cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Abdurrahman Alfaqiih
Contact Email
jipro.fhuii@gmail.com
Phone
+62274898444
Journal Mail Official
jipro.fhuii@gmail.com
Editorial Address
Jl. Kaliurang Km 14,5 Sleman DIY
Location
Kab. sleman,
Daerah istimewa yogyakarta
INDONESIA
JIPRO : Journal Of Intellectual Property
Published by Universitas Islam Indonesia
ISSN : -     EISSN : 26542889     DOI : https://doi.org/10.20885/jipro
Core Subject : Social,
Law, Crime, Criminology & Criminal Justice
Bahwa Journal of Intellectual Property yang disingkat JIPRO dihadirkan dan dikembangkan dalam rangka menjawab kebutuhan terhadap upaya disimenasi dan promosi segala hal berkaitan dengan ekspresi ide, kreativitas atau kekayaan intelektual dalam rangka meningkatkan kesadaran dan pemanfaatan atas ekspresi ide, kreativitas atau kekayaan intelektual guna meningkatkan kesejahteraan masyarakat secara luas berdasarkan pendekatan lintas disipin ilmu dan multidisiplin. Fokus JIPRO dilakukan pada semua bidang keilmuan yang bersifat interdisipliner dan multidisipliner yang berkaitan dengan ekspresi ide dalam hal kreativitas, inovasi atau kekayaan intelektual yang dapat memberikan nilai pengetahuan dan pemanfaatan dari kreatiitas, inovasi atau kekayaan intelektual itu sendiri guna meningkatkan kesadaran masyarakat akan pentingnya suatu penghargaan atas kreativitas, inovasi atau kekayaan intelektual yang mampu mendorong peningkatan kesejahteraan masyarakat.
Arjuna Subject : Ilmu Sosial - Hukum
Articles 5 Documents
 1 
Search results for , issue "JIPRO, Vol. 5, No.1, 2022" : 5 Documents clear
PELAKSANAAN PEMBAYARAN ROYALTI ATAS LAGU DALAM LIVE PERFORMANCE KEPADA PENCIPTA LAGU DI KAFE ROEMAH KESAMBI KOTA CIREBON Kharisma, Fahmi
JIPRO: Journal of Intellectual Property JIPRO, Vol. 5, No.1, 2022
Publisher : Fakultas Hukum Universitas Islam Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/jipro.vol5.iss1.art1

Abstract

This research aims to examine the implementation of royalty payments for songs in live performance to songwriters at the Kopi Roemah Kesambi cafe, Cirebon City, towards Law Number 28 of 2014 concerning Copyright and Government Regulation Number 56 of 2021 concerning Management of Royalties Copyright Song or Music and legal effort that the author may take against songs performed in musical performances without permission. This research belongs to the type of empirical research where the authors obtain research data from direct interviews with the Coffee Roemah Kesambi cafe, Cirebon City. The analysis in the study was carried out by qualitative analysis. The results of the research explain that the live music held at the Roemah Kesambi Coffee Cafe, Cirebon City has taken permission of a license permit before the live music is carried out, and the calculation of royalties that must be paid by the cafe to LMK is done by taking 3% of sales revenue on the day the live music is held. The legal effort that can be taken by the creator if there is a violation of using songs in live music without permission, namely, Alternative Dispute Resolution (ADR), Civil Lawsuits as regulated in Article 97 paragraph (1) of Law Number 28 of 2014, and Criminal charges are regulated in Article 113 paragraph (1), paragraph (2) and paragraph (3) of Law Number 28 of 2014.
PENGHIMPUNAN DAN PENDISTRIBUSIAN ROYALTI MUSIK INDEPENDEN DI KOTA SEMARANG Kusumahadi, Dinar Satrio
JIPRO: Journal of Intellectual Property JIPRO, Vol. 5, No.1, 2022
Publisher : Fakultas Hukum Universitas Islam Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/jipro.vol5.iss1.art3

Abstract

This study aims to determine the collection and distribution of royalties for indie music and songs in the city of Semarang. This type of research uses empirical legal research. The research was conducted using a sociological-policy approach. Sources of legal data are primary and secondary. The results showed that, first, the collection of royalties was carried out in three stages. The first stage is to list the places and platforms that play the works of indie musicians in the city of Semarang. The second stage is negotiation. The third stage is a site survey and signing a royalty agreement with indie musicians in Semarang whose works will be screened there. Then, the distribution of royalties is carried out in two ways, namely for screenings in public places and screenings on online platforms. Second, the legal obstacle in collecting and distributing music royalties to indie musicians in Semarang City is that many still do not know about LMKN, especially LMKN Semarang Representatives. Then, they still do not register their work with the Ministry of Law and Human Rights.
PENGELOLAAN ROYALTI MUSIK DAN LAGU DI PLATFORM YOUTUBE Imansah, Rifai
JIPRO: Journal of Intellectual Property JIPRO, Vol. 5, No.1, 2022
Publisher : Fakultas Hukum Universitas Islam Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/jipro.vol5.iss1.art2

