cover
Contact Name
Prof. Dr. Ir. I Gde Pitana, M.Sc
Contact Email
ngurah.t.pramana@gmail.com
Phone
+6282247966523
Journal Mail Official
balitourismj@gmil.com
Editorial Address
Jl. Raya Puputan 41, Renon Denpasar, Bali 80235 Indonesia
Location
Kota denpasar,
Bali
INDONESIA
Bali Tourism Journal
Published by Bali Tourism Board
ISSN : 2580913X     EISSN : 25809148     DOI : https://doi.org/10.36675/btj
Bali Tourism Journal is a new innovative travel advisor that combines a simple newspaper and magazine, with a complexity of Educational and Scientific Academic Journal. All the contents here are well written by a reporter, journalist, academician, post-degree student, and also some lecturer. All contents are also reviewed and edited by the professional editor that also major in the specific topic of each content. We ensure you, that our stories are genuine, all our photos were personally gain by our professional photographer and correspondent. This is not an advertisement; this is a scientific based and educational mixed magazine-journal about Bali. The true Bali.
Articles 12 Documents
Search results for , issue "Vol. 2 No. 1 (2018): January-December" : 12 Documents clear
Another breakthrough in cultural preservation; Bali Mandara Nawanatya I Gede Mas Suputra
Bali Tourism Journal Vol. 2 No. 1 (2018): January-December
Publisher : Bali Tourism Board

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Abstract

Conservation, as well as cultural development activities, are essential to be conducted to maintain the identity of a nation, moreover preserve its existence. When we discuss about culture, Bali, the island of thousand temples, offers whole package of cultural charms; whether in the form of art, religion, civilization, tools and technology, social organization, knowledge, and language system. In order to preserve these cultural aspects, Provincial government of Bali continues to strive various activities. Bali Mandara nawanatya, an activity proclaimed by the government of Bali province as a medium to cultivate the creativity of Balinese artist, is held throughout the year at Taman Budaya, Art Centre Denpasar. The opening parade of this weekend’s art activities was merrily held with theme Tri Buana Kertih or harmony in three layers of the universe. Participants consisting of students from various schools in Bali as well as local arts groups such as Yayasan Penggak Men Mersi, Kisrama Production-Singaraja, Fortuna Management-Singaraja and art activists from neighbourhood province like Banyuwangi Ethno Carnaval attends the opening parade or referred as the cultural parade of ‘Bali Art Carnaval’. Albeit its applauding carnival, obviously the exhibition that runs throughout the year seems attract less visitor to enjoy the performances. it may be another challenge that require attention not only for Government, but also for society as social support in preserving as well as motivating their culture development
Tirtha; A sprinkle to the soul Ida Ayu Putu Widya Indah Sari
Bali Tourism Journal Vol. 2 No. 1 (2018): January-December
Publisher : Bali Tourism Board

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Abstract

Balinese believe water has abilities to cleanse and neutralize sin through ritual. People use water in their various activities that related to religious practices. The functions are divided into two categories. First, it has a profane role and the other type; they used water as sacred material. Profane purpose means any activity to apply water as a material to fulfill daily human needs. While water with holy function, indicates it is used in religious activities. It is called Tirtha. According to legend, Tirtha is an elixir of immortality. There are two methods to obtain Tirtha. Firstly, water is placed in pelinggih pura or merajan to receive blessings from God Almighty. Second, Balinese obtain Tirtha through a ritual that conducted by the priest. Moreover, Balinese people divides several types of holy water, namely tirtha wangsuhpada, tirtha pembersihan, tirtha pengelukatan, tirtha penembak, and tirtha pengentas.
Colorful parade from the island of God Ida Ayu Agung Adnyawati
Bali Tourism Journal Vol. 2 No. 1 (2018): January-December
Publisher : Bali Tourism Board

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Abstract

In expressing their gratitude to the creator, Balinese believes, they should always provide their best. One of the examples is by doing Mapeed. Mapeed aims to show their appreciation to Ida Sang Hyang Widhi Wasa, or God Almighty. The participant or peed mainly carried out by the women. While for the men, they are assigned as the banner carrier, Sekaa Gong, Sekaa Santhi, and Pecalang. Balinese female; from children, adolescents, to adults would march in line carrying Gebogan. Before the procession begins, members of the traditional village council conduct a Paruman or a meeting. The elder determines which Banjar or community groups, would have their turn to present their ayahan or community service on occasion. Since ancient time, Balinese has been practicing mapeed as part of yadnya. The existence of mapeed is proof of how Balinese respect heritage that has been passed on them by their ancestor. The practice if it is carefully observed is full of value about solidarity, togetherness, and faith. Although the rise of modernization in Bali, apparently do not stop the folk practice the tradition. Moreover, the parade always captivates people around it, to behold as they march gracefully crossing the hustle bustle face of Bali’s today.
Melukat; a purification by water Yogi Meranggi
Bali Tourism Journal Vol. 2 No. 1 (2018): January-December
Publisher : Bali Tourism Board

