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Contact Name
gempur sentosa
Contact Email
pepep.dw@gmail.com
Phone
+6281931254247
Journal Mail Official
jurnal.paraguna@isbi.ac.id
Editorial Address
Program Studi Seni Karawitan - Fakultas Seni Pertunjukan Institut Seni Budaya Indonesia (ISBI) Bandung Jl. Buah Batu No. 212 Bandung 40265, Telp. (022)-7314982, 7315435; Fax. (022) – 7303021
Location
Kota bandung,
Jawa barat
INDONESIA
PARAGUNA : Jurnal Ilmiah Pengetahuan, Pemikiran dan Kajian Tentang Seni Karawitan
ISSN : 24076716     EISSN : 28284240     DOI : 10.26742/para
Jurnal Paraguna merupakan jurnal di lingkungan Jurusan Karawitan, Fakultas Seni Pertunjukan ISBI Bandung, yang mengedepankan pelestarian, pengelolaan dan pengembangan potensi seni, serta budaya dan kearifan lokal nusantara yang berdaya saing dalam percaturan global. Karawitan secara khusus dapat diartikan sebagai seni musik tradisional yang terdapat di seluruh wilayah etnik Indonesia. Khususnya di Pulau Jawa, Madura dan Bali. Dalam hal ini, jurusan karawitan ISBI Bandung menjadikan kebudayan Sunda sebagai kekhususan etnis yang dimaksud.
Articles 7 Documents
Search results for , issue "Vol 9, No 2 (2022): DISKURSUS KARAWITAN I" : 7 Documents clear
STRATEGI APRESIASI DALAM PEMAJUAN KEBUDAYAAN BIDANG SENI DALAM DUNIA PENDIDIKAN Yudi Nurman Fauzi
Paraguna Vol 9, No 2 (2022): DISKURSUS KARAWITAN I
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/paraguna.v9i2.2372

Abstract

This paper presents the process of cultural inculturation through an empiricism approach. This cultural inculturation is carried out in the context of efforts to promote culture in the field of art through education. in practice, efforts to promote culture in the arts in the world of education are carried out using art appreciation methods and workshops. This effort is considered to have a fairly high effectiveness in inculturation efforts, because in practice, students who are the targets of inculturation can experience firsthand traditional arts (especially) which are the targets of cultural advancement.
Kreativitas Kesenian Bangkong Reang Oleh Grup Kesenian Gema Panglipur Kampung Cijaura Kecamatan Ciwidey Anna Ratuna Aureylia
Paraguna Vol 9, No 2 (2022): DISKURSUS KARAWITAN I
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/paraguna.v9i2.2227

Abstract

Bangkong Reang art is a typical Sundanese art that grows and develops in the agrarian area. This art is influenced by the ecosystem in the area, but its existence is now less preserved along with the entry of outside cultures. The creativity of the Gema Panglipur Art Group was able to maintain the art of Bangkong Reang in the midst of the outbreak of foreign culture.
Eksistensi Karya Kacapi Tunggal Yoyoh Supriatin Siti Rafa Haniyya
Paraguna Vol 9, No 2 (2022): DISKURSUS KARAWITAN I
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/paraguna.v9i2.2243

Abstract

Kacapi Tunggal is an art in which the performance only uses the Kacapi musical instrument. It was created by a sinden named Yoyoh Supriatin with different Kacapi picking patterns and is the hallmark of this Kacapi Tunggal art. This study aims to see the existence of a Kacapi Tunggal in modern society. The research method used in this study is a qualitative method, by observing the community and producing descriptive data in writing. Based on the data collected, it can be concluded that the existence of the Kacapi Tunggal Yoyoh Supriatin began to be displaced by the number of foreign arts entering Indonesia.
Kreativitas Ujang Sitertone Dalam Membuat Kacapi Sitertone Azis Nur Soleh
Paraguna Vol 9, No 2 (2022): DISKURSUS KARAWITAN I
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/paraguna.v9i2.2233

