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Widya Duta: Jurnal Ilmiah Ilmu Agama dan Ilmu Sosial Budaya
Published by Institut Hindu Dharma Negeri Denpasar
ISSN : 19781075     EISSN : 26203146     DOI : -
Core Subject : Religion, Humanities, Social,
Religion Humanities Social Sciences
Scope dari jurnal Widya Duta meliputi kajian-kajian spesifik di bidang komunikasi, komunikasi budaya, humaniora, tradisi-tradisi dan ritual keagamaan
Arjuna Subject : Ilmu Sosial - Ilmu Sosial (Lain-Lain)
Articles 16 Documents
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Search results for , issue "Vol 15, No 1 (2020)" : 16 Documents clear
Sosial Graph Isu Tolak Darurat Sipil di Media Sosial Twitter Utama, Putu Kussa Laksana
Widya Duta: Jurnal Ilmiah Ilmu Agama dan Ilmu Sosial Budaya Vol 15, No 1 (2020)
Publisher : Institut Hindu Dharma Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/wd.v15i1.1679

Abstract

The issue of rejecting civil emergency was widely discussed by Indonesian in late March to early April 2020. This was a response to the discourse on the implementation of civil emergency in the COVID-19 case presented by Indonesian president Mr. Joko Widodo. Although the execution was far from realization and was agreed to be picked up as a last resort choice in the context of COVID-19 countermeasures, this issue has caused a negative response sparked on sosial media shown by the emergence of hashtag #TolakDaruratSipil.This article aims to find out how the hashtag has developed on Twitter sosial media. By using the Sosial Network Analysis (SAN) approach, it will be known the pattern of the hashtag spreading on sosial media Twitter, how it is propagated on sosial media, and the users involved in spreading the hashtag. The results obtained in this study will be visualized in the form of Sosial Graph so that understanding of this issue can be more easily understood.
Makna Ritual Paruman Barong di Pura Luhur Natar Sari, Desa Apuan, Kabupaten Tabanan Bontot, I Nyoman
Widya Duta: Jurnal Ilmiah Ilmu Agama dan Ilmu Sosial Budaya Vol 15, No 1 (2020)
Publisher : Institut Hindu Dharma Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/wd.v15i1.1404

Abstract

Piodalan ageng ritual in Luhur Natar Sari Temple, its implementation is slightly different from the other temples in general in Bali. A long and complex ritual, beginning with ngelawang ritual to three regencies in Bali, melasti, at the time of the peak of the ritual was attended by dozens of barong and thousands of pemedek. The implementation takes a lot of time, energy and not a small amount for the pemedek involved in the piodalan ageng series. This research proposes three problems, namely the ideology of barong meeting ritual, the form of the barong meeting ritual, and the meaning of barong meeting ritual. The problem is examined with eclectic theory, structuration theory, religious theory, and practical theory.The presence of dozens of barong and thousands of pemedek on piodalan ageng in Luhur Natar Sari Temple, motivated by the existence of three ideologies, namely theological ideology, political ideology, and economic ideology. The form of barong meeting ritual in the sublime Luhur Natar Sari Temple is a series of nangiang Tapakan Ida Bhatara Sakti ceremonies, chanting to jaba kuta for 42 days, bhatara tedun kabeh or barong meeting, penganyaran, barong dance, and closing ceremonies. The meaning of barong meeting ritual in Luhur Natar Sari Temple is a recitation in accordance with history, withnessing the people up close, pasupati begging for taksu, pujawali, and meeting in noetic terms.
Topeng Pajegan sebagai Media Penerangan Agama Hindu Gde Puasa, I Made
Widya Duta: Jurnal Ilmiah Ilmu Agama dan Ilmu Sosial Budaya Vol 15, No 1 (2020)
Publisher : Institut Hindu Dharma Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/wd.v15i1.1405

Abstract

Pajegan Mask is one of the many arts in Bali. Pajegan Mask Dance is a performance art which in its performance is a symbol of human life that talks about life and human behavior and character. The Pajegan Mask performance is motivated by the Pajegan Mask Performance as a guardian, bebali and balih-balihan whose roles still need to be improved as a medium for illuminating Hinduism.Based on this, what will be discussed in this paper include: (1) The form of the Pajegan Mask Performance as a medium for illuminating Hinduism. (2) The function of the Pajegan Mask Performance functions as a medium for illuminating Hinduism. (3) The meaning contained in the Pajegan Mask Performance as a media for the illumination of Hindu religion.Analiisis Pajegan Mask dance form shows the physical understanding of a work of art that functionally contains life characteristics related to religious rituals, while the form of Pajegan Mask Dance performance consists of: (1 ) The form of Pajegan Mask Dance performance, (2) the Pajegan Mask performance function, namely: (1) Communication and information media, (2) Entertainment media, (3) Social criticism function. The meanings of the Pajegan Mask are: (1) The religious and social meaning, (2) The spiritual meaning. So the Pajegan Mask Dance performance is not only used as a ritual complement in Hindu religious ceremonies, but its role really needs to be maximized and enhanced as a medium for illuminating Hinduism.
Bakti pada Tuhan dalam Tri Hita Karana Kartika, Ni Gusti Ayu
Widya Duta: Jurnal Ilmiah Ilmu Agama dan Ilmu Sosial Budaya Vol 15, No 1 (2020)
Publisher : Institut Hindu Dharma Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/wd.v15i1.1677

