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I Gusti Made Widya Sena
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INDONESIA
Pangkaja: Jurnal Agama Hindu
Published by Institut Hindu Dharma Negeri Denpasar
ISSN : 14127474     EISSN : 26232510     DOI : -
Core Subject : Religion, Education, Social,
Religion Education Social Sciences
Pangkaja: Jurnal Agama Hindu dengan No ISSN 1412-7474 dan e-ISSN 2623-2510 yang dikeluarkan oleh LIPI dikelola oleh Pascasarjana Institut Hindu Dharma Negeri Denpasar dan diterbitkan oleh IHDN Denpasar Jurnal Pangkaja adalah media untuk mempublikasikan hasil penelitian yang berkaitan dengan berbagai masalah Agama, Sosial dan Budaya Hindu yang semakin kompleks dewasa ini seiring perkembangan globalisasi. Jurnal ini terbit dua kali dalam setahun yakni pada bulan Maret dan September. Fokus Jurnal Pangkaja : Agama Hindu, Sosial dan Budaya Hindu
Arjuna Subject : Seni dan Humaniora - Studi Agama
Articles 24 Documents
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Search results for , issue "Vol 22, No 1 (2019)" : 24 Documents clear
Perayaan Sarasvati sebagai Pemuliaan Pengetahuan Surada, I Made
PANGKAJA: JURNAL AGAMA HINDU Vol 22, No 1 (2019)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pkj.v22i1.1667

Abstract

Sarasvati is the name one of the personifications Ida Sang Hyang Widhi Wasa as ruler of science. Sarasvati as a symbol of awareness and enlightenment has taken root and entrenched in Indonesian, manifested in various forms of religious activities, including ceremonies and ceremonies. The worship of Dewi Sarasvat means to worship and support the knowledge of high values and knowledge. Science and understanding are the most powerful weapons to drive away ignorance. Sarasvatī is like a torchbearer for Hindus, freeing Hindus from the darkness of mind, grief, anger which is the cause of misery. The meaning of the celebration of Sarasvatī, the worship of Ida Sang Hyang Widhi Wasa as Goddess Sarasvatī, as symbol of awareness and enlightenment, and shows that people who are Hindus are eager for science. Worshiping Dewi Sarasvatī means worshiping and upholding the value of science and wisdom.
Sang Hyang Smara dan Dewi Ratih dalam Kakawin Smaradahana (Perspektif Gṛhastha Aśrama) Mardiasni, Ni Kadek
PANGKAJA: JURNAL AGAMA HINDU Vol 22, No 1 (2019)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pkj.v22i1.1672

Abstract

Kakawin smaradahana tell story of the burning of Sang Hyang Smara through the third eye of Bhaṭara Siwa and tell romance story of sang hyang smara and dewī ratih. This Kakawin smaradahana contains the main noble values containing the teachings of love, namely the romance through the characterization of Sang Hyang Smara and Dewi Ratih. This romance of love is connected to a Hindu marriage, a teaching about Gṛhasta Aśrama or household life. The Gṛhastha Aśrama is a heredity in family life. The Gṛhastha Aśrama teachings contained inthe characterization of Sang Hyang Smara and Dewi Ratih show that a married couple must be able to maintain the relationship based on loyalty. The values contained in the story are the value of satyam (loyalty), the value of siwam (chastity) and the value of sundaram (beauty or the art) played by Sang Hyang Smara and Dewi Ratih. 
Digvijaya Adi Sankaracharya dan Relevansinya bagi Peningkatan Pemahaman Filsafat Hindu Yunairi, Dewi
PANGKAJA: JURNAL AGAMA HINDU Vol 22, No 1 (2019)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pkj.v22i1.1668

Abstract

The first person who systematically described the philosophy of Advaita was Gaudapada, who was the Parama Teacher (the teacher of teacher) of Adi Sankaracharya. Govinda the teacher from Adi Sankaracharya is a student of Gaudapada. Adi Sankaracharya was a philosopher who was able to defend and spread the philosophy of Advaita Vedanta. Digvijaya Adi Sankaracharya is a reference to understanr the Philosophy of Advaita Vedanta. His persistence in maintaining and spreading the truth of philosophy Advaita Vedanta made all his followers able to let go their thirst for knowledge and truth. The philosophy of Advaita Vedanta taught by Adi Sankaracharya  is rigid and absolute. The teachings of Adi Sankaracharya in the sloka “Brahma Satyam Jagan Mithya, Jivo Brahmaiva Na Aparah”, which means that Brahman (absolute) is real, the world is not real and Jiva or personal spirit is not different from Brahman. The philosophy of Adi Sankaracharya will be a reference for people whose tendencies to know Hindu philosophy. This teaching becomes relevant in society to develop knowledge. Adi Sankaracharya comes with his philosophy to provide knowledge to anyone who is thirsty for knowledge and who has become bored with life in the world that is truly virtual. So that the teachings of Adi Sankaracharya can make it easier for Hindus to understand the teachings of Hindu Philosophy through the knowledge they have of the Philosophy of Advaita Vedanta.
Konstruk Estetika Hindu dalam Realitas Seni di Bali Danu Tirta, I Made
PANGKAJA: JURNAL AGAMA HINDU Vol 22, No 1 (2019)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pkj.v22i1.1673

Abstract

Construction of Hindu aesthetics has always been the axis and soul towards the reality of artistic life in Bali. The basic principles of Hindu aesthetics are applied in a good and consistent manner in structuring the life of art, so that a balance is created in every work of art produced. Every aspect of life of the Balinese people always emphasizes this aesthetic aspect so that they not only give birth to works of art, but also their life’s journey looks aesthetic. Narratively, this paper tries to give a simple review of aesthetic concepts in Hinduism, which is then synergized into several basic principles or theorems of Hindu society and Balinese art activists, in realizing various classifications of works and spirit of art in Bali. The six absolute classifications (Sad Angga) in Hindu aesthetics must form the basis for the artists to create works of art that focus on the principles of chastity, truth and beauty. So that, when it is implemented in Balinese arts, then forms of works and art activities appear that are religious and Metaksu nuances. This is an interesting order to be observed and passed on by the next generation

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