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Ali Mustofa
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Litera Kultura
Published by Universitas Negeri Surabaya
ISSN : -     EISSN : 23562714     DOI : -
Core Subject : Humanities, Art, Social,
Arts Humanities Social Sciences
Litera Kultura : Journal of Literary and Cultural Studies accepts articles within the scope of Literature and Cultural Studies. The journal is published three times in a year: April, August, and December.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 6 Documents
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Search results for , issue "Vol. 10 No. 1 (2022): April" : 6 Documents clear
Analysis of Dysfunctional Marriage Through Conflicts in Gillian Flynn's Gone Girl (2012) Tyas, Nimas Arum Suryaning
LITERA KULTURA : Journal of Literary and Cultural Studies Vol. 10 No. 1 (2022): April
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/lk.v10i1.47207

Abstract

This study aims to analyze the dysfunctional marriage of Amy and Nick Dunne through the conflicts that occur in their marriage. Dysfunctional marriage is the breakdown of marital relations, and marriage does not run as healthy as it should. A marriage can become dysfunctional because of the insoluble conflict that surrounds the marriage. This study is a literary study that uses textual information in the novel as the basis for its analysis. The primary data in this study is the novel Gone Girl by Gillian Flynn, along with journal articles and other supporting information. The study was conducted by analyzing the conflict, which depicts that Nick and Amy's marriage is in a dysfunctional condition. The results showed several conflicts, such as lack of communication, dissatisfaction, and dishonesty, that occurred in Amy and Nick Dunne's marriage, which were based on themselves, which was why their marriage was dysfunctional.
Natural Healing in Frances Hodgson Burnett's The Secret Garden Putri, Ratih Pelangi
LITERA KULTURA : Journal of Literary and Cultural Studies Vol. 10 No. 1 (2022): April
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/lk.v10i1.47992

Abstract

Abstrak Penelitian ini bertujuan untuk mengungkap ide penyembuhan alami dalam Novel the Secret Garden karya Frances Hodgson Burnett. Tujuan dari penelitian ini adalah untuk mengungkapkan Penyembuhan Alami yang terjadi pada karakter melalui gambar pastoral yang digambarkan dalam novel. Kajian ini berfokus pada citra pastoral sebagai salah satu komponen ekokritik untuk menunjukkan unsur-unsur alam yang direpresentasikan sebagai penyembuhan alami. Selain itu, konsep penyembuhan khususnya akibat penyembuhan dilakukan untuk mengungkapkan representasi unsur-unsur alam terhadap hasil penyembuhan. Hasil penelitian menunjukkan bahwa citra pastoral dalam novel dikategorikan menjadi lima kelompok; Tanah, tanaman, musiman, elemen cair, dan hewan. Melalui gambaran-gambaran pastoral itu, gagasan tentang konsekuensi penyembuhan terungkap ke dalam tiga aspek; perubahan positif, menemukan makna, dan realisasi keutuhan.. Kata Kunci: Ecokritik, Citra Pastoral, Penyembuhan. Abstract This study aim to reveal the idea of natural healing in the Novel the Secret Garden by Frances Hodgson Burnett. The objective of the study is to reveal Natural Healing that happen to the character through the pastoral images portrayed in the novel. This study focuses on pastoral images as one of the components of ecocriticism to show the natural elements that represents as natural healing. In addition, the concept of healing especially consequences of healing is conducted to reveal the represents of natural elements to healing results. The results of the study show that pastoral images in the novel is categorized into five groups; Lands, plant, seasonal, liquid elements, and animal. Through those pastoral images, the idea of consequences of healing is revealed into three aspects; positive change, finding meaning, and realization of wholeness. Keywords: Ecocriticism, Pastoral Images, Healing.
THE PROTOTYPE OF A REBELLIOUS WIDOW IN JAVANESE MYTHOLOGY AS REPRESENTED IN PRAMOEDYA ANANTA TOER'S CALON ARANG: SOCIOLOGICAL PERSPECTIVE Dharmali, Heidy Sashia
LITERA KULTURA : Journal of Literary and Cultural Studies Vol. 10 No. 1 (2022): April
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/lk.v10i1.48212