Abstract

The essence of religion is trust and devotion to God Almighty. Therefore, one of the most important elements of Tri Hita Karana is building a harmonious relationship with God by way of trust and devotion. In order to be devoted to God it can be effective for this life should believe and devotion to God as the main characteristic of religious life. There are three ways to serve God, namely: Swa Artha, Para Artha and Parama Artha.In the concept of Hindu community life, Tri Hita Karana is the concept of balance, harmony and harmony between the great bhuana and alit bhuana whose axis lies in human service before Ida Hyang Parama Kawi. The implementation of the Tri Hita Karana concept in question is emphasized that all three elements must be applied in a whole and integrated manner. None of the Parahyangan, Pawongan, and Palemahan elements occupy a special portion. All elements are always balanced in thought, balanced in speech and also balanced in all actions. There are nine ways of devoting to God from implementation, namely: Śravaṇam, Kīrtanam, Smaraṇam, Arcaṇam, Wandanam, Dasyanam, Padasewanam, Sakhyanam, Ᾱtmaniwedanam.
Pura Samuan Tiga : Perspektif Media Komunikasi Hindu Wirta, I Wayan
Widya Duta: Jurnal Ilmiah Ilmu Agama dan Ilmu Sosial Budaya Vol 15, No 1 (2020)
Publisher : Institut Hindu Dharma Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/wd.v15i1.1406

Abstract

The number of sect (Hindu religious schools) that developed in Bali in the past was feared by various groups would lead to religious disharmony. The formulation of the problem of this research : 1) Why did Samuantiga Temple as a medium of Hindu communication, 2) How did Hindus Use Samuantiga Temple as a medium of communication, and 3) What were the implications of Samuantiga Temple as a medium of Hindu communication. The research objective was to obtain the factors that cause Samuantiga Temple as a Hindu communication media, understand the use of Samuantiga Temple as a Hindu communication media and to obtain the implications of Samuantiga Temple as a Hindu communication media. The theory used attribution, cybernetics, sadharanikaran model and dependency theory. Data collection techniques were observation, in-depth interviews, documentation and library research, while data analysis techniques were: data reduction, display and verification.The results of this dissertation study were as follows : 1) Samuantiga Temple as a Hindu communication media was caused by several factors, including : a) Theological factors namely knowledge and understanding of the divine aspects worshiped at Samuantiga Temple included the concept of worship of Śiva Buddha, Śiva Śiddhanta and Tri Mūrti. b) Socio-ideological factors, namely human thought factors regarding the structure of the community supporting the Samuantiga Temple consisting of Bali Aga/Bali Mula and Bali Apanaga. c) The historical and political factors of the power of the Bedahulu kingdom government, in line with the evolution of the level of progress of human thought in understanding God, d) The geographical and strategic location of Samuantiga Temple, as the center or center of the island of Bali so that it was easily accessible from all directions, e) Factors cultural preservation, namely the efforts of Hindus to maintain and preserve the adhiluhung cultural heritage, as a center for the application of the concept of Tri Mūrti worship in Bali. 2) The use of Samuantiga Temple as a medium of Hindu communication, including: the use of palinggih-palinggih, statues, pratima, site/pralingga Ida Bhatara as a medium of concentration of Hindus. The five gita is a complementary media stimulating the concentration of the mind in worship, while the offering/upakara serves as a medium for offerings and purification.3) The implications of Samuantiga Temple as a medium of Hindu communication, included : Implications of strengthening sraddha and devotional services in the form of the strengthening of the Hindu beliefs of the Samuantiga Temple pengempon; the implication of Samuantiga Temple as a center for spiritual education; the implications of regulating the family recruitment strategy, namely how to anticipate household needs in connection with the cost of work in Padudusan and the implications for the security of Pakraman/customary villages and the existence of KahyanganTiga in Bali.The findings of the research in Samuantiga Temple are : the Balinese version of the Hindu Communication Model, namely the process of delivering one's Vedic messages to others (Hindus) through the implementation of ceremonies yajña in the Balinese tradition, accompanied by bhāva and taste elements so that the sahridayata (common understanding) is achieved as the main goal to be achieved in the communication process, so that vertical harmonious relationships (parhyangan, palemahan) and horizontal (pawongan), was abstract, its communicantwas not limited to humans.
Pengaruh Label Pasupati pada Produk Dupa terhadap Minat Beli Konsumen Kusuma Dewi, Made Ika
Widya Duta: Jurnal Ilmiah Ilmu Agama dan Ilmu Sosial Budaya Vol 15, No 1 (2020)
Publisher : Institut Hindu Dharma Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/wd.v15i1.1402

Abstract

Balinese religious ceremonies are an integration of sublime values that have evolved from one tradition to the next. Cultural rituals will require the objects used to carry out the ritual process. These objects that can be used as a business opportunity in every religious ceremony such as the items needed are incense, flowers, and Canang. the emergence of incense labeled Pasupati with many benefits produce many diverse variations in incense products and can be said that the incense labeled this pasupati can compete in market competition.The results of the research is that without the innovation and innovative of the entrepreneurs (distributors) will not be the incense labeled this post. The significance of the label of the Pasupati in the incense products include economic distributors want to benefit as much and for incense only give positive energy instead of giving atman or spirit to the incense. There is a significant influence on incense labeled this pasupati in the intention of buying consumers. The advice of researchers is expected to add insight to incense labeled Pasupati and as a reference in religious sciences.

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