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Riyana Rizki Yuliatin
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Tamumatra : Jurnal Seni Pertunjukan
Published by Universitas Hamzanwadi
ISSN : -     EISSN : 26217244     DOI : 10.29408/tmmt
Core Subject : Education, Art,
Arts Education
Jurnal TAMUMATRA (e-issn: 2621-7244) mempublikasikan hasil penelitian dan kajian analitis dalam bidang pendidikan seni dan seni pertunjukkan drama, tari, dan musik. TAMUMATRA terbit dua kali setahun yaitu Juni dan Desember
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 12 Documents
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Search results for , issue "Vol 1, No 1 (2018)" : 12 Documents clear
Bentuk dan Fungsi Pertunjukan Teater Amaq Abir di Sanggar Pustaka Budaya Desa Marong Zuhri, M. Ihsan; Markarma, Muh Ridwan; Yuliatin, Riyana Rizki
TAMUMATRA Vol 1, No 1 (2018)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v1i1.1128

Abstract

This study aims to describe the form and function of Amaq Abir theater performance at the Marong Village Cultural Literature Studio, Praya Timur District, Lombok Tengah. The research was conducted in Nyampe Hamlet, Marong Village, Praya Timur District. The approach used in this study was qualitative descriptive. The object in this study is the Amaq Abir theatre which includes the form and function of the show. From the results of the study found about: 1) the form of the show, which includes elements in theatrical performances namely: theme, plot, characterization, language, messages, and settings. Supporting elements of the show related to the artistic system, namely: stage management, decoration, sound system, lighting, makeup, and fashion. 2) the theater function of Amaq Abir consists of a) function as entertainment, b) function as social criticism, and 3) function as an economic.  
Wacana Pos-Dramatik dalam Teater Pooh-Pooh Somatic: on Crowd of Biographies Karya Kalanari Theater Movement Yogyakarta Cantini, Cucum
TAMUMATRA Vol 1, No 1 (2018)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v1i1.1124

Abstract

The Pooh-pooh Somatic: On Crowd of Biographies that Kalanari Teater Movement has performed at Pusat Kebudayaan Koesnadi Hardjasoematri, Gadjah Mada University on August 22 2017, has become one of the dramatic theater movement of discourse to the post-dramatic. The phenomenon of the death of the text has come to the fore in Indonesian performing arts. This review will discuss the discourse of drama production by reaching out the Lehmann post-dramatic phenomenon. The death of conventional texts that are present in the drama-script, turns into a phenomenon of the emergence of theater productions that put the body forward rather than the language that was previously the main standard to convey meaning to the audience. Through Foucalt's perspective of discourse, this study will discuss the process of dramatic theater movement from dramatic to post-dramatic. The point of this paper is that post-dramatic theater becomes part of the performing arts that remains part of contemporary drama or theater. While not exploiting text or language, symbols and sounds have been communicated to the audience. In this case, the narration through symbols and sounds is agreed as a universal language.

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