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Abstract

Balinese practices an ancient method to neutralize negative energies in someone’s mind. the forefather passed the method from one to other generations. strongly influenced by Hinduism, it is used not only for mental wellness but also for balance spiritual life. The method is commonly referred by locals as ‘Melukat’. in Hinduism literatures, such as Atharva Veda and Rig Veda, purification ritual by using water mentioned in several hymns. It aims to cleanse and purify someone from ‘stain’ they may obtain from a previous life, as a consequence of their actions or even other person deeds. water has power of bhutakhas, chitakhas, and chudaakhas, to cleanse and neutralize sin. the suitable places for melukat are mountains, the meeting of two rivers (campuhan), the source of the springs, the sea or a tranquil place. Those sacred places are believed emanating positive vibe. in addition, coconut water has similar properties as holy water that may be utilized for the ritual. To maximize the result, it is suggested to conduct the ritual on certain days, which is suitable for worship. Due to its function to gain goodness and safety, then the melukat ceremony may be done not only for Hindus but also for everyone, as long as they follow the correct steps in performing the ritual.
The 18th Asian Games 2018 torch relay; Merpati Putih Denpasar ignites the spirit I.B. Komang Surya Werdiyasa
Bali Tourism Journal Vol. 2 No. 1 (2018): January-December
Publisher : Bali Tourism Board

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Abstract

After waiting for 50 years, finally, Indonesia is going to host the 18th Asian Games 2018. In response to the mandate, the Indonesian government established INASGOC or Indonesia Asian Games 2018 Organizing Committee as the official committee, who is responsible for preparing all requirements for the event that lastly held in Indonesia in 1962. In welcoming the game, many projects are being conducted both in Jakarta as well as Palembang. Besides, a torch relay event is traveling throughout 54 cities and provinces in Indonesia, including Bali. It was launching from Yogyakarta on July 18, 2018, and it is scheduled to reach its finish point at Gelora Bung Karno on August 18, 2018. As a series of torch relay event visiting Bali, PPS Betako Merpati Putih, Branch Denpasar, one of the nation’s cultural assets, became one of sports training centers in Bali that had the opportunity to receive appreciation from PT Telkom Indonesia Tbk. Furthermore, all Indonesian citizen expect that Indonesian athletes can do their best in giving a contribution to the nation. Thus, Indonesia on the Asian games 2018 would be the host and house of the champion.
Exploring Vietnam; a quick getaway to Can Tho city Ngoc - Phan Nguyen; Duong Dat; Tam - Truong Hoang
Bali Tourism Journal Vol. 2 No. 1 (2018): January-December
Publisher : Bali Tourism Board

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Abstract

Can Tho city is the central city of nine dragon river delta, Mekong river. International tourist may reach Can Tho city faster from Ho Chi Minh City International Airport. From the airport, the visitor may take a car or van. There are some unique places that worth to visit by the traveler. They are The Ong Pagoda and Ninh Kieu Quay. The Ong Pagoda is the oldest pagoda in Can Tho city while Ninh Kieu Quay, a port and cultural tourist destination of Can Tho city, was established in the 19th century. Settled in the delta of the Mekong river, makes the town becomes a place where traditional fuse in harmony with the growth of city hustle bustle. In the area, there are some beautiful landmarks with high historical value that worth to visit, as well as new gastronomy experiences in tasting Vietnamese-style cuisines.
Joged Bumbung; tradition or transgression? Eka Ari Suhendra
Bali Tourism Journal Vol. 2 No. 1 (2018): January-December
Publisher : Bali Tourism Board