Abstract

Copyright music and songs can be easily searched and listened to online through media such as youtube. This difficulty creates legal problems for music creators or musicians, namely the use of works without permission. This violates economic rights in the form of royalties for music and song creators. YouTube creators are facilitated when uploading music videos and songs in the youtube system, it provides an opportunity for creators to use creations that are not theirs. Youtube filters every uploaded video in its system. This study uses a legal and conceptual approach to determine the legal relationship and forms of protection for music creations and songwriters. The legal relationship of the parties that occurs on the youtube platform occurs through an agreement and creates rights and obligations between the parties. The protection provided by youtube is in the form of a license permit that must be made by the creator if you want to use someone else's copyright and must pay royalties to copyright holders through the Collective Management Institute.
HAK KEKAYAAN INTELEKTUAL (HAK CIPTA) SEBAGAI OBJEK WARIS DALAM HUKUM PERDATA Prasetyo, Ramadhio Adi
JIPRO: Journal of Intellectual Property JIPRO, Vol. 5, No.1, 2022
Publisher : Fakultas Hukum Universitas Islam Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/jipro.vol5.iss1.art4

Abstract

This study aims to analyze and determine the criteria for intellectual property rights (copyright) as objects of inheritance in civil law and to analyze and determine the status of intellectual property rights (copyright) as objects of inheritance in civil law. Intellectual property rights are material rights, rights to objects originating from the work of the brain, the result of the work of the ratio. The result of the work of reasoning human ratios. The result of his work is in the form of immaterial objects, intangible objects, for example, copyrighted songs. Article 16 paragraph (1) Law no. 28 of 2014 concerning Copyright stipulates that by its nature copyright is an intangible movable object. Immaterial property rights are property rights whose objects are intangible objects (intangible objects). In this case many things can be used as objects of property rights which are included in the scope of incorporeal objects. For example, billing rights, rights arising from the issuance of securities, rental rights and so on. The results of the study concluded that copyright (copy rights) which is part of Intellectual Property Rights has criteria as an object of inheritance, because copyright law determines copyright as an intangible movable object that gives moral rights and economic rights to its creators which are exclusive which can be transferred to his heirs. Copyright (copy rights) which is part of Intellectual Property Rights (IPR) according to civil law has the position of an object of inheritance, because the law of inheritance is regulated in book II of the Civil Code which regulates objects. Inheritance object according to civil law is an object that is the property of someone who died.
PERLINDUNGAN HUKUM PEMEGANG HAK MEREK VANS OFF THE WALL TERHADAP MEREK VANS OFF THE TOP Wibisono, Wisesa Adje
JIPRO: Journal of Intellectual Property JIPRO, Vol. 5, No.1, 2022
Publisher : Fakultas Hukum Universitas Islam Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/jipro.vol5.iss1.art5

Abstract

This study presents an analysis of the legal protection of the holder of the Vans OFF The Wall Brand Rights against the Vans OFF The Top Brand, with the formulation of the problem: What is the form of legal protection for the holders of the Vans OFF The Wall Brand against the Vans OFF The Top brand that is still circulating? and Why is the Vans OFF The Top brand still circulating even though there has been a court decision prohibiting its distribution? This research is a normative research, using secondary data such as laws and regulations, court decisions, and the opinion of scholars. This study obtained the results of legal protection for Vans OFF The Wall Brand holders against Vans OFF The Top which are still in circulation with 2 efforts, namely: Preventive Brand protection leading to preventive actions with the aim of minimizing trademark infringement and Repressive Brand protection aiming to resolve or process events that occur. Furthermore, this study found that one of the reasons the Vans OFF The Top brand is still circulating is that legal protection in Indonesia is weak.

Page 1 of 1 | Total Record : 5

 1 

Filter by Year

2022 2022


Reset
Filter By Issues
All Issue JIPRO, Vol. 8, No.2, 2025 JIPRO, Vol. 8, No.1, 2025 JIPRO, Vol. 7, No.2, 2024 JIPRO, Vol. 7, No.1, 2024 JIPRO, Vol. 6, No.2, 2023 JIPRO, Vol. 6, No.1, 2023 JIPRO, Vol. 5, No.2, 2022 JIPRO, Vol. 5, No.1, 2022 JIPRO, Vol. 4, No. 2, 2021 JIPRO, Vol. 4, No. 1, 2021 JIPRO , Vol. 3. No. 2, 2020 JIPRO , Vol. 3. No. 1, 2020 JIPRO, Vol. 2. No. 2, 2019 JIPRO, Vol. 2. No. 1, 2019 JIPRO, Vol. 1. No.1, 2018 More Issue