Abstract

Abstract: Since a long time ago. The woman who had been left by her husband is always regarded as a bad person, even in reality they are nice. Whether a divorcee or a widow, the depiction from society about them always related to bad things, such as bringing malady to the other married life. In the older days, they always seek as a hideous figures who can harm other people's life. Although she does not want the divorce, sometimes she does not have a choice rather than divorce. This paper is aiming to find shreds of evidence that Calon Arang was not a pure villain, but she was marginalized too by her people. Through the theory of Subaltern, a title about a secluded group of people that was found by Chakravorty Spivak an Indian post-colonist. The result of this research shows that Calon Arang was also a victim of society's stigma about a widow or the divorcee as someone frightening which led her to the rebellion. In the end of the story, her voice was still not sounded and she was defeated yet helped by a man due to society mentality that thought a woman have no voice or right to speak their mind nor fight for herself. Which also represented the other widows or women condition during the era, their voices were shuts and treated as the lower class who is unable to live without the help of a man. Keywords: Stigmatism, Subaltern, Widow Abstrak: Sejak jaman dulu kala. Wanita yang telah ditinggal suaminya selalu dipandang sebagai sosok yang buruk, walau pada kenyataannya mereka tidak. Enthah mereka yang diceraikan hukum atau cerai mati, gambaran masyarakat tentang mereka selalu dihubungkan dengan imaji imaji buruk, seperti membawa petaka bagi pernikahan orang lain. Di masa lampau, mereka dipandang sebagai sosok mengerikan yang bisa membahayakan hidup sesamanya. Padahal dia tidak punya pilihan lain, karena terkadang dia tidak mempunyai pilihan lain selain perceraian. Artikel ini mencoba untuk menemukan bukti bukti terkait jika Calon Arang, bukanlah penjahat yang paling jahat, tapi dia juga terpinggirkan oleh masyarakat di sekitarnya. Melalui teori Subaltern, sebuah julukan untuk orang orang tertindas yang ditemukan Chakravorty Spivak seorang pembuat teori pasca-kolonial. Hasil dari penelitian ini menunjukkan jika Calon Arang juga seorang korban dari stigma masyarakat tentang janda sebagai sosok mengerikan yang nantinya akan menjurus kepada perlawanannya. Di akhir cerita, suaranya tetap tak terdengar dan dia dikalahkan juga ditolong seorang pria. Ini menunjukkan jika wanita maupun janda di masa itu, dibungkam dan diperlakukan sebagai makhluk rendahan yang tak bisa hidup tanpa bantuan dari seorang pria. Kata kunci: Stigmatisme, Subaltern, Janda
Postcolonial Views on the Application of Mimicry in My Name is Khan Anggraeni, Anggi Dian
LITERA KULTURA : Journal of Literary and Cultural Studies Vol. 10 No. 1 (2022): April
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/lk.v10i1.48294

Abstract

The term postcolonial consists of 'post', which means after and 'colonial', which means colonialism. It can be concluded that postcolonial was the period after colonialism. Homi K. Bhabha was an outstanding figure in postcolonial studies. He was the main figure in postcolonial studies and was vigorously influenced by Western poststructuralist theory. One of the films that contain postcolonial is My Name is Khan by Karan Johar, about the discrimination shown by America's treatment of Muslims. From the context of the film, it can be seen that the more dominant concept of postcolonial by Homi K. Bhabha is mimicry. Mimicry refers to a situation where the colonized people try to imitate the colonizer, and the imitation is never the same. Different imitations become ridicule for the colonizers, and this mockery is actually the colonized people's way of fighting back. The purpose of this study is to find out how does mimicry depicted in My Name is Khan and how mimicry is the resistance or not in My Name is Khan. This study uses a qualitative method by applying a theory of post-colonialism by Homi K. Bhabha, which is manifested by the data in the film. The primary data obtained in this study were taken from the film My Name is Khan in the form of dialogues, scripts, and scenes. In addition, secondary data such as articles, e-journals, e-books, and other online sources are used to support this study. The results show that the postcolonial concept of Homi K Bhabha, which is more dominant in My Name is Khan, is mimicry.
Dehumanization Toward Winston Smith in George Orwell's 1984 Zharfan, Hilfi
LITERA KULTURA : Journal of Literary and Cultural Studies Vol. 10 No. 1 (2022): April
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/lk.v10i1.47946

Abstract

Semiotic of Sign and Plot in The Eternal Sunshine of The Spotless Mind. Reynaldi, Muhammad Iqbal Nurcahyo
LITERA KULTURA : Journal of Literary and Cultural Studies Vol. 10 No. 1 (2022): April
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/lk.v10i1.48464

Abstract

This research study discussed signs in the movie The Eternal Sunshine of The Spotless Mind by Michel Gondry that shown in the character's hair affected the plot of the movie. The story is based on the character's relationship named, Joel and Clementine; the movie's point of view is from Joel's perfective, and the sign is shown in Clementine's hair color. Using Roland Barthes's theory of semiotic analysis of signs to analyze Clementine's hair color impacted the plot of the movie. The writer use the denotation and connotation levels Based on the sign shown in the movie to explain the meaning of the hair color. The writer understands that colors have meaning that has an impact on the movie and the plot. In addition the movie was not used general order plot, By applying the semiotic of sign theory by Roland Barthes, the writer concludes that Clementine's hair had color correlates with the plot of the movie.

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