cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
gempur sentosa
Contact Email
pepep.dw@gmail.com
Phone
+6281931254247
Journal Mail Official
jurnal.paraguna@isbi.ac.id
Editorial Address
Program Studi Seni Karawitan - Fakultas Seni Pertunjukan Institut Seni Budaya Indonesia (ISBI) Bandung Jl. Buah Batu No. 212 Bandung 40265, Telp. (022)-7314982, 7315435; Fax. (022) – 7303021
Location
Kota bandung,
Jawa barat
INDONESIA
PARAGUNA : Jurnal Ilmiah Pengetahuan, Pemikiran dan Kajian Tentang Seni Karawitan
Published by Institut Seni Budaya Indonesia Bandung
ISSN : 24076716     EISSN : 28284240     DOI : 10.26742/para
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Environmental Science Social Sciences Other
Jurnal Paraguna merupakan jurnal di lingkungan Jurusan Karawitan, Fakultas Seni Pertunjukan ISBI Bandung, yang mengedepankan pelestarian, pengelolaan dan pengembangan potensi seni, serta budaya dan kearifan lokal nusantara yang berdaya saing dalam percaturan global. Karawitan secara khusus dapat diartikan sebagai seni musik tradisional yang terdapat di seluruh wilayah etnik Indonesia. Khususnya di Pulau Jawa, Madura dan Bali. Dalam hal ini, jurusan karawitan ISBI Bandung menjadikan kebudayan Sunda sebagai kekhususan etnis yang dimaksud.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 3 Documents
 1 
Search results for , issue "Vol 11 No 2 (2024): TAFSIR BUNYI" : 3 Documents clear
PUSEUR LARAS:KONSTRUKSI TRITANGTU PUCUK DAN PUREUT REBAB SUNDA Karmila, Euis S.Kar.; yanti
Paraguna Vol 11 No 2 (2024): TAFSIR BUNYI
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Puseur Laras' work takes the concept from the perspective of Sundanese mythology, namely the triple pattern on paradoxical aesthetics. The idea of Puseur Laras's multi-interpretation work can be interpreted from various aspects or points of view. Puseur Laras' work is inspired by the three main functions of rebab, namely merean, marengan, and muntutan. Rebab as Tritangtu in the pattern of rationality of Sundanese society is determination, speech, and lampah. In addition, the shoot motif adopts three forms of symbols, including trident, kujang, corn. In addition, the pureut that still adopts the trident shape and the curves of both sides adopts from the shape of the kacapi indung waditra. The creation of the form of Rebab and pureut Rebab Sunda is still related to the domain values that exist in Sundanese society. Keywords: Construction, Philosophy, Trident, Kujang, Corn Plants, Puseur Laras
ANALISIS NILAI MORAL DALAM LAGU "SI NONA" DALAM PERSPEKTIF MASYARAKAT MINANGKABAU dwisepta, dimas; Bondan Aji Manggala, S.Sn., M.Sn.
Paraguna Vol 11 No 2 (2024): TAFSIR BUNYI
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research aims to reveal the moral values ​​in the song "Si Nona" which originates from West Sumatra. This song was created by Sjamsu Arifin and popularized by Elly Kasim, describing advice to Minangkabau women to maintain their own and family honor. The research method used is qualitative with semiotic analysis based on Roland Barthes' theory, focusing on the concepts of denotation and connotation. The research results show that denotatively, the lyrics of the song "Si Nona" prohibit young women from leaving the house without a purpose (malala) and don't go to a man's house. Connotatively, this song reflects Minangkabau social norms and customs which expect women to maintain modesty and be societal role models. The song "Si Nona" functions as a moral education tool that reminds women of the importance of protecting themselves and the dignity of their family, as well as teaching traditional values ​​that must be upheld in everyday life.
Seni musik Analisis Metric Modulation dalam Lagu Mister Karya Anika Nilles: Indonesia Ardiningsih, Dini
Paraguna Vol 11 No 2 (2024): TAFSIR BUNYI
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Anika Nilles’s Mister offers more than just technical drumming—it delivers a rhythmic experience that is rich, complex, and full of nuance. One of the techniques she uses to achieve this is metric modulation, a rhythmic shift that subtly alters the listener’s perception of musical time without changing the actual tempo. This study explores how metric modulation is applied in the bridge leading up to the drum solo, particularly between bars 92 and 101. Using a qualitative approach and score-based music analysis, the research focuses on how the transition from regular quarter notes to quarter-note triplets creates an illusion of acceleration that heightens musical tension. Data were collected through audiovisual observation, rhythmic transcription, and literature review on contemporary rhythmic theory. The findings suggest that metric modulation serves not only as a structural and expressive device, but also as a powerful pedagogical tool. By learning this technique, students can begin to understand rhythm not merely as a numerical pattern, but as a dynamic, lived experience—one that can be shaped, manipulated, and deeply felt. As such, “Mister” becomes not just a performance piece, but a meaningful resource for learning complex rhythm in modern music education.

Page 1 of 1 | Total Record : 3

 1 

Filter by Year

2024 2024


Reset
Filter By Issues
All Issue Vol 12 No 1 (2025): MUSIC AS PERFORMING ART Vol 11 No 2 (2024): TAFSIR BUNYI Vol 11 No 1 (2024): INTERKULTURAL - INTERTEKSTUAL Vol 10, No 2 (2023): KEDALAMAN TEKS DAN KONTEKS Vol 10 No 2 (2023): KEDALAMAN TEKS DAN KONTEKS Vol 10, No 1 (2023): LOCUS TEMPUS: SENI TRADISI DALAM KONTEKS RUANG DAN WAKTU Vol 10 No 1 (2023): LOCUS TEMPUS: SENI TRADISI DALAM KONTEKS RUANG DAN WAKTU Vol 9, No 2 (2022): DISKURSUS KARAWITAN I Vol 9 No 1 (2022): TAFSIR-TAFSIR KARAWITAN Vol 9, No 1 (2022): TAFSIR-TAFSIR KARAWITAN Vol 8, No 1 (2021): BUNYI DAN EKOLOGI I Vol 7, No 1 (2020): DINAMIKA KHAZANAH KARAWITAN Vol 7 No 1 (2020): DINAMIKA KHAZANAH KARAWITAN Vol 6 No 1 (2019): WACANA ENTITAS KARAWITAN Vol 6, No 1 (2019): WACANA ENTITAS KARAWITAN Vol 5, No 2 (2018): ENTITAS WAYANG DAN GAMELAN Vol 5 No 2 (2018): ENTITAS WAYANG DAN GAMELAN Vol 5 No 1 (2018): KARAWITAN YANG BERPROSES Vol 5, No 1 (2018): KARAWITAN YANG BERPROSES Vol 4, No 1 (2017): TOKOH, HUKUM, DAN PENDIDIKAN KARAWITAN Vol 4 No 1 (2017): TOKOH, HUKUM, DAN PENDIDIKAN KARAWITAN Vol 3, No 1 (2016): FENOMENOLOGI KARAWITAN II Vol 2 No 1 (2015): FENOMENOLOGI KARAWITAN Vol 2, No 1 (2015): FENOMENOLOGI KARAWITAN More Issue