Abstract

Creativity is a person's ability to produce a new work that comes from himself or the development of an existing work so that it becomes a new work. Ujang Sitertone has done this creative thing by developing a Kacapi siter which is combined with Midi technology to create a Kacapi sitertone. The purpose of this research is to describe, document and introduce Ujang's Kacapi sitertone which is not known to many people. This study uses qualitative methods with data collection techniques, namely documentation, observation, and interviews. Kacapi Sitertone is an innovation of Kacapi siter that has the advantage that it can accompany various genres of songs using styles such as keyboard/organizational/electronic. The songs that can be accompanied by Kacapi are also very diverse, ranging from old songs, Sundanese Pop, Indonesian Pop, Western, Reggae to Keroncong.
Bentuk Pertunjukan Dan Fungsi Kesenian Obrog-Obrog Di Desa Darmawangi Kecamatan Tomo Kabupaten Sumedang Dicky Irwan Firmansyah
Paraguna Vol 9, No 2 (2022): DISKURSUS KARAWITAN I
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/paraguna.v9i2.2235

Abstract

This paper discusses the form and function of obrog-obrog art in Darmawangi Village, Tomo District, Sumedang Regency which is a typical art of the month of Ramadan. In practice, this art is highly anticipated by the community, because it plays an important role in the local community in deepening sahur and also other functions of entertainment, communication, movement response and cultural sustainability. The method used in this paper is a descriptive method with a paradigm approach based on the theory of performing arts by Hermin Kusmayanti, namely there are three phases of performing arts, namely form, meaning and function. In addition to the theory of performing arts, the theory of the function of music by Alan P. Merriam from his book entitled The Anthropology of Music is also used as a theoretical approach. The results of this study analyze the form of performance in the form of the structure and pattern of percussion of musical instruments and the function of obrog-obrog arts as a medium of entertainment, as communication, as a response to movement, and as cultural sustainability.
Kanca Panglima dan Budaya Digital: Pengaruh Perubahan Wayang Catur Auditif Menjadi Wayang Catur Audio Visual Reina Y. Puspita Ningsih
Paraguna Vol 9, No 2 (2022): DISKURSUS KARAWITAN I
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/paraguna.v9i2.2297

Abstract

Artikel ini membahas mengenai pengaruh budaya digital yang berdampak pada perubahan kesenian, Kanca Panglima grup dalam inovasi wayang catur menjadi objek dalam artikel ini. Bentuk penelitian ini adalah deskriptif kualitatis dengan teknik pengumpulan data yang digunakan adalah observasi, wawancara, serta studi literatur. Teori perubahan bentuk seni menjadi teori yang digunakan dalam membedah permasalahan artikel ini. Hasilnya menunjukan bahwa perubahan budaya menjadi pengaruh dalam perubahan bentuk sajian ‘wayang catur’ serta keberlangsungan seni bergantung kepada senimannya. Kreativitas yang dilakukan Kanca merekonstruksi seni wayang catur menjadi sebuah pertunujukan visual. Dengan begitu, kesenian wayang catur dapat kembali dikenal dan dinikmati oleh masyarakat, khususnya Sunda.
Makna Lirik Lagu Kurung Manuk Dalam Kesenian Gondang Buhun Kampung Adat Kuta Ciamis Lilis Nurul Fatimah
Paraguna Vol 9, No 2 (2022): DISKURSUS KARAWITAN I
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/paraguna.v9i2.2234

Abstract

Meaning is the intention to be discussed through a word. Likewise, every song certainly has a meaning and a message in it. This paper focuses on analyzing a song contained in the Gondang Buhun art typical of the Kuta Ciamis Traditional Village. Gondang Buhun art is an art that emerged from the creative ideas of the Kuta people in ancient times which became a necessity for entertainment when pounding rice in the lisung. With this research, it can be an information and reference for the audience regarding the contents of the songs contained in the ancient Buhun songs in the Gondang Buhun art, typical of the Kuta Ciamis Traditional Village, West Java.

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