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Bali Tourism Journal
Published by Bali Tourism Board
ISSN : 2580913X     EISSN : 25809148     DOI : https://doi.org/10.36675/btj
Core Subject : Religion, Humanities, Education, Art, Social,
Religion Arts Humanities Social Sciences Other
Bali Tourism Journal is a new innovative travel advisor that combines a simple newspaper and magazine, with a complexity of Educational and Scientific Academic Journal. All the contents here are well written by a reporter, journalist, academician, post-degree student, and also some lecturer. All contents are also reviewed and edited by the professional editor that also major in the specific topic of each content. We ensure you, that our stories are genuine, all our photos were personally gain by our professional photographer and correspondent. This is not an advertisement; this is a scientific based and educational mixed magazine-journal about Bali. The true Bali.
Arjuna Subject : Ilmu Sosial - Kajian Budaya
Articles 12 Documents
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Search results for , issue "Vol. 2 No. 1 (2018): January-December" : 12 Documents clear
The Past and present; story of Barong Bangkung IB Gede Karyambara Putra
Bali Tourism Journal Vol. 2 No. 1 (2018): January-December
Publisher : Bali Tourism Board

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1569.791 KB)

Abstract

On Manis Galungan, the day after Balinese commemorated the triumph of Dharma against Adharma, A group of festively gamelan chimes in accompanying Barong Bangkung, to perform a ritual to ward off negative energy and plague in the village through Ngelawang. Barong Bangkung is an art of dance staged in groups. It consists of approximately twelve people. The dancers are usually boys aged 12-17 years old. Balinese is a cosmocentric society, where they believe Bangkung or Sow, as a manifestation of Lord Shiva in protecting the earth. In its development, the art of Barong Bangkung, as well as Ngelawang, develop not only limited to the art of sacred dance, but also as the performing art. The society conducts Ngelawang by using Barong Bangkung or another holy figure as an expression to worship The God Almighty. As a performing art, the artist does not present a temple’s relic, but a custom-made Barong Bangkung. Usually, the apprentices of the Local school of art seize the opportunity to show their abilities in dance by doing ‘Ngelawang’ on a tourist’s site. Besides to practice their skills, some make it a way to earn some money.
Nangluk Mrana in Intaran Community; The Modern and Old perspectives Ida Bagus Putra Setiawan
Bali Tourism Journal Vol. 2 No. 1 (2018): January-December
Publisher : Bali Tourism Board

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1494.554 KB)

Abstract

Indigenous society of Intaran Village, in Sanur, South Denpasar District, holds a ceremony namely Tawur Nangluk Mrana. It is a yadnya ceremony to pledge to God Almighty, to ward off or control any disturbances that may bring harm or disease to plants, animals, and humans thus it would not endanger the existence of the living. Other areas in Indonesia also hold similar activities in warding off the plague from their territory, however, with different names and specific times to perform the ritual. In Bali, the community believes the implementation of the Nangkluk Merana has been around since the time of Rsi Markandya. The people conducts Nangluk Merana Ceremony on new moon on the fifth month in Balinese calendar system based on two reasons: nature condition and urban legend in society. In the ritual implementation; there are several phases carried out by the Intaran village community. They are Matur Piuning, Ngaturang hidangan, Mecaru, Pandita puja, Melis, Ngalebar, and Pakelem. Although it is full of mythological backgrounds, the community of Intaran seems able to interpret the ceremony as a reminder to be more aware in dealing with various phenomena that are socially-detrimental. By doing the Nangluk mrana ceremony, the Balinese expects it can bring harmony to the universe.

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