency, if examined deeply, then it contains values and concepts in social science that can be used as a reference in life together and the provision of life in the future. These values include mutual cooperation, humanity, andreligion.  The value of mutual cooperation and humanity is reflected in the behavior of the people around the family who are experiencing the disaster. In this case, without being asked, every family came to express their condolences and help by sending one of their members (women) to the house of a mourning family carrying some rice. Meanwhile, the men, in addition to assisting in the preparation of burials, also prepared the woodsneededforcookinginordertosave (Festivity). Keywords : Culture, Death Ceremony, Seleman, Value, Mutual Cooperation.
MOTIF HIAS PADA TIANG PENYANGGAH KERATON YOGYAKARTA : TINJAUAN SEMIOTIKA DAN SOSIOLOGI SENI Yayan H Hariansyah
Besaung : Jurnal Seni Desain dan Budaya Vol 2, No 2
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (699.239 KB) | DOI: 10.36982/jsdb.v2i1.279

Abstract

Kraton Yogyakarta as a cultural center in Yogyakarta Special Province. has many interesting things to observe and researched one art in the field of fine arts or ornamental motifs, decorative motifs are made not just to decorate the empty space of a field but has its own meaning and philosophy, let alone decorative motifs are located on the pole buffer Kraton Yogyakarta and special places that have a sacred value. Kraton Yogyakarta has a valuable cultural value that is interesting to be studied, in this study focused on the carvings that are in the pole buffer Kraton Yogyakarta, namely Alif Motifs, Lam, Meme and Motif Ornamental Princess Merong. This decorative motif tells about the transition of the entry of Islam as the ideology of the Sultan's Palace and the rejection of the previous religion. Ornamental motifs Alif, Lam, Mim and Princess Merong will be studied with theoretical approach of signs or Semiotics, in addition to more precise and depth will be used Historical and Sociological approach of art. With the hope of this study can understand the history of the establishment and the official religion as the Sultan's Palace ideology, and can understand the textual ornament motif. Keywords : Ornamental Motif, Alif Lam Meme, Princess Merong, Kraton Yogyakarta.
EKSISTENSI SENI KERAJINAN DI MUSEUM BALAPUTRA DEWA NEGERI SUMATERA SELATAN Husni Mubarat
Besaung : Jurnal Seni Desain dan Budaya Vol 2, No 2
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (568.482 KB) | DOI: 10.36982/jsdb.v2i1.275

Abstract

The art of craft in Balaputra Dewa Museum of South Sumatra is basically a reflection of the cultural values of past societies, where it contains historical, social and aesthetic values. Each of the handicraft products in the museum of Bala Putra Dewa has its own uniqueness, both in terms of engineering workmanship, materials used, and its function in the life of the community supporters. The objectives of the research are: (1) to know and understand the form and function of art of work that exist in Balaputra Dewa Museum, (2) as a medium for study and appreciation in the context of art of craft (art of craft) and culture, (3) insight and art course subject matter and design, (4) as an effort to be developed to the stage of further research. The method used is observation made through direct observation of art craft products that exist in the museum Balaputradewa Palembang. The observations made on art craft products are the types of crafts, shapes, functions and materials used. Outline of the results of this study is the function of craft art products, engineering workmanship, materials used, concepts and values contained therein.Keywords: Art Craft, Presence, Museum Balaputra Dewa Negeri Sumatera Selatan   
PERKEMBANGAN SENI GRAFIS DI PALEMBANG KONTINUITAS DAN PERUBAHANNYA Heri Iswandi
Besaung : Jurnal Seni Desain dan Budaya Vol 2, No 2
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (553.771 KB) | DOI: 10.36982/jsdb.v2i1.276

Abstract

Be segmented in a particular mainstream. Let us not limit and discuss the technique or media, which is important in the content. Modern graphic art is conventionally defined as a two-dimensional work that utilizes printing processes such as high print (relief print), in-print (intaglio), flat print (planography), and screen printing (serigrafi, screen printing) that are part of the construction of the art area pure. But as far as the development of print technology is concerned, this conventional conception needs to be questioned again whether the agreed convention values should be run in place and undeveloped, while the development of the times with all dimensions continues to move forward. Conventional graphic art can not be closed from the changing times. Contemporaryization is an option. Because, in fact this country does not have the roots of graphic art tradition. Graphic art can be roughly classified as one of pure art, based on the purpose and function that is carried, that is to satisfy or express themselves. As for if the goal has been shifted from the initial goal to fulfill kepuaasan or express themselves, then the question arises whether the graphic art can be classified into pure art or applied art. this needs further study. Keywords:  Fine art, Graphic arts, Its development.

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