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Abstract

Balinese dance, mystically terrific yet stunningly captivating at the same time. Balinese divides the art of dance into three types namely The Wali (Sacred Dance), The Bebali, and The Balih Balihan (Performing Dance). Joged Bumbung, one of Balih balihan dance, acts as social dance as well as entertainment. However, Recent occasion took place in November 2017 sparked netizen’s critic about erotic joged performance video on Les Village, Singaraja. Culturalists feared it would ignite the reaction of many parties, for instance, the UNESCO. In addition, erotic joged violates ethics and is a form of cultural defamation thus it is essential to establish pararem to prevent similar incidents in the future.
Garuda Wisnu Kencana: a piece of art, a part of history I Made Ari Kapela
Bali Tourism Journal Vol. 2 No. 1 (2018): January-December
Publisher : Bali Tourism Board

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Abstract

Garuda Wisnu Kencana (GWK) in Ungasan Hill, South Kuta, BadungRegency is expected as a future tourism icon of Bali to attractdomestic and foreign tourists. Standing firmly in the area of 60hectares, with 121 meters high from base to peak, and 64 meters inwidth, make It as one of the largest and highest impressive figuresin the world. The initial idea to build the statue was firstly sparkedin 1989 when I Nyoman Nuarta met with Joop Ave. The projectbegan after received approval from President Soeharto in 1997.Some questions and critics from the scholar did not budge the plan.However, the monetary crisis and politic situation that hit Indonesiain 1998, postponed the construction of this enormous project. Theproject resumed in 2013 after I Nyoman Nuarta, met with The NingKing, the owner of PT Alam Sutera Realty. Alam Sutera acquiredthe project from PT Garuda Adimatra Indonesia. On September22, 2018, President Joko Widodo inaugurated the Garuda WisnuKencana Statue. In his speech, Joko Widodo expressed his delightto witness the work. The statue proved Indonesia is a great nationthat can give birth to a brand-new masterpiece. GWK Cultural Parkoffers not only a magnificent landmark but also countless touristattractions. There are daily Indonesian traditional music and dance,lodging area, shopping center, outbound facilities, dining area anda massive venue for high scale event.
The art of space and architecture; Asta Kosala Kosali and Asta Bumi Ida Bagus Agung Wicaksana
Bali Tourism Journal Vol. 2 No. 1 (2018): January-December
Publisher : Bali Tourism Board

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Abstract

In designing space and building, the Balinese follows the guidelines that have been passed on by their predecessors. The concepts experienced countless refinement and enrichment throughout ages with the philosophical influence of Hindu teachings, by the prominent historical figures, from Bali Aga to Majapahit period. The Balinese refers to the idea by the name Asta Kosala kosali and Asta Bumi. Lontar Asta Kosala kosali encompasses the layout, guidance and building arrangements for the house and holy shrine in Bali, while the Lontar Asta Bumi summarizes the rules about the width of the courtyard of a shrine or temple, including the division of space, and the distance between shrine. If concluded, the ideas are aiming for one noble purpose; to create a harmonious place to live. The Undagi as the executor needs to understand several points to build a perfectly balanced nesting area to live such as Vastu Purusha Mandala, Hulu Teben, Tri Mandala dan Tri Angga, Traditional Metric system, etc. The guidelines of Asta Kosala Kosali as well as Asta Bumi, offer not only an artistic value but also solidity against extreme natural conditions. Besides as a place to live, the architecture and space management act as a symbol of Hinduism, art, and social role. The history has been proving that the design is stable in facing various local disasters, such as earthquake, flame, torrents, flood and so forth. Furthermore, the concept is rich in philosophical value; Expert suggests the government should maintain the local genius. Thus, it would not be faded in future.
Memunjung, a feast for the dead Putu Herry Hermawan Priantara
Bali Tourism Journal Vol. 2 No. 1 (2018): January-December
Publisher : Bali Tourism Board

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Abstract

Memunjung is a form of respect and solidarity with the deceased.It realizes by the family visiting their late relative in cemetery,then spend their time having meals together with the dead. Thetradition has been practicing since the Hindu-Buddhist period. Itis well developed both in Java and Bali. The community practicesthis activity on certain days, such as Galungan, Kuningan andPagerwesi day while in Java, they carry out Memunjung duringholidays such as Idul Fitri. Balinese Hindu offers Tampelan punjungand Banten punjung to the spirit of ancestors, families or relatives athome or cemetery. In certain days, the visitor brings the deceased’sfavorite food to the cemetery then they enjoy the meal togetherwith the dead. Recently, the custom to visit the grave is rarely doneby Balinese, especially to those who live in regional areas that donot have strict rules about burial. Some argue that the increasingBalinese’s standard of living as well as technological advancements,contribute to change people mindset about the funeral in thepresent. Hence, there are only a few areas that are still practicingburial for the dead.

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